Beautiful-Looking, Old Fashioned War Melodrama
"Four Feathers" reminded me of "Dances With Wolves," a beautiful try at PC reinterpretation of a soldier's role in an imperialistic war.
While I haven't read the original novel or have seen any of the previous five filmed versions of the story and my knowledge of the history of this period is pretty much formed by movies and "Masterpiece Theatre," this is the first one done by someone born in a former British colony, director Shekhar Kapur, so I was curious to see how the natives were treated (well, more like the Pawnee than the Lakota in "Wolves").
This version also carries today's symbolic weight of Western soldiers against Muslim warriors, especially as the enemy is identified as the Mahdi -- who Osama Bin Lama proclaimed as the last glory of Islam that he aspired to replicate.
This new interpretation has Heath Ledger refusing to fight in the Sudan not because of the cowardice symbolized by the titular feathers but more in the spirit of Country Joe McDonald's view of the Viet Nam War.
I got lost a few times in the geography and rescue choreography and found Djimon Hounsou a noble African with no motivation or reason for being there whatsoever.
However, the cinematography is gorgeous and will all be lost in video. Particularly thrilling are the battle scenes, which rate up there with "Barry Lyndon." I was especially impressed that Kapur didn't keep repeating the same sight lines, as most show-off directors do about shots that must have taken hours to set up.
While crossing and re-crossing the sands didn't make a lot of sense with little explanation as to survival, the treks and fights there were lovely.
And heck, I'm a fan of the three leads, Ledger (who looks great even in a fright wig), Wes Bentley and Kate Hudson (who mostly gets to dress up and look pretty), so I just sat back and enjoyed an old-fashioned big-screen Hollywood adventure (despite the endless chatter from the row of old ladies behind me).
(originally written 9/21/2002)
While I haven't read the original novel or have seen any of the previous five filmed versions of the story and my knowledge of the history of this period is pretty much formed by movies and "Masterpiece Theatre," this is the first one done by someone born in a former British colony, director Shekhar Kapur, so I was curious to see how the natives were treated (well, more like the Pawnee than the Lakota in "Wolves").
This version also carries today's symbolic weight of Western soldiers against Muslim warriors, especially as the enemy is identified as the Mahdi -- who Osama Bin Lama proclaimed as the last glory of Islam that he aspired to replicate.
This new interpretation has Heath Ledger refusing to fight in the Sudan not because of the cowardice symbolized by the titular feathers but more in the spirit of Country Joe McDonald's view of the Viet Nam War.
I got lost a few times in the geography and rescue choreography and found Djimon Hounsou a noble African with no motivation or reason for being there whatsoever.
However, the cinematography is gorgeous and will all be lost in video. Particularly thrilling are the battle scenes, which rate up there with "Barry Lyndon." I was especially impressed that Kapur didn't keep repeating the same sight lines, as most show-off directors do about shots that must have taken hours to set up.
While crossing and re-crossing the sands didn't make a lot of sense with little explanation as to survival, the treks and fights there were lovely.
And heck, I'm a fan of the three leads, Ledger (who looks great even in a fright wig), Wes Bentley and Kate Hudson (who mostly gets to dress up and look pretty), so I just sat back and enjoyed an old-fashioned big-screen Hollywood adventure (despite the endless chatter from the row of old ladies behind me).
(originally written 9/21/2002)
- noralee
- 21 de dez. de 2005