Notícias

In 2010, the murder of Eliza Samudio made headlines across Brazil. The 25-year-old disappeared along with her infant son while dating star soccer goalkeeper Bruno Fernandes de Souza, widely known as Bruno, a year after going to the press and the police about his violent behavior. The true-crime documentary An Invisible Victim: The Eliza Samudio Case explores how Bruno’s stardom prevented Samudio from being protected when she needed it most. It reveals those who — along with Bruno — were found complicit in her murder. From director Juliana Antunes (Baronesa), the film was written by Carol Pires (The Edge of Democracy) and Caroline Cavalcanti Margoni.

Stream it now.

The disappearance of the model Eliza Samudio and her 4-month-old son made headlines in Brazil and around the world. The main suspect was the child’s father, Bruno, who at the time was the goalkeeper and captain of the Brazilian professional soccer team...

Mexican virtual lab offers Usd 30,000 in cash prizes.

Spanish multiple Cannes award winner Olivier Laxe and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.

Scroll to bottom to see all lab participants

Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.

His project After (France) follows a man and...

Mexican virtual lab offers Usd 30,000 in cash prizes.

Spanish multiple Cannes award winner Olivier Laxe, US auteur Rick Alverson and Argentina’s Lisandro Alonso are among participants in the expanded third Mexican project lab Catapulta set to run as an entirely virtual event from March 24-27.

Scroll to bottom to see all lab participants

Laxe, whose Fire Will Come won the Cannes Un Certain Regard jury prize in 2019 and followed a 2016 Critics’ Week grand prize for Mimosas and the 2010 Fipresci award for Directors’ Fortnight selection You Are All Captains, takes part in the new development programme.

His project After (France...

Ela Bittencourt's column explores South America’s key festivals and notable screenings of Latin films in North America and Europe.In The Heart of the World“Our cinema is maximalist,” Gabriel Martins and Maurílio Martins told me at the 48th edition of the International Film Festival of Rotterdam (Iffr). The two (unrelated) Martins hail from the periphery of Belo Horizonte, in the state of Minas Gerais, Brazil, which these days boasts a booming film industry. In addition to the two, André Novais de Oliveira, also present at the festival with a short, Quintal (2015), and a new feature, Temporada (2018), and in the past, filmmakers such as Affonso Uchoa of Araby (2017) and Juliana Antunes of Baronesa (2018), all have come from Minas. In the case of Gabriel and Maurílio, their intense cinefilia, which encompasses the love for fluid camerawork of James Gray, for Sergio Leone’s westerns, for comedy and the 1970s and ‘80s American movies,...

In 2018 we've published 70 interviews whose subjects have ranged from old masters to emerging new voices, and including some unexpected conversations, including those with curators (Dave Kehr of the Museum of Modern Art), as well as archival finds (a 1971 talk with Jerry Lewis).Below you will find an index of our conversations throughout the year, listed in order of publication date.Blake Williams (Prototype)Samira Elagoz (Craigslist Allstars)F.J. Ossang (9 Fingers)Jerry LewisAndré Gil Mata (The Tree)Christian Petzold (Transit)Raoul Peck (Young Karl Marx)Ashley McKenzie (Werewolf)Penelope SpheerisTed Fendt (Classical Period)Dominik Graf (The Red Shadow)Blake Williams ("Stereo Visions")Arnaud Desplechin (Ismael's Ghosts)Ruth Beckermann (The Waldheim Waltz)Nelson Carlos de los Santos Arias (Cocote)Esther GarrelPhilippe Garrel (Lover for a Day)Jonas MekasJohann Lurf (★)Karim Aïnouz (Central Airport Thf)Juliana Antunes (Baronesa)Cristina Gallego and Ciro Guerra (Birds of Passage)Wang Bing (Dead Souls)Donal Foreman...

Since its premiere in the International Film Festival Rotterdam’s Hivos Tiger competition in 2017, Affonso Uchoa and João Dumans’ Araby has become a sleeper festival hit, welcomed at prestigious series such as New Directors/New Films, Fid Marseille, Karlovy Vary, Viennale, San Sebastian, London and Bafici. Focusing on the life experiences of a journeyman laborer (Aristides de Sousa) in the inland states of Brazil as seen through his own autobiographical journal, it’s another small, unassuming jewel in the current outpouring of great cinema from that country; a look at the daily lives of the rural and suburban disenfranchised that inspire so many of these directors interested in telling real stories of the real country. But Dumans and Uchoa, while solidly anchored in a (reasonably conventional) narrative, also borrow from the playbook of documentary, with a non-professional cast enacting scenes from everyday life that are not a million miles away from their own hard-scrabble existence.

Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe great post-war Italian auteur Ermanno Olmi had died at the age of 86. Winner of the Palme d'Or in 1978 for The Tree of the Wooden Clogs, Olmi was making great cinema up until the end. Sam Roberts of the The New York Times remembers.And another mourning that also hits us personally: Pierre Rissient, the ultimate cinephile (and filmmaker in his own right!), has left us. Scott Foundas has penned a most thorough remembrance for IndieWire.Recommended VIEWINGWe're covering the Cannes Film Festival this week and next, and are ever-more excited for the latest film from South Korean director Lee Chang-dong (Poetry), which so happens to be his first film in 8 (!) years.Two of the minds behind the brilliant television series Atlanta, Donald Glover (in his musical alias Childish Gambino) and director Hiro Murai,...

Mubi is exclusively showing Juliana Antunes' Baronesa (2017) as part of a collaboration with the Film Society of Lincoln Center for their Art of the Real showcase of innovative voices in nonfiction and hybrid filmmaking. The film is playing May 8 - June 7, 2018 in the United States and May 24 - June 23, 2018 in most other countries in the world.Juliana Antunes is still doing a road tour with her debut feature, Baronesa, which has played at film festivals from Tiradentes, Brazil, to FIDMarseille and Art of the Real at Lincoln Center, to name a few, and won for best film at FICValdivia, the Festival Internacional del Nuevo Cine Latinoamericano in Havana, and at the Festival of Mar del Plata. This string of successes didn’t necessarily make the road to a second film easy, as the situation of indie filmmakers in Brazil, and in Latin America in general, continues to be fragile.

Ela Bittencourt's new column explores South America’s key festivals and notable screenings of Latin films in North America and Europe.We Are All HereThe news from Sundance this year was that it’s been a year of women filmmakers. But that early optimism was quickly cut short. Alison Wilmore reported for Buzzfeed that the grumblings by the industry about no clear discoveries at this year’s festival seemed directly related to the larger representation by women. In Wilmore’s words, the buyers were asking, “Who are these films for?” “As mindblowing a concept as this may be, for women,” was Wilmore’re answer in the article. Some critics, such as Eric Hynes, retweeted Wilmore’s repartee on Twitter to voice criticism of the industry’s response. Others, like me, reacted to the industry comments with even more chagrin, wondering if indeed only women were the intended viewer.Meanwhile in Latin America,...