Notícias

There are at least two disparate movies in Hari ng Tondo (Where I Am King), Carlos Siguion-Reyna's first feature film in more than a decade. The first movie is the one written by Bibeth Orteza, which was followed faithfully by Siguion-Reyna. Orteza is a veteran screenwriter whose most recent works are television sitcoms or sitcom-like crowd drawers like Nobody Nobody but Juan (Eric Quizon, 2009), Si Agimat at si Enteng Kabisote (Tony Y. Reyes, 2010), and My Little Bossings (Marlon Rivera, 2013). Her best scripts, however, are the ones directed by Siguion-Reyna, like Ligaya ang Itawag Mo Sa Akin (Call Me Joy, 1997), Ang Lalaki sa Buhay ni Selya (The Man in Her Life, 1997), and Kahapon, May Dalawang Bata (Yesterday Children, 1999). Her...

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An adolescent’s sixteenth birthday marks a turning point in life when maturation occurs at a much more rapid pace and the teenager begins to be faced with difficult and important decisions that will shape their future. The same can be said of Montreal’s Fantasia International Film Festival, set to kick off its sixteenth edition tomorrow: its Super Sweet Sixteen promises to be nothing if not interesting. That’s not to say that the main focus of North America’s largest genre film festival is changing; in fact, between prolific director Takashi Miike’s festival opener For Love’s Sake – fresh from Cannes and having its North American premiere – and the Canadian premiere of animation studio Laika’s Paranorman, which closes the fest three weeks later, filmgoers will have a whopping 160 films from around the world to choose from. Sitges eat your heart out.

Where Fantasia seems to be...

I can't remember a time I went to the Seattle International Film Festival (Siff) press launch and looked over the list of films and saw so many I was interested in seeing. The claim to fame for over the years is to call it the largest and most-highly attended festival in the United States. This is a fact I've often taken issue with as I don't equate quantity with quality. Granted, there has been a large number of quality features to play the fest over the years, including Golden Space Needle (Best Film) winners such as Kiss of the Spider Woman (1985), My Life as a Dog (1987), Trainspotting (1996), Run Lola Run (1999), Whale Rider (2003) and even recent Best Director winner, Michel Hazanavicius's Oss 117: Nest of Spies in 2006. That said, looking over this year's crop of films I see a lot of films I will be doing my absolute best to see.

Yesterday the Academy finally released the full list of 2012 Foreign Language Oscar contenders adding four films I did not have on my previous list from the Dominican Republic, Indonesia, United Kingdom and a mysterious title I can't find anything about from Kazakhstan and now that the short list has been announced and everyone has posted the Academy's press release it's like searching for a needle in a haystack if you go looking for more information on it. That said, if anyone has a link to any information on Egor Mikhalkov-Konchalovsky's Returning to the 'A' I would love to share it as I have links and information for all other 62 films submitted for consideration. As I said in my last post addressing the category, I haven't seen any of these films, a rarity for me, but based on buzz the top contenders would seem to include Zhang Yimou's The War of Flowers,...

Update: The total is now 60 films as Steve Pond at The Wrap informs us the Domenican Republic's submission La hija natural has been accepted. He also says we should expect four or five more films to be added to the list by the time things are said and done. My original post follows...

The deadline for countries to submit films for consideration at this year's Oscars was Monday, October 3 and this year's list is a little lighter than last (so far) as 60 countries have offered up submissions compared to 66 last year and 67 the year before that. Looking over the complete list, which I have included directly below and can always be viewed in my "The Contenders" section right here, there are a few that stand out based on what I've heard, but then again, this is the first year I can ever remember where I haven't seen a single one of the entries.

Earlier in the month we celebrated with Happy Happy director Anne Sewitsky when her dulcet dogme dramedy was selected as Norway’s submission for the 84th Annual Academy Awards’ foreign-language category. Since then a bevy of other countries have chosen their entries, many of which will be screened at part of the New York Film Festival in a few weeks including: Wim Wenders’s Pina, Aki Kaurismaki’s Le Havre, Béla Tarr’s The Turin Horse, Joseph Cedar’s Footnote, Asghar Farhadi’s A Separation and Gerardo Naranjo’s Miss Bala. {Look for reviews in the coming weeks here.}

Among other notable entries is China’s submission The Flowers of War, a historical drama that reveals the invasion of the Japanese Imperial Army in 1937 Nanking. The film’s director Zhang Yimou has twice earned Oscar nods in this category (for Raise the Red Lantern and Ju Dou) and notably directed...

We are looking for upwards of 65 total submissions for Oscar's list of Foreign Language contenders and we are inching closer as I have just added 18 more titles to the list bringing the total up to 40. Today I added submissions from Albania, Bosnia and Herzegovina, Brazil, Bulgaria, Canada, Chile, Colombia, Czech Republic, Denmark, Hong Kong, Iceland, India, Israel, Peru, Slovakia, South Africa and Vietnam along with China's submission of Zhang Yimou's The Flowers of War starring Christian Bale.

Yimou, as I'm sure most of you know, is best known for helming House of Flying Daggers and Hero and with Flowers of War he's working from an adaptation of Geling Yan's novel "13 Flowers of Nanjing," centering on the Nanjing Massacre, when Japanese troops killed thousands of Chinese citizens in what was then the nation's capital in 1937. Bale plays John Haufman, an American trapped amidst the chaos of battle and the ensuing occupation takes shelter,...

I haven't talked much if at all about this year's foreign language Oscar race, primarily because I have only seen one of the 24 films submitted so far and that is Russia's entry, Burnt by the Sun 2: Citadel, which I saw at Cannes last year and didn't particularly enjoy. There are several I've heard of including Wim Wenders' 3D documentary Pina, Bela Tarr's The Turin Horse, Where Do We Go Now? which just won the Toronto Film Festival Audience Award, Asghar Farhadi's Nader and Simin, A Separation which people seem to either love or hate, Agnieszka Holland's Polish-set Ww II feature In Darkness and Aki Kaurismaki's Le Havre, which was just picked up for distribution by Janus Films and will hit Los Angeles theaters on October 21.

Le Havre was a big hit at Cannes earlier this year where I also missed it and had too much...

Ang Babae sa Septic Tank (The Woman in the Septic Tank), directed by Marlon Rivera from a screenplay written by Chris Martinez, earns most of its laughs from the misadventures of director Rainer (Kean Cipriano), producer Bingbong (Jm de Guzman), and production assistant Jocelyn (Cai Cortez), an overly ambitious troop of filmmakers who are out to make their dream film entitled Walang Wala by exploiting the picturesque poverty of Manila. As they brainstorm on the casting, the look, the story, the poster design, and down to the English translation of the title of their precious project, the film takes shape inside the mind of perennially quiet Jocelyn (perhaps Rivera and Martinez's homage to the production crew rendered voiceless by noisy auteurs and capitalists), showcasing...