Daniel Kremer
- Direção
- Edição
- Redação
Direção
- 2024
- These Obscure Subjects of Desire: Objectified Women in the Lost Films of Frankenheimer and LumetCurta
- Direção
- 2024
- 2023
- 2023
- 2023
- 2023
- 2023
- 2023
- 2023
- 2022
- The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late PremingerCurta
- Direção
- 2022
- 2022
- 2022
Edição
- 2024
- 2024
- These Obscure Subjects of Desire: Objectified Women in the Lost Films of Frankenheimer and LumetCurta
- Edição
- 2024
- 2023
- 2023
- 2023
- 2023
- 2023
- 2022
- The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late PremingerCurta
- Edição
- 2022
- 2022
Redação
- 2024
- These Obscure Subjects of Desire: Objectified Women in the Lost Films of Frankenheimer and LumetCurta
- Redação
- 2024
- 2023
- 2023
- 2023
- 2023
- 2023
- 2023
- 2023
- The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late PremingerCurta
- Redação
- 2022
- 2022
- 2022
- 2022
- Central de atendimento oficial
- Nome alternativo
- Danny Kremer
- Nascido(a) em
- Ofertas de publicidade
- CuriosidadesFilmmakers he considers his biggest influences: Sidney J. Furie, Claude Jutra, Nicolas Roeg, John Cassavetes, Jacques Rivette, Joseph Losey, Robert Altman, Joan Micklin Silver, Max Ophuls, the team of Michael Powell & Emeric Pressburger. Favorite films include: The Life and Death of Colonel Blimp, Mon Oncle Antoine, The Leather Boys, The Ipcress File, Kamouraska, La Belle Noiseuse, Celine and Julie Go Boating, A Woman Under the Influence, Dear Mr. Wonderful, L'Atalante, The Cloud-Capped Star (1960), Puzzle of a Downfall Child, Profound Desire of the Gods, Hester Street, Montreal Main, and Andrei Rublev.
- Marcas registradasOften uses old vintage 30's and 40's music in his films
- Apelido
- The Rabbi
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