Notícias

Father’s Day weekend has arrived. It’s time to celebrate your dad by letting him take a load off while you handle the yard work, clean out the gutters, and cook dinner — if he lets you behind the grill. He’ll definitely appreciate the effort, and if that’s not enough, you can also check out our picks for great last-minute deals to get for dad.

If your dad isn’t a sports fan or the team he likes isn’t worth watching on Father’s Day, never fear! From Netflix to Max to Prime Video, there’s a huge selection of great TV shows and movies to watch that your dad will love on top streaming services.

We’ve also assembled a list of great titles to stream for Father’s Day. You can check out our recommendations, as well as where to stream them, below. Some will be available with a subscription,...

In 2023, Guillermo del Toro’s “Pinocchio” won the Oscar for Best Animated Feature — the Mexican-born filmmaker’s third Academy Award since first winning in 2018 for “The Shape of Water.” As del Toro held this statue once more, a reporter asked him what the award would say if it had Pinocchio’s speech ability. The director answered in Spanish, “It would tell me he’s Indio Fernández.”

His quip references the long-rumored connection between the statuette and Mexican director/actor Emilio “El Indio” Fernández, who allegedly modeled for the Oscar statue’s design during his stay in the United States — just before becoming one of the most notable filmmakers of Mexico’s Golden Age of Cinema. Del Toro holding this piece of cinematic history is alluringly symbolic, especially given the filmmaker’s prolific Hollywood status 30-plus years after his debut “Cronos.” It wasn’t until Alfonso Cuarón’s 2014 Best Director win...

Is that the smell of cigarette smoke filling the room? Did a thick layer of fog just descend on the city skyline? Has your inner voice started monologuing more than usual and with an air of suspicion? That’s right folks, Noir City Film Festival at Detroit’s Redford Theatre is set to return this month for it’s seventh annual showcase of murder, intrigue, trenched coats, and brimmed hats. As with every year, the festivities will be hosted by Eddie Muller of Turner Classic Movies‘ “Noir Alley” and will feature an international theme this year with foreign selections, as well as Hollywood films directed by non-American filmmakers like Otto Preminger and Hugo Fregonese.

2024’s Noir City: Detroit begins on Friday, September 20 with a double feature of “Victims of Sin” (1951) and “Night Editor” (1946). Directed by Emilio Fernández, one of the most prolific filmmakers from Mexican cinema’s Golden Age during the ’40s and ’50s,...

The Criterion Channel has unveiled its streaming lineup for August 2024, which features an eclectic mix of independent films showcasing the work of auteurs from around the world.

The boutique service will become the exclusive streaming home of Paul Thomas Anderson’s 2021 comedy “Licorice Pizza,” and will celebrate the occasion by adding four more of his films to the channel: “The Master,” “There Will Be Blood,” “Punch-Drunk Love,” and “Magnolia.” Anderson’s frequent collaborator Philip Seymour Hoffman will additionally be celebrated on the streaming service as part of a larger retrospective. Many of the late actor’s most iconic roles, including “Capote” and “Synecdoche, New York,” will be included, along with his sole directorial outing “Jack Goes Boating.”

The channel will also highlight several other prominent filmmakers including Preston Sturges, who helped pioneer the modern rom-com through films like “The Lady Eve” and “The Palm Beach Story,” and prolific Egyptian auteur Youssef Chahine.

Fans of classic Mexican cinema have an embarrassment of riches to feast on later this month when the Film at Lincoln Center (Flc) retrospective “Spectacle Every Day: Mexican Popular Cinema” begins. The series, curated and produced in partnership with the Locarno Film Festival and sponsored by Mubi, will feature an eclectic mix of 22 midcentury Mexican films produced from the 1940s through the 1960s.

Running at Flc from July 26-August 8, the series features classic horror movies, film noir, comedies, Westerns, lucha libre superhero movies, and early 3D cinema from one of Mexico’s richest periods of cultural output. Many of the films are either debuting new restorations or, in some cases, screening theatrically in the United States for the first time. The titles were originally screened together as part of a retrospective at the 2023 Locarno Film Festival, which featured 36 Mexican films before trimming its lineup down to 22 entries for the New York remounting.

“Film is like a battleground. There’s love, hate, action, violence, death. In one word: emotion.” So said Sam Fuller of Jean-Luc Godard’s Pierrot le Fou, but he could just as easily have been speaking about Emilio Fernández’s Victims of Sin given how drastically and often ferociously the 1951 film shifts in emotional registers, from the erotic to the violent, from the tragic to the transcendent.

As one of the quintessential cabaretera films from the golden age of Mexican cinema, Victims of Sin moves at the quickening pace of the Afro-Cuban rumba dances we witness throughout. These dances, and the music supporting them, underscore the sensuality that seems to run beneath almost everything in the seedy little corner of Mexico City where the film takes place, as well as set up the female characters as objects of male lust and jealousy.

Written by Fernández and Mauricio Magdaleno, the film...

Mid-century Mexican films are being feted at the Film at Lincoln Center as part of a new partnership with the Locarno Film Festival. Titled Spectacle Every Day: Mexican Popular Cinema, the program spans Mexican cinema from the ’40s through the ’60s, featuring works from directors such as Roberto Gavaldón, Emilio Fernández, Julio Bracho, Alejandro Galindo, and Chano Urueta. The 22-film retrospective takes place at Flc from July 26 through August 8.

Highlights include the 4K restoration of Julio Bracho’s “Take Me in Your Arms” (1954), Alejandro Galindo’s “Wetbacks” (1955), “The Sword of Granada” (1953) which was the first 3-D film produced in Mexico, and Matilde Landeta’s sex work melodrama “Streetwalker” (1951). Landeta was one of the country’s first female directors.

The features screening as part of Spectacle Every Day: Mexican Popular Cinema have been rarely screened stateside. Some even have never before seen theatrically in the United States, per the official press release.

The Criterion Collection has announced its slate of releases for June 2024, which is headlined by 4K restorations of two of the boutique label’s most popular Blu-rays and four new high profile additions to the collection.

David Lynch’s landmark 1986 neo-noir horror film, which marked his first collaboration with Laura Dern alongside her future “Twin Peaks: The Return” co-star Kyle McLachlan, will be re-released by Criterion with a new 4K transfer. It joins Lynch’s “Eraserhead,” “Mulholland Drive,” “Lost Highway,” “Inland Empire,” “The Elephant Man,” and “Twin Peaks: Fire Walk With Me” in the Criterion 4K library.

Also getting the 4K treatment is Terry Gilliam’s “Fear and Loathing in Las Vegas,” which sees Johnny Depp playing Hunter S. Thompson stand-in Raoul Duke in a psychedelic adaptation of the landmark countercultural novel.

New additions to the collection include Lana and Lilly Wachowski’s “Bound,” Rainer Werner Fassbinder’s “Querelle,” Emilio Fernández’s “Victims of Sin,...

And I still can see blue velvet through my tears… in 4K! Surely Criterion will add an audio track in their upgrade of David Lynch’s beyond-seminal film, arriving this June in an otherwise-identical edition to 2019’s release. At least two things are arguably of greater note, though: the Wachowskis make their entrance into the Criterion Collection with a 4K edition of their debut feature Bound, while the company takes a big step into the limited-series realm with Barry Jenkins’ The Underground Railroad.

Meanwhile, Rainer Werner Fassbinder’s positively apocalyptic final feature Querelle and Emilio Fernández’s Victims of Sin get Blu-ray releases, while Terry Gilliam’s Fear and Loathing in Las Vegas also gets the 4K upgrade.

See artwork below, with more at Criterion:

The post The Criterion Collection’s June Lineup Includes Blue Velvet and the Wachowskis on 4K, The Underground Railroad & More first appeared on The Film Stage.

Creo has announced the jury for the 2024 Sony Future Filmmaker Awards.

Director Justin Chadwick serves as chair for the second year in a row. He is joined on the jury by Michael Barker and Tom Bernard, co-founders and co-presidents of Sony Pictures Classics; cinematographer Rob Hardy ASC, Bsc; cinematographer Kate Reid Bsc; cinematographer Robert Primes ASC; and Australian filmmaker Unjoo Moon.

Chadwick said, “It is such a pleasure to return as Chair of this new prestigious panel of decorated creatives. Last year, we brought to the forefront 30 exceptionally talented filmmakers from across the world, each of whom had the unique chance to access the inner workings of the industry in Los Angeles, opening doors to career-launching opportunities. From my own experience, the art of the short film is by no means one to be underestimated, and I look forward to discovering more brilliant, talented individuals through this upcoming selection.”

In...

"A film that shocks! A picture that dazzles! An experience that thrills!" Janus Films has revealed a brand new official trailer for a 4K restoration of Victims of Sin, a 1951 classic Mexican film from the Golden Age of Mexican Cinema, written and directed by Emilio Fernández. It's ready for a proper cinema re-release in the US, with a run at the Film Forum cinema in NYC starting in a few weeks. Set in México City, a famous Cuban dancer from "Cabaret Changó" rescues a baby from a garbage can and decides to raise him, but her pachuco pimp gets in her way. Of course. IDescribed as a "blend of film noir, melodrama, and musical", the film has rarely been seen in the US, with the first release in Mexico in 1951. It stars acting-dancing sensation Ninón Sevilla, plus Tito Junco and Rodolfo Acosta, with cinematography by the legendary Gabriel Figueroa. Fernández...

Fans of Western movies are in for a treat as Prime Video India has added the legendary Dollars Trilogy, starring Clint Eastwood, to its streaming library. The trilogy, directed by Sergio Leone, consists of three films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The films are widely regarded as the best examples of the Spaghetti Western genre, which refers to Westerns made by Italian filmmakers in Spain.

The trilogy follows the exploits of a mysterious gunslinger, played by Eastwood, who is known as the Man with No Name. He is a master of the quick draw and a man of few words, who often finds himself in the middle of conflicts between rival factions, bounty hunters, and outlaws. He also has a knack for finding hidden treasures and getting into trouble.

For a Few Dollars More Trailer

The first film,...

Oscar is 95 this year, meaning he’s been around longer than most of us. And many people assume the look of the award, his nickname and the structure of the annual voting … just kinda happened.

However, Bruce Davis details the thought and innovations behind these things in his authoritative new book, “The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences” (Brandeis University Press).

Davis, who was AMPAS’ executive director for 20 years, dispels a lot of Oscar lore. No, neither Bette Davis nor the Academy’s Margaret Herrick came up with the nickname Oscar. No, Mexican actor Emilio Fernandez was not the model. Cedric Gibbons didn’t sketch out the design on the tablecloth at the Biltmore.

Davis also points out, “Contrary to widespread opinion, the Academy’s knight is neither naked nor bald.” Oscar is wearing a thong-like strap and has close-cropped hair.

Stephen Fry-Narrated Doc Set For Prime Video

Mind Games – The Experiment, a Stephen Fry-narrated doc, is dropping today on Prime Video. The program is billed as a “a groun breaking study that follows sedentary and physically inactive gamers” to see if exercise makes their gameplaying abilities better by improving cognitive functions. It will follow four professional games, who specialize in chess, mahjong, memory and esports, respectively, and take the results from 70+ gamers elsewhere around the world to draw conclusions. The doc is from Beyond Productions, which is now part of Banijay. The study and doc were initially commissioned by international sportsware brand Asics, though the film is editorially independent and unbranded.

Mbc And Warner Bros Discovery Extend Middle East Pact

Middle Eastern media group Mbc has extended its content pact with Warner Bros Discovery. A new multi-year deal hands Mbc Group first-run free-tv rights on features such as Tenet,...

The recent news that Bradley Cooper is set to star in a Bullit remake, directed by Steven Spielberg, has been met with both excitement and frowns. Given how perfect the original Steve McQueen movie is, topping it will surely take a lot of work. Nonetheless, Spielberg can be trusted to pull it off.

Throughout the history of Hollywood, remakes have been quite common. And while most of them usually maintain the original genre, some normally opt for a change in tone. So, what are some of the major remakes that hopped into a different genre?

The Magnificent Seven (2016) Stream On Apple TV+

When an industrialist begins terrorizing a small town, a widow brings together several gunmen, tasking them with protecting the place she has always called home. The Western is a remake of the 1941 Japanese epic, Seven Samurai.

Swapping genres from an epic to a Western is a bold move,...

No matter how action films evolve over the years, John Woo remains one of the most influential directors of his generation. The genre wouldn't be what it is today without Woo's elegiac, balletic action sequences, his inventive (not to mention bombastic) use of gunplay, and of course his penchant for slow motion. But Woo's signature style wasn't born in a vacuum. The director has always worn his influences enthusiastically on his sleeve — and endearingly, Woo takes influence from anything he can. When recording commentary for his 1992 hit "Hard-Boiled," Woo admitted that he tries "to get something from everything" he sees. It could be a classical movement from a composer like Richard Wagner, a painting by Van Gogh, or a Bugs Bunny cartoon — in some way, they'll end up informing his work.

Woo also draws steady inspiration from two classic genres: the musicals of Hollywood's Golden Age, and the pulpy Westerns that dominated the '60s.

It’s a big international action epic, filmed in Mexico with a French director. Anthony Quinn is an 18th-century bandit who liberates a Mexican hamlet from marauding Yaqui Indians and a villainous Charles Bronson. Quinn is good, and all the necessary elements are present: fights, handsome scenery and a big battle… but it’s fairly tepid stuff, simplified and prettified. Leave it to Ennio Morricone’s epic music score to bind it all together. With Anjanette Comer, Sam Jaffe, Silvia Pinal and the same fifteen or so well-connected actors that cornered roles in all big Mexican films made with foreign money.

Guns for San Sebastian

Blu-ray

Warner Archive Collection

1968 / Color / 2:35 widescreen / 111 min. / La bataille de San Sebastian / Available at Amazon.com / Street Date June 15, 2021 / 21.99

Starring: Anthony Quinn, Anjanette Comer, Charles Bronson, Sam Jaffe, Silvia Pinal, Jorge Martínez de Hoyos, Jaime Fernández, Rosa Furman, Leon Askin, Ivan Desny, Pedro Armendáriz Jr.,...

Blood, gore and the smell of gunpowder! Sam Peckinpah’s booze-soaked Odyssey sends Warren Oates on a grisly fool’s errand to retrieve a rotting, fly-bitten… oh, just read the title will ya? Resolutely sordid and debased, and soaked in ugly exploitation values, the tale of ‘Machete Bennie’ nevertheless scores as Peckinpah’s last successful movie — if Edgar Allan Poe went crazy locked in a room with rotting corpses, he might have come up with this idea.

Bring Me the Head of Alfredo García

Blu-ray

Kl Studio Classics

1974 / Color / 1:85 widescreen / 112 min. / Street Date , 2021 / available through Kino Lorber / 24.95

Starring: Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson, Chano Urueta, Jorge Russek, Enrique Lucero, Janine Maldonado, Richard Bright, Sharon Peckinpah, Garner Simmons.

Cinematography: Álex Phillips Jr.

Film Editors: Garth Craven, Dennis E. Dolan, Sergio Ortega, Robbe Roberts

Original Music: Jerry Fielding

Written by Sam Peckinpah,...

Alfonso Cuarón's Sólo con tu pareja (1991) is showing January 4 – February 2 and Y tu mamá también (2001) is showing January 5 – February 3, 2018 on Mubi in the United States as part of the series What Is An Auteur?: Director Double Features.Daniel Giménez Cacho’s Don Juan-esque Tomás Tomás loves women with the same unbridled fervor he hates syringes. Catching up with Alfonso Cuarón’s feature debut Sólo con tu pareja a whopping 26 years after its 1992 premiere, I was less impressed by the protagonist’s sexual escapades than the terrified look he gives nurse Silvia (Dobrina Liubomirova) as she readies him for a blood test. A diehard Casanova and beacon of heterosexual prowess reduced to a hypochondriac bundle of quivering limbs. “Pull yourself together, señor Tomás,” the girl giggles, a needle in her hand. “Will it hurt?” he mutters, terrified. “A lot.” Deemed too controversial and banned for many years in its home turf,...

Illustration by Yuwei Qiu.An outlier among film festivals, Il Cinema Ritrovato in Bologna is a lost paradise for cinephiles, comprising an apparently limitless retrospective treasure-trove. It is an outlier in the sense that there are few celebrities in attendance, there is no red carpet, no tiered delegate passes, and only a handful of very minor premieres (mostly documentaries about the old movies that otherwise dominate). All manner of movie-obsessives descend upon the city every summer, habitually exceeding the capacity of the festival's four indoor cinemas. Amidst the bustle, it is a place democratic in spirit and outwardly joyous in feeling. But the bounty in evidence on each and every page of the festival’s program puts hard-core movie buffs in a double-bind: seek out super-rarities that can only be found in the smaller, darker cinemas or bask in the glory of a canonical classic, whether rediscovered or seen, in such ideal conditions,...

As Cannes director Thierry Fremaux sought to bolster his auteur lineup this year, he brought in Martin Scorsese to open the festival with his “The Aviator” star, Cannes jury president Cate Blanchett. The New York filmmaker also introduced his Film Foundation-restored 1946 Cannes Classics entry “Enamorada,” Emilio Fernández’s Mexican revolution romance starring icon María Félix, who became a favorite of Jean Renoir and Luis Buñuel. “Black Panther” director Ryan Coogler showed his blockbuster at the Cannes outdoor cinema on the beach, and submitted to over 90 minutes of friendly grilling from American buddy Elvis Mitchell.

But the biggest crowd showed up for “Dunkirk” writer-director Christopher Nolan, who made his first foray to Cannes for a lengthy public conversation and a screening of “2001: A Space Odyssey.”

Nolan will introduce a Sunday 70mm Cannes showing of a new print of Stanley Kubrick’s movie with the director’s daughter Katharina, her uncle...

As Cannes director Thierry Fremaux sought to bolster his auteur lineup this year, he brought in Martin Scorsese to open the festival with his “The Aviator” star, Cannes jury president Cate Blanchett. The New York filmmaker also introduced his Film Foundation-restored 1946 Cannes Classics entry “Enamorada,” Emilio Fernández’s Mexican revolution romance starring icon María Félix, who became a favorite of Jean Renoir and Luis Buñuel. “Black Panther” director Ryan Coogler showed his blockbuster at the Cannes outdoor cinema on the beach, and submitted to over 90 minutes of friendly grilling from American buddy Elvis Mitchell.

But the biggest crowd showed up for “Dunkirk” writer-director Christopher Nolan, who made his first foray to Cannes for a lengthy public conversation and a screening of “2001: A Space Odyssey.”

Nolan will introduce a Sunday 70mm Cannes showing of a new print of Stanley Kubrick’s movie with the director’s daughter Katharina, her uncle...

The Festival de Cannes has announced the lineup for the official selection, including the Competition and Un Certain Regard sections, as well as special screenings, for the 71st edition of the festival:COMPETITIONEverybody Knows (Asghar Farhadi)At War (Stéphane Brizé)Dogman (Matteo Garrone)Le livre d'images (Jean-Luc Godard)Netemo Sameteo (Asako I & II) (Ryūsuke Hamaguchi)Sorry Angel (Christophe Honoré)Girls of the Sun (Eva Husson)Ash Is Purest White (Jia Zhangke)Shoplifter (Hirokazu Kore-eda)Capernaum (Nadine Labaki)Burning (Lee Chang-dong)BlacKkKlansman (Spike Lee)Under the Silver Lake (David Robert Mitchell)Three Faces (Jafar Panahi)Cold War (Pawel Pawlikowski)Lazzaro Felice (Alice Rohrwacher)Yomeddine (A.B. Shawky)Leto (Kirill Serebrennikov)Un couteau dans le cœur (Yann Gonzalez)Ayka (Sergei Dvortsevoy)The Wild Pear Tree (Nuri Bilge Ceylan)Out Of COMPETITIONSolo: A Star Wars Story (Ron Howard)Le grand bain (Gilles Lelouch)The House That Jack Built (Lars von Trier)Un Certain REGARDGräns (Ali Abbasi...

Despite Netflix removing all of its films from the 2018 Cannes Film Festival, Orson Welles will still be represented on the Croisette next month. The festival has announced the official lineup for this year’s Cannes Classics sidebar, and included on the list is the FilmStruck-produced documentary “The Eyes of Orson Welles,” from British documentarian Mark Cousin.

Netflix had originally been set to bring Welles’ unfinished film, “The Other Side of the Wind,” to the festival’s Out of Competition section, but the streaming giant announced it would not be attending the festival in any capacity after Cannes reinstated a rule preventing films without French theatrical distribution from competing for the Palme d’Or. The rule would not have affected “The Other Side of the Wind,” but Netflix wasn’t going to make an exception.

“The Eyes of Orson Welles” includes access to a lifetime of private drawings and paintings by Welles,...

Orson Welles will be featured at next month’s Cannes Film Festival. It still won’t be via his previously unfinished The Other Side Of The Wind, which recently got caught in the scrum between the festival and Netflix. Rather, Welles will be represented in The Eyes Of Orson Welles, a new documentary from Mark Cousins that’s part of the Cannes Classics selection.

The festival today unveiled its full roster for the Classics sidebar which includes tributes and documentaries about film and filmmakers, and restorations presented by producers, distributors, foundations, cinemathèques and rights holders. Among the attendees this year are Martin Scorsese, Jane Fonda, Christopher Nolan and John Travolta.

The Eyes Of Orson Welles is a journey through the filmmaker’s visual process. Thanks to Welles’ daughter Beatrice, Cousins (The Story Of Film) was granted access to never-before-seen drawings, paintings and early works that form a sketchbook from his life.

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Metrograph

Films by Jacques Rivette, Arnaud Desplechin, David Lynch, and Pakula are playing, while a restored Jackie Chan classic are screening.

Quad Cinema

Straub-Huillet’s immense Chronicle of Anna Magdalena Bach, restored in 2K, continues its run, as does King of Hearts.

A retrospective of director William Klein is underway.

Bam

A Clockwork Orange screens on Saturday.

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Quad Cinema

Straub-Huillet’s immense Chronicle of Anna Magdalena Bach, restored in 2K, begins a week-long run.

A retrospective of director Philippe de Broca is underway.

Metrograph

The cult classic Mind Game returns, while Labyrinth, Scarlet Street, and Klute have showings.

Bam

“Women at Work” celebrates, it turns out, just that.

Nitehawk Cinema

Peas in a pod,...

By Darren Allison

Attending a film festival in the mid-seventies, Sam Peckinpah was once questioned about how the studios regularly bastardised his vision, his intension and more specifically, if he would ever be able to make a ''pure Peckinpah'' picture. He replied, '’I did 'Alfredo Garcia' and I did it exactly the way I wanted to. Good or bad, like it or not, that was my film.''

The overall narrative for Alfredo Garcia is neither complicated nor convoluted. Warren Oates plays Bennie, a simple pianist residing in a squalid barroom in Mexico. He is approached by two no-nonsense Americans (Robert Webber and Gig Young) who are attempting to track down Alfredo Garcia. The womanising Garcia is the man responsible for the pregnancy of Theresa (Janine Maldonado) the teenage daughter of a powerful Mexican boss El Jefe (Emilio Fernández). In a display of power, El Jefe offers...

Charlie Bronson cashed in big with this lightweight action thriller co-starring Jill Ireland and Robert Duvall. Did Duvall get involved because the original concept was a serious look at political scandals between big business, the CIA and Chile? The clues from the real source story are still there.

Breakout

Region B + A Blu-ray

Koch Media / Explosive Media (De)

1975 / Color / 1:85 widescreen / 96 min. / Street Date January 17, 2017 / Der Mann ohne Nerven / Available from Amazon.de Eur 15,99

Starring: Charles Bronson, Jill Ireland, Robert Duvall, Randy Quaid, Sheree North, John Huston, Jorge Moreno, Paul Mantee, Emilio Fernandez, Alan Vint, Roy Jenson, John Huston.

Cinematography: Lucien Ballard

Editor: Bud Isaacs

Original Music: Jerry Goldsmith

Written by: Howard B. Kreitsek, Marc Norman, Elliott Baker suggested by the book Ten Second Jailbreak by Warren Hinckle, William Turner, Eliot Asinof.

Produced by: Robert Chartoff, Irwin Winkler

Directed by: Tom Gries

Charles Bronson seems to have been an unhappy...

An Encore Edition. Peckinpah's macabre South of the border shoot 'em up is back for a second limited edition, with a new commentary. It's still a picture sure to separate the Peckinpah lovers from the auteur tourists - it's grisly, grim and resolutely exploitative, but also has about it a streak of grimy honesty. Bring Me the Head of Alfredo Garcia Blu-ray Twilight Time Encore Edition 1974 / Color / 1:85 widescreen / 112 min. / Street Date September, 2016 / available through Screen Archives Entertainment / 29.95 Starring Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson, Chano Urueta, Jorge Russek, Enrique Lucero, Janine Maldonado, Richard Bright, Sharon Peckinpah, Garner Simmons. Cinematography Álex Phillips Jr. Art Direction Agustín Ituarte Film Editors Garth Craven, Dennis E. Dolan, Sergio Ortega, Robbe Roberts Original Music Jerry Fielding Written by Sam Peckinpah, Gordon T. Dawson, Frank Kowalski Produced by Martin Baum, Helmut Dantine, Gordon T. Dawson Directed by...

Luis Buñuel's most direct film about revolutionary politics brandishes few if any surreal touches in its clash between French star Gérard Philipe and the Mexican legend María Félix. Borrowing the climax of the opera Tosca, it's an intelligent study of how not to effect change in a corrupt political regime. La fièvre monte à El Pao Region A+B Blu-ray + Pal DVD Pathé (Fr) 1959 / B&W / 1:37 flat (should be 1:66 widescreen) / 96 min. / Los Ambiciosos; "Fever Mounts at El Pao" / Street Date December 4, 2013 / available at Amazon France / Eur 26,27 Starring Gérard Philipe, María Félix, Jean Servais, M.A. Soler, Raúl Dantés, Domingo Soler, Víctor Junco, Roberto Cañedo, Enrique Lucero, Pilar Pellicer, David Reynoso, Andrés Soler. Cinematography Gabriel Figueroa Assistant Director Juan Luis Buñuel Original Music Paul Misraki Written by Luis Buñuel, Luis Alcoriza, Charles Dorat, Louis Sapin from a novel by Henri Castillou Produced by Jacques Bar, Óscar Dancigers, Gregorio Walerstein...

Here's another installment featuring Joe Dante's reviews from his stint as a critic for Film Bulletin circa 1969-1974. Our thanks to Video Watchdog and Tim Lucas for his editorial embellishments!

Post-production tampering mitigates against this Western by Sam Peckinpah finding its deserved reception from better-class audiences. Shortened release version is vague, confusing, and is being sold as routine action entry in saturation breaks where it should perform routinely, no more. Kris Kristofferson and acting debut of Bob Dylan provide youth lures. Rating: R.

“It feels like times have changed,” says Pat Garrett. “Times, maybe—not me," says Billy the Kid. A classical Sam Peckinpah exchange, reflecting one of the numerous obsessive themes that run through his latest Western. But times certainly haven’t changed for Peckinpah—for, despite the overdue success of his last venture, The Getaway, the embattled and iconoclastic director who revolutionized the Western with The Wild Bunch...

Macario, just screened in Edinburgh International Film Festival's Focus on Mexico season, is a relatively well-known film by the great and prolific Roberto Gavaldón, but that in itself means little, since even in cinephile circles many film-lovers have never heard of him.Gavaldón was one of the top directors of Mexican cinema's golden age, along with Emilio Fernández and Tito Davison (Buñuel was always something of an outsider). While his work includes the elements of melodrama, social realism and a tinge of film noir which characterise much of this period, he also incorporates a streak of what might be called magic realism. and this is at the forefront of Macario.The first Mexican film nominated for an Oscar, losing out to The Virgin Spring, which bizarrely also features a magic spring bubbling up under mysterious and perhaps divinely-inspired circumstances, Macario derives from a story by the mysterious B. Traven (Treasure...

While the name Gabriel Figueroa may not be a familiar one to many, even those with a stronger affinity for filmmaking and the art behind it, New York’s own Film Forum is hoping to change that.

On June 5, the theater began a career spanning retrospective surrounding the work of iconic cinematographer and Mexican film industry legend Gabriel Figueroa. Taking a look at 19 of the photographer’s films, the series is running in conjunction with the new exhibition at El Museo del Barrio, entitled Under The Mexican Sky: Gabriel Figueroa – Art And Film.

Best known as a pioneer of Mexican cinema, primarily with his work alongside director Emilio Fernandez, Figueroa’s work was as varied as they come. His work with Fernandez is without a doubt this retrospective’s highlight, particularly films like Wildflower. One of the many times Mexican cinema’s “Big Four” worked together, the film saw the...

Pioneering woman director Lois Weber socially conscious drama 'Shoes' among Library of Congress' Packard Theater movies (photo: Mary MacLaren in 'Shoes') In February 2015, National Film Registry titles will be showcased at the Library of Congress' Packard Campus Theater – aka the Packard Campus for Audio Visual Conservation – in Culpeper, Virginia. These range from pioneering woman director Lois Weber's socially conscious 1916 drama Shoes to Robert Zemeckis' 1985 blockbuster Back to the Future. Another Packard Theater highlight next month is Sam Peckinpah's ultra-violent Western The Wild Bunch (1969), starring William Holden and Ernest Borgnine. Also, Howard Hawks' "anti-High Noon" Western Rio Bravo (1959), toplining John Wayne and Dean Martin. And George Cukor's costly remake of A Star Is Born (1954), featuring Academy Award nominees Judy Garland and James Mason in the old Janet Gaynor and Fredric March roles. There's more: Jeff Bridges delivers a colorful performance in...

With November Man out, excitement for Pierce Bosnan’s return to spying is at an all-time high for many James Bond fans. November Man, based on the seventh installment of Bill Granger’s book series called There Are No Spies, is about ex- CIA agent Peter Devereaux (Pierce Bosnan). While living a quiet life in Switzerland, Devereaux is ejected out of retirement for one last mission. Although the concept of the “one last mission/job” is not a new concept for Hollywood, it definitely has its place in cinema history, branching out to a wide range of reasons why our beloved characters are being pulled back into their past lives. From a retiree’s last gig, to the bad-boy-gone-good-and-then-bad-again mission, to the revenge premise, mythology of the ex-professional can surely delight and excite us to champion our heroes for one last fight. Here are scenes from ten incredible “one last job” films,...

Mexico City — Mexican actress Columba Dominguez, who worked with director Luis Bunuel during Mexico's golden age of cinema, died at 85 on Wednesday of unknown causes. Dominguez, recipient of a lifetime achievement award at Mexico's Ariel Awards ceremony last year, appeared in more than 60 films and TV series throughout a career that spanned six decades. She is best known for the lead role in the Bunuel drama The River and Death and for Pueblerina, a romantic drama from renowned writer-director Emilio Fernandez. Dominguez's nephew Giuliano Molina, who made the announcement of the death via Twitter, posted a

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As we continue to move forward through the list, let us consider: how do you define an original screenplay? In theory, everything is based on something. Woody Allen’s Blue Jasmine is basically a modern A Streetcar Named Desire. But, somehow, Jasmine is classified as an original screenplay. When a film is wholly original, nothing like it had been done before, and others have tried to copy it since. Plenty of original screenplays (some in this list) take on tired genres, but flip the script. But the ones that really catch the audience by surprise are the ones that feel imaginative, creative, and different.

40. Spirited Away (2001)

Written by Hayao Miyazaki

That’s a good start! Once you’ve met someone, you never really forget them. It just takes a while for your memories to return.

No writer/director on this list may be more fantastical than the great Hayao Miyazaki,...

Rossana Podestà dead at 79: ‘Helen of Troy’ actress later featured in sword-and-sandal spectacles, risqué sex comedies (photo: Jacques Sernas and Rossana Podestà in ‘Helen of Troy’) Rossana Podestà, the sensual star of the 1955 epic Helen of Troy and other sword-and-sandal European productions of the ’50s and ’60s — in addition to a handful of risqué sex comedies of the ’70s — died earlier today, December 10, 2013, in Rome according to several Italian news outlets. Podestà was 79. She was born Carla Dora Podestà on August 20, 1934, in, depending on the source, either Zlitan or Tripoli, in Libya, at the time an Italian colony. According to the IMDb, the renamed Rossana Podestà began her film career in 1950, when she was featured in a small role in Dezsö Ákos Hamza’s Strano appuntamento ("Strange Appointment"). However, according to online reports, she was actually discovered by director Léonide Moguy, who cast her in a small role in...

Gabriel Figueroa, scene from the film La perla, directed by Emilio Fernandez, 1945.

Writer-director Gregory Nava, actor Gael García Bernal, cinematographer Rodrigo Prieto and Gabriel Figueroa Flores will celebrate the life and career of the renowned Mexican cinematographer Gabriel Figueroa on Tuesday, September 17, at 7:30 p.m. at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills. The evening will feature an onstage discussion and excerpts from many of Figueroa’s greatest cinematic achievements. The program serves as a prelude to the exhibition “Under the Mexican Sky: Gabriel Figueroa – Art and Film,” co-presented by the Academy and the Los Angeles County Museum of Art, which will open at Lacma later this month.

Figueroa (1907–1997) is often referred to as “The Fourth Muralist” of Mexico, and his seminal work contributed to the establishment of a visual culture and national identity in post-revolutionary Mexico. His films include such Mexican classics as “María Candelaria,...

Beginning September 22 and running through February of 2014, Lacma will host "Under the Mexican Sky," an exhibition co-presented by the Academy highlighting the prolific and award-winning Mexican cinematographer Gabriel Figueroa. His career spanned 50 years and over 200 films. Clips below. Recognized as one of the most important cinematographers of the 20th century, Figueroa collaborated with artists such as Diego Rivera and Jose Clemente Orozco, and filmmakers like Emilio Fernandez and John Ford. Nominated for an Oscar for John Huston's "The Night of the Iguana" (1964), Figueroa won awards at Cannes, a Golden Globe and won best cinematography each year at the Mexican Ariel Awards from 1947 to 1951. He worked on seven films by Luis Bunuel including "Los Olvidados" (1950) and "The Exterminating Angel" (1962). The exhibition features film clips, paintings, photographs, posters and documents drawn from Figueroa’s archive, now owned by the Televisa Foundation. In addition, the...

William Holden movies: ‘The Bridge on the River Kwai’ William Holden is Turner Classic Movies’ "Summer Under the Stars" featured actor today, August 21, 2013. Throughout the day, TCM has been showing several William Holden movies made at Columbia, though his work at Paramount (e.g., I Wanted Wings, Dear Ruth, Streets of Laredo, Dear Wife) remains mostly off-limits. Right now, TCM is presenting David Lean’s 1957 Best Picture Academy Award winner and all-around blockbuster The Bridge on the River Kwai, the Anglo-American production that turned Lean into filmdom’s brainier Cecil B. DeMille. Until then a director of mostly small-scale dramas, Lean (quite literally) widened the scope of his movies with the widescreen-formatted Southeast Asian-set World War II drama, which clocks in at 161 minutes. Even though William Holden was The Bridge on the River Kwai‘s big box-office draw, the film actually belongs to Alec Guinness’ Pow British commander and to...

Will Smith: The Wild Bunch remake (photo: Will Smith in After Earth) Will Smith has been mentioned in connection with Focus, the caper tale that was to have starred Ben Affleck and Kristen Stewart, and is to star in Edward Zwick’s Hurricane Katrina drama The American Can. But that’s not all. His producing company is working on a remake of the Broadway musical Annie — which got a less-than-satisfactory screen version back in 1982 — and apparently he wants to revive The Wild Bunch as well. Set during the Mexican Revolution of the 1910s, Sam Peckinpah’s ultra-violent 1969 classic Western features William Holden, Ernest Borgnine, Edmond O’Brien, and other movie veterans as a group of outlaws fleeing from Robert Ryan while out to do one last job in war-torn northern Mexico. The Will Smith The Wild Bunch reboot, however, is to be set in the present, though the perilous...

Will Smith is in talks to star in and produce a modern remake of the Western The Wild Bunch for Warner Bros. If a deal is finalized, he will produce alongside Jerry Weintraub, who the actor-producer worked with on the 2010 The Karate Kid remake.

Sam Peckinpah directed the original classic The Wild Bunch, which starred William Holden, Ernest Borgnine, Robert Ryan, and Edmond O'Brien as a group of aging outlaws who plan one final score on the Texas-Mexico border. The reboot will be set in present day, and focus on a crooked DEA agent who puts a team together to go after a Mexican drug lord's fortune.

Back in January 2011, The Wild Bunch was mentioned as one of several titles Warner Bros. was looking to remake, along with Lethal Weapon and The Dirty Dozen. Tony Scott was in talks with the studio in August 2011 to direct the project, before...

Every year, dozens of people wrap their hands around Emilio Fernandez‘s torso and hoist him high into the air while thanking their supporters. Usually, they’re played off the stage by a swelling orchestra, but they still get to take Fernandez home. Fortunately for everyone involved, he comes in portable size that you can keep easily on your shelf because Emilio Fernandez is the Oscar. Or, rather, the Oscar statue is Emilio Fernandez. As the story goes, he was a good friend of actress Dolores Del Rio who introduced Fernandez to her future husband, Cedric Gibbons in 1928. Gibbons was an art director at MGM, an original academy member and the man who supervised the design of the trophy that would go on to become an international icon. All he had to do was convince Fernandez to pose nude, and AMPAS had their statue. But Fernandez was more than just the body that would become Oscar. He...

Above: 1959 poster for Love in the Afternoon (Billy Wilder, USA, 1957).

I’ve always loved this Polish poster for Billy Wilder’s Love in the Afternoon, with its ethereal collage of photography and daubs of paint (not to mention perfectly tasteful type), and I knew that its designer, Wojciech Fangor, had designed a number of other posters in a similar style. But until I started looking into him for Movie Poster of the Week, I had no idea that he is one of Poland’s pre-eminent artists and is still alive and well at the age of 90. Not only that, but he is currently being fêted with a major exhibition, titled Space as a Game, at the National Museum in Krakow (it closes tomorrow if you’re lucky enough to be in the vicinity).

Born in 1922, Fangor was reared on the paintings of Picasso, Matisse and Léger that he would see...

Curiously, with all the bold, ambitious, fresh talent storming into Hollywood in the 1960s/1970s – directors who’d cut their teeth in TV like Sidney Lumet and John Frankenheimer; imports like Roman Polanski and Peter Yates; the first wave of film school “film brats” like Francis Ford Coppola and Martin Scorsese — one of the most popular genres during the period was one of Old Hollywood’s most traditional: the Western. But the Western often wrought at the hands of that new generation of moviemakers was rarely traditional.

During the Old Hollywood era, Westerns typically had been B-caliber productions, most of them favoring gunfights and barroom brawls over dramatic substance, and nearly all adhering to Western tropes which ran back to the pre-cinema days of dime novelist Ned Buntline. With the 1960s, however, the genre began to change; or, more accurately, expand, twist, and even invert.

To be sure, there would...

Filmmaker Tony Scott is in talks with Warner Bros. to direct a remake of The Wild Bunch. The director is also in discussions to make Hell's Angels for 20th Century Fox, which will likely be his next project.

We reported back in January that The Wild Bunch is one of several Warner Bros. titles the studio is keen on remaking, although we haven't heard anything else about the project until now. Brian Helgeland will write the screenplay for this remake, which is still in early development.

As for Hell's Angels, Tony Scott wants Jeff Bridges to star in the biker drama, which is centered on the 2001 Laughlin riots, where the motorcycle gang became embroiled in a war with rival bikers The Mongols. Jeff Bridges will play Hell's Angels leader Sonny Barger, but since he already has a busy movie slate, if he agress to take on the part, Hell's Angels...

Marlon Brando, Jean Peters in Elia Kazan's Viva Zapata! Ramon Novarro in Scaramouche on TCM Following Scaramouche, Turner Classic Movies will show a Mexican feature set during the Revolution, Roberto Rodríguez's La Bandida (1963), starring Mexican legend María Félix, Pedro Armendáriz, Katy Jurado, actor-filmmaker Emilio Fernández, and Lola Beltrán. And prior to Scaramouche, TCM is showing two Mexican Revolution films made in Hollywood: Elia Kazan's Viva Zapata! (1952), with Marlon Brando (wasn't Katy Jurado or perhaps Sarita Montiel available?) as revolutionary Emiliano Zapata, and Jack Conway's Viva Villa! (1934), with a surprisingly effective Wallace Beery as Pancho Villa. The beautifully shot Viva Villa! (cinematography by Charles G. Clarke and James Wong Howe) is perhaps best known for what's not seen on screen: Lee Tracy, one of the stars of MGM's Dinner at 8, getting drunk and pissing on a military parade passing below his Mexico City hotel balcony, being arrested...

Blonde Venus (1932)—Josef von Sternberg’s preposterously mesmerizing tale of mother love—runs the gamut from the glamorous heights of fame and success to the dilapidated depths of despair and ruin. Yet another melodramatic narrative of what Juliet Clark calls “the woman’s way” of upholding honor through dishonor, Magdalenian inferences still apply. This would be a great double bill with Emilio Fernández’s Víctimas del pecado (1951). What a mother won’t do for her child, including another john. Again, I have to wonder how influenced “El Indio” was by Sternberg’s melodramatics?

As Judy Bloch nails it in her capsule for Pfa’s ongoing Sternberg retrospective: “It’s not surprising that the French Surrealists gave themselves over to Sternberg’s films with Marlene Dietrich, who for them embodied the disruptive force. Marlene singing ‘Hot Voodoo’ in a gorilla suit brings the exotic home in Sternberg’s only Dietrich film set in America.