- Nascido(a) em
- Falecido(a) em20 de janeiro de 2003 · Woodland Hills, Los Angeles, Califórnia, EUA (insuficiência cardíaca)
- Nome de nascimentoFrederick Glendinning Eisley Jr.
- Altura1,83 m
- Anthony Eisley nasceu o 19 de janeiro de 1925 em Filadélfia, Pensilvânia, EUA. Era ator e autor e foi conhecido pelo seu trabalho em Hawaiian Eye (1959), O Beijo Amargo (1964) e A Mulher Vespa (1959). Foi casado com Judith Rogers Tubbs. Morreu o 20 de janeiro de 2003 em Woodland Hills, Los Angeles, Califórnia, EUA.
- CônjugeJudith Rogers Tubbs(1 de março de 1951 - 9 de janeiro de 1994) (sua morte, 4 crianças)
- Crianças
- PaisJulia Dorff MooreFrederick Glendinning Eisley Sr.
- ParentesIndia Eisley(Grandchild)
- Father-in-law of Olivia Hussey.
- Worked as a stunt driver as his acting career waned.
- When a "Los Angeles Times" TV critic belittled Hawaiian Eye (1959), Eisley wrote a letter printed in the critic's 7 December 1960 column: "I, too, would like to see more food for thought on television. I have children whose viewpoints will be largely affected in certain areas by their many hours gazing at the one-eyed monster. But our world is solemn enough as it is. I'd hate to limit them--or myself--to a leisure-time diet devoid of laughter, adventure and romance".
- Grandfather of India Eisley.
- Studied drama at the University of Miami "not because I thought I could really be an actor, but because I was taking the easy way out to get a degree."
- [about making O Monstro (1980)] . . . That was a disaster. The producer [Kenneth Hartford] raised enough money to get us on location and buy ten feet of film, I guess, to start out . . . that was a terrible experience.
- [on working with Mamie Van Doren on Os Monstros da Noite (1966)] Her nose was out of joint about everything in the world at the time. I have no idea why, but she wouldn't even say hello! You'd play a scene with her and it was like she was in another world, and she was offended at people talking to her even when you were just doing dialog! It was just incredible; I don't know what her problem was, but she couldn't wait to leave. That was very uncomfortable.
- [on working with Al Adamson] I had never gotten that close personally to Al. I never disliked him, but I kept an emotional distance from him because I felt that he had excruciatingly bad taste. I wanted to reserve the right to say, "No, thanks, Al. I won't do that". So I never warmed up to him too much.
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