[on the light-hearted tone of
Mais Perto da Lua (2014)] Well, it was written like this from the beginning. This is my way of telling stories, this is my tone. And I do not know whether it's right or wrong but I can only be myself. People, mostly Romanians, who object to this tone saying I have no right to speak about communists in such light colours. And they claim that they lived over those dreadful years and I should, I have the moral obligation, to treat it in a dark tone. And I said: Why? Who is obliging me to do that? I lived through those years and I was young at the time and I know I had fun despite the regime. I loved despite the regime. I drank despite the regime and lived a life in other way. So let other people do the trial of the Communist regime. I just want to tell stories that happened in those times because I knew at the time that if we would, we the filmmakers, be given a possibility to make realistic movies of what was happening around us, the material that was around us was so rich, so wonderful, so absurd, so tragic and burlesque at the same time, that we could become the best filmmakers in the world because we were dealing with the best material. [2014]
