- Nascido(a) em
- Nome de nascimentoSam Rockwell
- Altura1,73 m
- Sam Rockwell nasceu o 5 de novembro de 1968 em Califórnia, EUA. É ator e produtor, conhecido pelo seu trabalho em Lunar (2009), Três Anúncios para um Crime (2017) e Confissões de uma Mente Perigosa (2002).
- CriançasNo Children
- PaisPenelope Ann Hess
- Often plays characters from small towns and/or with simple backgrounds
- Frequently plays sleazy and immoral characters
- Uses a particular gait or movement with all his characters.
- Mellow drawling voice
- Roles in low-budget independent films
- To memorize lines, he says he dictates them into a tape recorder in a monotone, so he won't get used to any inflection before he's had a chance to consider which speech pattern would be appropriate for the character.
- Has based his portrayal in Heróis Fora de Órbita (1999) on Bill Paxton's performance in James Cameron's classic Aliens: O Resgate (1986). In particular, his hysterical fear of being killed, and his mental collapse upon seeing a motion detector that shows their enemy closing in on them.
- In a long-term relationship with Leslie Bibb since 2007.
- Filmed his scenes for Soldado Anônimo (2005) in one day. His scenes were later deleted.
- Improvised most of his lines in Crime Desorganizado (2001).
- Sarita (Sarita Choudhury) was the one that got away. She was amazing, really amazing. I loved Sarita. She was my pal.
- [on his role in Heróis Fora de Órbita (1999)]: That part is kind of an homage to Bill Paxton in Aliens: O Resgate (1986). I definitely stole some moves from my buddy [actor] Steve Zahn and Bill Murray's lounge singer character from Saturday Night Live (1975) is in there somewhere. Plus a little Michael Keaton in Corretores do Amor (1982) and definitely some Richard Pryor. I get a lot from Richard Pryor actually. How agile he is, vulnerable.
- I really believe that people like Bill Murray or John Belushi are just as great and just as valid as Robert De Niro or Al Pacino. And I don't think you can say Um Estranho no Ninho (1975) is a better movie than Clube dos Cafajestes (1978); they're different genres. I think they're both examples of great craftsmanship.
- I have a constant sort of melancholy approach to acting that fuels me. I want to do everything.
- [Recalling a period he went through when he was 18]: I watched Touro Indomável (1980) like 50 times. I wanted to be Italian. For a year I was Italian; that's all I did. I could do all that New York street stuff to the point where I would get feedback from my auditions, "He's too New York, he's too urban" and I was from San Francisco, really.
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