- Nascido(a) em
- Falecido(a) em
- Nome de nascimentoPhillipe Claude Alex de Broca
- Philippe de Broca nasceu o 15 de março de 1933 em Paris, França. Era diretor e autor e foi conhecido pelo seu trabalho em O Homem do Rio (1964), Cartouche (1962) e Brincando de Amor (1960). Foi casado com Alexandra de Broca, Valérie Rojan, Margot Kidder e Michelle de Broca. Morreu o 26 de novembro de 2004 em Neuilly-sur-Seine, Hauts-de-Seine, França.
- CônjugesAlexandra de Broca(24 de outubro de 1992 - 26 de novembro de 2004) (sua morte)Valérie Rojan(8 de agosto de 1987 - 18 de dezembro de 1990) (divorciado (a), 2 crianças)Margot Kidder(6 de agosto de 1983 - 14 de novembro de 1985) (divorciado (a))Michelle de Broca(27 de dezembro de 1961 - 20 de fevereiro de 1973) (divorciado (a))
- Crianças
- Pais
- ParentesAlexis de Broca(Grandparent)
- Worked as an assistant director for Claude Chabrol and François Truffaut before he started making films himself.
- Studied photographic techniques and subsequently joined an expedition to the Sahara as a cameraman. From then on worked on documentaries in the region, under the auspices of the Army Film Service in Algeria. Returned to France as assistant director to Truffaut, Chabrol and others, before becoming a director in his own right. An early exponent of the New Wave, his first three films are regarded as his best work.
- He directed 5 different actors in César-nominated performances: Nicole Garcia, Stéphane Freiss, Daniel Auteuil, Marie Gillain and Vincent Perez. Garcia and Freiss won Césars for their performances in one of de Broca movies.
- In his ancestors, there are generals and other officers. His grandfather Alexis(1868-1948) was an illustrator and painter.
- Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 158-162. New York: The H.W. Wilson Company, 1988.
- [on film schools] Oh, technique, schools. A film-maker's school is to go to the movies three times a day for ten years. Only those who went through such a school have a true love of cinema; for those who work their way up as assistants, cinema is only a bread-winner.
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