- Nascido(a) em
- Nome de nascimentoConnie Inge-Lise Nielsen
- Altura1,78 m
- Connie Nielsen nasceu o 3 de julho de 1965 na Dinamarca. É atriz e produtora, conhecida pelo seu trabalho em Gladiador (2000), Retratos de uma Obsessão (2002) e Mulher-Maravilha (2017).
- CriançasBryce Thadeus Ulrich-Nielsen
- PaisBent NielsenLaila Inge-Lise Matzigkeit
- ParentesBent Nielsen(Sibling)Ulrich Nielsen(Sibling)Søs Nielsen(Sibling)
- Fluent in Danish, Swedish, Norwegian, English, French, German, Italian and Spanish.
- She did extensive research on Ancient Rome for Gladiator (2000) and often acted as an unofficial consultant to help get historical details right.
- Son, Bryce Thadeus Ulrich-Nielsen (b. 21 May 2007). Father is Metallica drummer Lars Ulrich.
- Is an amateur historian of the Roman Empire, and even owns authentic jewelry from the 1st century CE she's bought antiques dealers. While filming Gladiator, Ridley Scott relied on her to vet certain elements of historical accuracy when the historians being employed by production were unavailable.
- Was in a relationship with drummer Lars Ulrich of Metallica from 2004-2012.
- I'm definitely more attracted to chaos than to order. The point is, I find the female roles out there very cliché. If we are limited to being only lovers or mothers, we are limiting ourselves.
- [on Caçado (2003)] I trained with the FBI in Portland and I also had many conversations with female FBI agents in Los Angeles, as well. That was again something that also came in very handy for Violação de Conduta (2003), because I'd learned already how to handle a gun and how to behave just physically when you're in a situation, a threat. That was very good to know. I didn't have to do that again.
- Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not. Today there is a certain fear, or horror, that the audience won't understand. They underestimate the audience very often. And that is because, when you look at the box-office to see that total braindead films make lots of money, then that's what the cash machine is telling you to do. In other words: More braindead, more money!
- We have a certain warped sense of humor in Scandinavia, and that is what comes across in the choices in a lot of our movies.
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