Clint Eastwood

During the credits at the end of his movies, the camera will move around the location it was filmed in, after which there will be freezeframe for the rest of the credits.
Frequently uses shadow lightning in his films
Known on-set as a director for filming very few takes and having an easy shooting schedule. Tim Robbins once said that when working on Sobre Meninos e Lobos (2003), Eastwood would usually ask for only one take, or two "if you were lucky", and that a day of filming would consist of starting "no earlier than 9 a.m. and you leave, usually, after lunch."
The lead characters in his movie are often outsiders with a dark past they prefer not to remember
Narrow eyes and towering height

At age 74, he became the oldest person to win the Best Director Oscar for Menina de Ouro (2004).
When he directs, he insists that his actors wear as little makeup as possible and he likes to print first takes. As a result, his films consistently finish on schedule and on budget.
When directing, he simply says "okay" instead of "action" and "cut." (source: Sunday Morning Shootout (2003)).
Learned mountain climbing for Escalado para Morrer (1975) because he felt the scenes were too dangerous for him to pay a stuntman to do for him. He was the last climber up The Totem Pole in Monument Valley, and as part of the contract, the movie crew removed the pitons left by decades of other climbers. The scene where he was hanging off the mountain by a single rope was actually Eastwood, and not a stuntman.
He wore the same sarape, without ever having washed it, in all three of his "Man with No Name" Westerns.

[on Sondra Locke] She plays the victim very well. Unfortunately she had cancer and so she plays that card.
[to Eli Wallach prior to starting work on Três Homens em Conflito (1966)] Never trust anyone on an Italian movie. I know about these things. Stay away from special effects and explosives.
[what he says after a take, instead of "Cut!"] That's enough of that shit.
I like the libertarian view, which is to leave everyone alone. Even as a kid, I was annoyed by people who wanted to tell everyone how to live.
I love every aspect of the creation of motion pictures and I guess I am committed to it for life.

Além da Vida (2011) - $6,000,000
Invictus (2010) - $6,000,000
Na Linha de Fogo (1993) - $7,000,000
Coração de Caçador (1990) - No upfront fee in exchange for unspecified percentage of the gross
O Destemido Senhor da Guerra (1987) - $10,000,000