[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
Voltar
  • Biografia
  • Curiosidades
IMDbPro

Notícias

Janet Sarno

‘Requiem for a Dream’ (2000) Movie review
Image
Requiem for a Dream is a movie directed by Darren Aronofsky featuring Jared Leto, Jennifer Connelly, Ellen Burstyn and Marlon Wayans. Based on the novel by Hubert Selby Jr.

A brutal movie, both because of the subject as well as the aesthetics, about the world of drugs.

This is a story about degradation which, led by the poetry of despair, has become (well deservedly) a cult movie.

Movie Review

This is a movie with a brutal potential for aesthetics: it moves and perverts and degrades and attracts, all in the whirlpool of emotions the characters experience who are submerged in the world of drugs. A misleading “hand camera” film that takes us through the stories of four characters in their four personal hells and the Requiem they all entone together with a social and systemic point of view, because the réquiem is also pertinent socially.

However, what we are interested...
Veja o artigo completo em Martin Cid Magazine - Movies
  • 16/01/2023
  • por Martin Cid
  • Martin Cid Magazine - Movies
To Dust- Review
While many “feel good” movies are exhaulted with ad lines exclaiming “a celebration of life”, this new “dramedy” might best be tagged as, well, not a celebration, but rather “an exploration of life…and death”. Yes, the “D-word” figures most prominently in this piece, but from a most unexpected angle. It concerns a man from a strict religious order, a Hasidic man, who finds no real comfort from his faith after death takes his beloved, and so he turns, not to drugs or booze, but to science. He cannot put his life back into order until he knows the length of time for flesh to turn To Dust.

We meet the focus of the story, a cantor in Upstate New York named Shumel (Geza Rohrig) on probably the worst day of his life as his wife succumbs to cancer. As her body is quickly washed and prepared for near immediate burial,...
Veja o artigo completo em WeAreMovieGeeks.com
  • 22/02/2019
  • por Jim Batts
  • WeAreMovieGeeks.com
Tribeca Film Review: ‘To Dust’
The mordant side of Jewish humor is pushed to an extreme in Shawn Snyder’s debut feature “To Dust.” This gently absurdist — yet also sometimes downright icky — tale revolves around a grief-stricken Hasidic widower who enlists a Gentile biology teacher in an obsessive quest to grasp the decomposition process of his late wife’s body. As story concepts go, that’s an exceptionally unappealing one, particularly for what plays mostly as a low-key buddy comedy. Nonetheless, the deft execution and astute lead performances ultimately make this acquired taste of a movie not only digestible, but rather charming.

Despite the considerable support of his Upstate New York Orthodox community and all its reassuring rituals around death, 40ish cantor Shmuel can’t seem to cope after his spouse dies of cancer. His live-in mother (Janet Sarno) provides for the basic needs of his two young sons, but they have their own grief and other emotional wants,...
Veja o artigo completo em Variety Film + TV
  • 24/04/2018
  • por Dennis Harvey
  • Variety Film + TV
A IMDb.com, Inc. não se responsabiliza pelo conteúdo ou precisão dos artigos de notícias, Tweets ou postagens de blog acima. Esse conteúdo é publicado apenas para o entretenimento de nossos usuários. Os artigos de notícias, Tweets e postagens de blog não representam as opiniões da IMDb e não garantimos que as reportagens neles contidas sejam completamente verdadeiras. Visite a fonte responsável pelo item em questão para relatar quaisquer preocupações que você tiver em relação ao conteúdo ou à precisão das informações.

Mais desta pessoa

Explore mais

Vistos recentemente

Ative os cookies do navegador para usar este recurso. Saiba mais.
Obtenha o aplicativo IMDb
Faça login para obter mais acessoFaça login para obter mais acesso
Siga o IMDb nas redes sociais
Obtenha o aplicativo IMDb
Para Android e iOS
Obtenha o aplicativo IMDb
  • Ajuda
  • Índice do site
  • IMDbPro
  • Box Office Mojo
  • Dados da licença do IMDb
  • Sala de imprensa
  • Anúncios
  • Empregos
  • Condições de uso
  • Política de privacidade
  • Your Ads Privacy Choices
IMDb, uma empresa da Amazon

© 1990-2025 by IMDb.com, Inc.