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Harry Shearer at an event for O Galinho Chicken Little (2005)

Citações

Harry Shearer

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  • If absolute power corrupts absolutely, does absolute powerlessness make you pure?
  • [on which character in Os Simpsons (1989) is hardest to voice] Burns requires lots of tea and honey.
  • [asked how many characters on Os Simpsons (1989) he voices] I think I do about 12 regular characters but I've been able to pad the resume with God, The Devil and Hitler.
  • [criticizing the decline in quality of Os Simpsons (1989)] I rate the last three seasons as among the worst, so Season 4 looks very good to me now.
  • I write about broadcast indecency with something of a pedigree. Although it's not widely known - since the comedy group I was part of was not widely known - I was party to the first broadcast utterance of the word 'twat.'
  • I have to say about Os Simpsons (1989): Something that I've learned from my six years of psychoanalysis, which is one mark of adulthood is that you can hold two conflicting emotions about the same thing at the same time, two things can be true at the same time. So it is true that, as an actor on an insanely successful TV series, I am, by any standard of the human species, obscenely overpaid. It is also true that, as an actor on one of the most insanely successful television series of all time, I am getting royally screwed. Both things are true! [...] It's nobody's fault, it's what happens when you think you know what you want and you are determined to get it.
  • [on Richard Thompson and Danny Thompson] There are two towering figures in British music by the name of Thompson. Neither of them twins (Thompson Twins).
  • [his thoughts on The Principal and the Pauper (1997)] That's so wrong. You're taking something that an audience has built eight years or nine years of investment in and just tossed it in the trash can for no good reason, for a story we've done before with other characters. It's so arbitrary and gratuitous, and it's disrespectful to the audience.
  • [on The Principal and the Pauper (1997)]: Now, the writers refuse to talk about it. They realize it was a horrible mistake. They never mention it. It's like they're punishing the audience for paying attention.

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