Pesquisa avançada

Um xerife do oeste do Texas é, aos poucos, desmascarado como um assassino psicótico.

O clarividente Nicola Six vive com uma sombria premonição de sua morte. Ela inicia um caso de amor emaranhado com três homens únicos: um dos quais sabe que ele será seu assassino.

Director Tamra Davis pays homage to her friend in this definitive documentary but also delves into Basquiat as an iconoclast. His dense, bebop-influenced neoexpressionist work emerged while minimalist, conceptual art was the fad; as a successful black artist, he was constantly confronted by racism and misconceptions. Much can be gleaned from insider interviews and archival footage, but it is Basquiat's own words and work that powerfully convey the mystique and allure of both the artist and the man.

This documentary follows the lives and careers of a collective group of Do-it-yourself artists and designers who inadvertently affected the art world.

A long weekend brings four women together in the countryside. Virtual strangers, the women are forced to navigate the depths of social interaction. On the surface all seems placid. But the atmosphere of calm is a facade.

Herb and Dorothy Vogel redefine what it means to be an art collector.

How LA Learned to Love Modern Art. A lesson in how a few renegade artists built an art scene from scratch.

Rarely has an architect caused as much sensation outside of the architecture community as Rem Koolhaas. His outstanding creations--such as the Dutch Embassy in Berlin, the Seattle Library and the Casa da Musica concert hall in Porto--are working examples of the Dutchman's visionary theories about architecture and urban society. But Koolhaas' work is as much about ideas as it is about constructing buildings; he is equally celebrated as a writer and social commentator. For Koolhaas, what is essential is not to create individual masterpieces, but to provoke and excite through the wide range of his activities. REM KOOLHAAS: A KIND OF ARCHITECT is an engaging portrait of a visionary man that takes us to the heart of his ideas. Directors Markus Heidingsfelder and Min Tesch have made a visually inventive, thought-provoking portrait of the architect, prompting Rem Koolhaas to state, "It's the only film about me that I have liked."

Esther Robinson's portrait of her uncle Danny Williams -- Warhol's onetime lover, collaborator and filmmaker in his own right -- offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.