With the Hong Kong omnibus narrative “Ten Years” becoming a surprise hit in 2015, it might not come as a surprise that the concept – envisioning the near future of one’s country – inspired various versions in Asia. For the Japanese version, five young directors Chie Hayakawa, Yusuke Kinoshita, Megumi Tsuno, Akiyo Fujimura and Kei Ishikawa were gathered and supervised by Hirokazu Koreeda to present their vision of Japan’s future.
“Ten Years Japan” is screening at Udine Far East Film Festival
Chie Hayakama’s “Plan 75” concerns a young bureaucrat (Satoru Kawaguchi) charged with explaining Plan 75, a governmental euthanasia program, to poor and disabled seniors aged 75 and above – especially those reliant on governmental welfare and thus burdening society from an economical perspective. One day, his pregnant wife (Kinuo Yamada) tells him that her mother signed to papers to join the program.
The second narrative, Yusuke Kinoshita’s “Mischievous Alliance”, frames the story...
“Ten Years Japan” is screening at Udine Far East Film Festival
Chie Hayakama’s “Plan 75” concerns a young bureaucrat (Satoru Kawaguchi) charged with explaining Plan 75, a governmental euthanasia program, to poor and disabled seniors aged 75 and above – especially those reliant on governmental welfare and thus burdening society from an economical perspective. One day, his pregnant wife (Kinuo Yamada) tells him that her mother signed to papers to join the program.
The second narrative, Yusuke Kinoshita’s “Mischievous Alliance”, frames the story...
- 4/29/2019
- by Pieter-Jan Van Haecke
- AsianMoviePulse
Chicago – In 2015, fearing the upcoming possibilities of losing their autonomy, Hong Kong released a short film anthology called “Ten Years,” which looked into the future of their province. Three years later, “Ten Years Japan” does the same, except of course with different filmmakers and attitudes. There are five films under the main title, and one of them is “The Air We Can’t See,” directed by Akiyo Fujimura. She will represent “Ten Years Japan” at Season Eight of Chicago’s Asian Pop-Up Cinema (Apuc) on Wednesday, March 13th, 2019, at AMC River East 21 in the city. For more details and tickets, click here.
“The Air We Can’t See” joins “Plan 75,” “Mischievous Alliance,” “Data” and “For Our Beautiful Country” in the shorts showcase, and gets its inspiration from the 2011 Fukushima Daiichi nuclear plant meltdown. Two girls are living underground within a society that formed after another, and more severe, radioactive poisoning affected the atmosphere above.
“The Air We Can’t See” joins “Plan 75,” “Mischievous Alliance,” “Data” and “For Our Beautiful Country” in the shorts showcase, and gets its inspiration from the 2011 Fukushima Daiichi nuclear plant meltdown. Two girls are living underground within a society that formed after another, and more severe, radioactive poisoning affected the atmosphere above.
- 3/12/2019
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
With the Hong Kong omnibus narrative “Ten Years” becoming a surprise hit in 2015, it might not come as a surprise that the concept – envisioning the near future of one’s country – inspired various versions in Asia. For the Japanese version, five young directors Chie Hayakawa, Yusuke Kinoshita, Megumi Tsuno, Akiyo Fujimura and Kei Ishikawa were gathered and supervised by Hirokazu Koreeda to present their vision of Japan’s future.
“Ten Years Japan” is screening at San Diego Asian Film Festival (Sdaff)
Chie Hayakama’s “Plan 75” concerns a young bureaucrat (Satoru Kawaguchi) charged with explaining Plan 75, a governmental euthanasia program, to poor and disabled seniors aged 75 and above – especially those reliant on governmental welfare and thus burdening society from an economical perspective. One day, his pregnant wife (Kinuo Yamada) tells him that her mother signed to papers to join the program.
The second narrative, Yusuke Kinoshita’s “Mischievous Alliance”, frames the...
“Ten Years Japan” is screening at San Diego Asian Film Festival (Sdaff)
Chie Hayakama’s “Plan 75” concerns a young bureaucrat (Satoru Kawaguchi) charged with explaining Plan 75, a governmental euthanasia program, to poor and disabled seniors aged 75 and above – especially those reliant on governmental welfare and thus burdening society from an economical perspective. One day, his pregnant wife (Kinuo Yamada) tells him that her mother signed to papers to join the program.
The second narrative, Yusuke Kinoshita’s “Mischievous Alliance”, frames the...
- 11/10/2018
- by Pieter-Jan Van Haecke
- AsianMoviePulse
Oahunov Nov 8-18, 2018
Kauainov Nov 15-18, 2018
Big Island & Maui Nov 29 -Dec 2, 2018
The 38th Hawaii International Film Festival is about to start and to continue the festival’s proud tradition of showcasing content and creatives from the Pacific, Asia and North America.
The festival this year features over 180 films, talks and events from 37 countries, with 47 Us, International and World Premieres across 32 sections. 2018 continues the tradition of programming a selection of critically-acclaimed and highly-anticipated films from Asia and around the world, while also giving a platform from emerging creative talents from across the Hawaii-Pacific region.
Outstanding films are accompanied by stars and filmmakers from around the world, connecting East and West through a dedication to discussion, diversity and creativity.
We have picked the Asian titles in the Programme and they are a lot!
Let’s have a look:
Shadow – Opening Night Film
China 2018 – Director: Zhang Yimou
50 First Kisses
Spotlight On Japan – Japan...
Kauainov Nov 15-18, 2018
Big Island & Maui Nov 29 -Dec 2, 2018
The 38th Hawaii International Film Festival is about to start and to continue the festival’s proud tradition of showcasing content and creatives from the Pacific, Asia and North America.
The festival this year features over 180 films, talks and events from 37 countries, with 47 Us, International and World Premieres across 32 sections. 2018 continues the tradition of programming a selection of critically-acclaimed and highly-anticipated films from Asia and around the world, while also giving a platform from emerging creative talents from across the Hawaii-Pacific region.
Outstanding films are accompanied by stars and filmmakers from around the world, connecting East and West through a dedication to discussion, diversity and creativity.
We have picked the Asian titles in the Programme and they are a lot!
Let’s have a look:
Shadow – Opening Night Film
China 2018 – Director: Zhang Yimou
50 First Kisses
Spotlight On Japan – Japan...
- 10/18/2018
- by Adriana Rosati
- AsianMoviePulse
The London East Asia Film Festival (Leaff), opens its third year on the 25th October at Vue Leicester Square with “Dark Figure of Crime”, the newest thriller by director Kim Tae-gyun, and runs until the 4th November. It will close with the intelligent and emotionally complex family drama, “Ramen Shop”, the latest feature film by acclaimed Singaporean director, Eric Khoo.
Having expanded to include the cinematic offerings of 13 countries – China, Japan, South Korea, North Korea, Taiwan, Hong Kong, Singapore, Indonesia, Philippines, Thailand, Vietnam, Malaysia and Myanmar – Leaff’s 2018 programme focuses on the “future”. Through the lens and unique perspectives of East Asian filmmakers, Leaff offers compelling insight into not only the future of those in East Asia but in London, with vital and thought – provoking dialogues being opened up around subjects such as youth, human interaction, development, cultural and social issues.
Leaff will screen 6 International premieres, 8 European premieres and 23 UK premieres,...
Having expanded to include the cinematic offerings of 13 countries – China, Japan, South Korea, North Korea, Taiwan, Hong Kong, Singapore, Indonesia, Philippines, Thailand, Vietnam, Malaysia and Myanmar – Leaff’s 2018 programme focuses on the “future”. Through the lens and unique perspectives of East Asian filmmakers, Leaff offers compelling insight into not only the future of those in East Asia but in London, with vital and thought – provoking dialogues being opened up around subjects such as youth, human interaction, development, cultural and social issues.
Leaff will screen 6 International premieres, 8 European premieres and 23 UK premieres,...
- 9/22/2018
- by Adriana Rosati
- AsianMoviePulse
“Ten Years Japan” is a new Japanese anthology film which focuses on dystopian societies where technological advances have lead to greater social problems. The production has been completed and is awaiting a theatrical release. Each segment was completed by a different director and sports a varying cast.
The film is set to release in Novemeber of 2018, a trailer for “Ten Years Japan” Has been released through Freestone Productions.
Synopsis
PLAN75: To solve the problem of an aging population, the Japanese government implements the national system “PLAN75.” Public officer, Itami’s job is to recommend old people who are sick and poor for death. Meanwhile, his wife Saki is about to give birth. Saki has a hard time dealing with her mother who has Alzheimer’s. Dir.Chi Hayakawa
Mischevious Alliance: An elementary school in a country village has been designated as a special It zone by the government. The...
The film is set to release in Novemeber of 2018, a trailer for “Ten Years Japan” Has been released through Freestone Productions.
Synopsis
PLAN75: To solve the problem of an aging population, the Japanese government implements the national system “PLAN75.” Public officer, Itami’s job is to recommend old people who are sick and poor for death. Meanwhile, his wife Saki is about to give birth. Saki has a hard time dealing with her mother who has Alzheimer’s. Dir.Chi Hayakawa
Mischevious Alliance: An elementary school in a country village has been designated as a special It zone by the government. The...
- 9/6/2018
- by Adam Symchuk
- AsianMoviePulse
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