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Sofía Castells, Moroco Colman, and Sofía Lanaro at an event for Fin de Semana (2016)

News

Sofía Lanaro

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Goth & Rockabilly Meet On The Soundtrack To The Argentinian Post-Apocalyptic Thriller Scavenger!
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Get ready for the thrill ride of your life! Scavenger is a brand-new feature length film that’s being described as “Mad Max Meets Natural Born Killers.” Taking place in a post-apocalyptic world, the film follows Tisha – a paid assassin and an underground organ dealer with a dark past – who seeks …

The post Goth & Rockabilly Meet On The Soundtrack To The Argentinian Post-Apocalyptic Thriller Scavenger! appeared first on Horror News | Hnn.
See full article at Horror News
  • 6/6/2021
  • by Adrian Halen
  • Horror News
Post-apocalyptic Thriller Scavenger to Hit the Streets this May 11th
Argentinian post-apocalyptic thriller Scavenger is coming your way this May. In the film, an assassin seeks revenge, while acting as an illicit organ dealer. In Spanish, this title has been shown at Frightfest (United Kingdom) and Obscura (Germany). Now, Cleopatra Entertainment will debut the film, on Digital, in the United States. A trailer has also been released for this indie title. The clip shows the protagonist on the hunt for her target. In a world mostly destroyed, this assassin will have to take to the roads to find the man she is searching for. Scavenger was completed in 2019. At seventy-five minutes, this post-apocalyptic thriller will entertain fans of foreign films. More details on Scavenger are below. Release Date: May 11, 2021. Directors: Eric Fleitas, Luciana Garraza. Writers: Sheila Fentana, Eric Fleitas, Luciana Garraza. Cast: Nayla Churruarin, Eric Fleitas, Sofia Lanaro, Rosa Cuenya Macedo, Jose Manuel Solis Vargas, Gonzalo Tolosa. The official U.
See full article at 28 Days Later Analysis
  • 4/2/2021
  • by noreply@blogger.com (Unknown)
  • 28 Days Later Analysis
Mel Gibson in Mad Max (1979)
Post-Apocalyptic Mayhem in Trailer for Argentinian Action 'Scavenger'
Mel Gibson in Mad Max (1979)
"I need one last favor... I want you to find him, and finish him." Cleopatra Ent has released a new trailer for Scavenger, an Argentinian post-apocalyptic action thriller also known as Carroña in Spanish. This looks exxactly like an Argentinian reboot/remake of Mad Max, with so many of the same aesthetics and costumes and everything. In a post apocalyptic world with its own rules, Tisha, an assassin and organ dealer with a dark past, seeks revenge for a crime that marked her life. This opened in Argentina in 2019, and recently screened at popular genre festivals such as FrightFest in the UK and Obscura in Germany, among others. Starring Nayla Churruarin, Eric Fleitas, Sofia Lanaro, Rosa Cuenya Macedo, Jose Manuel Solis Vargas, and Gonzalo Tolosa. Looks like it might be an enjoyable homage to Mad Max, but that's about it. Here's the new trailer (+ posters) for Eric Fleitas & Luciana Garraza's Scavenger,...
See full article at firstshowing.net
  • 4/1/2021
  • by Alex Billington
  • firstshowing.net
Abramorama Lands ‘Soros’ Documentary; Freestyle Digital Media Acquires ‘The Power Of Movement’ – Film Briefs
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Abramorama has acquired U.S. distribution rights to Soros, the Jesse Dylan-directed documentary feature about billionaire activist George Soros from Vital Pictures. The film, which had its U.S. premiere at the Telluride Film Festival, will get a live streaming premiere on November 18 on the film’s website followed by a release on Watch Now @ Home starting on November 20th. Famous for betting against the Bank of England in 1992 and making a billion dollars in one day, Soros is maligned by ideologues on both the left and the right for daring to tackle the world’s problems and putting his money behind his fight – from free elections and freedom of the press to civil rights for minorities.

Dylan follows Soros across the globe and pulls back the curtain on his personal history, private wealth, and public activism. Soros reveals a complicated genius whose experience as a Jew during the...
See full article at Deadline Film + TV
  • 10/28/2020
  • by Patrick Hipes and Amanda N'Duka
  • Deadline Film + TV
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