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Pierre Cévaër

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Pierre Cévaër

Anousheh Ansari
Antonin Baudry and Anousheh Ansari to speak in New York by Anne-Katrin Titze - 2020-06-11 19:03:08
Anousheh Ansari
Antonin Baudry unconfined on the Lincoln Center Plaza in June, 2019 Photo: Anne-Katrin Titze

A free virtual conversation with Antonin Baudry and Anousheh Ansari on Confinement: From Underwater To Outer Space, moderated by Leah Pisar, Chair of the Aladdin Project, presented by the French Institute Alliance Française in New York, will be held live on Zoom and Facebook, starting at 12:00pm (Edt), Friday, June 12.

Antonin Baudry, aka Abel Lanzac, is the director/screenwriter of the nuclear submarine thriller The Wolf's Call (Le Chant Du Loup), starring François Civil with Omar Sy, Mathieu Kassovitz, Reda Kateb, Jean-Yves Berteloot, Damien Bonnard, Pierre Cevaer, and Paula Beer, shot by Pierre Cottereau. Antonin co-wrote the screenplay for Bertrand Tavernier’s The French Minister (Quai D’Orsay) which was based on his autobiographic graphic novel about his adventures as a speech writer in the French Ministry.

Anousheh Ansari is a CEO of the Xprize Foundation and was the first female.
See full article at eyeforfilm.co.uk
  • 6/11/2020
  • by Anne-Katrin Titze
  • eyeforfilm.co.uk
Naming the unknown phenomena by Anne-Katrin Titze
François Civil, Pierre Cevaer, Sébastien Libessart, Omar Sy and Reda Kateb in Antonin Baudry's The Wolf's Call (Le Chant Du Loup): "I wanted to put these people in situations where they didn't have a simple way to answer the situation. They really have to rely on their conscience."

In the second half of my conversation at Lincoln Center with the screenwriter/director of The Wolf's Call (Le Chant Du Loup), Antonin Baudry, aka Abel Lanzac, discussed with me the influence Bertrand Tavernier had on him during the filming of Quai d'Orsay (The French Minister), sacrifice in the work of directors Tsui Hark, Johnnie To, and in John Woo's The Killer and Hard Boiled.

Antonin sees the Golden Ear Chanteraide (François Civil) in The Wolf's Call going through an "Orphean trajectory". He talked about colours with cinematographer Pierre Cottereau, and noted the importance of Claude Lanzmann's support.

Antonin...
See full article at eyeforfilm.co.uk
  • 6/21/2019
  • by Anne-Katrin Titze
  • eyeforfilm.co.uk
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