When it comes to great television, the Brits are known for their compelling detective dramas that brilliantly blend complex characters with unexpected twists, especially their willingness to kill off fan-favorites as seen in shows like Happy Valley and Line of Duty. The ITV series Trigger Point, however, puts a unique spin on the genre, centering around Lana Washington (Vicky McClure), an explosive ordinance disposal officer (also known as an "Expo") who works for the London Metropolitan Police. In her line of work, Lana is always prepared for the worst. However, as the series unfolds, her personal and professional lives begin to intersect, putting both Lana and the people she cares about in danger. Series creator Daniel Brierley was mentored by Jed Mercurio, the prolific writer behind shows like the aforementioned Line of Duty and the hit Netflix miniseries Bodyguard.
- 1/14/2025
- by Jen Vestuto
- Collider.com
The following contains major spoilers from Trigger Point Series 2, Episodes 1 & 2, now streaming on BritBox.
The Trigger Point Series 2 premiere reaffirms that Vicky McClure is one of the biggest talents working today. Unfortunately, the rest of the show hasn't improved as much as it could have between seasons. The bomb-disposal thriller makes for dramatic British television, but it's still got many of the writing flaws that made it underwhelming during Series 1.
Series 2 picks up six months after what happened in Trigger Point's first season, and premiere co-writers Daniel Brierly and Simon Ashdown wisely use that gap to do a soft reset. Pretty much everything looks different when McClure's character Lana Washington returns from a tour of duty overseas. But the first two episodes don't know how to balance Lana's adjustment with the latest bomb threat, and so there are great ideas lost amongst others that never land.
Trigger Point Series...
The Trigger Point Series 2 premiere reaffirms that Vicky McClure is one of the biggest talents working today. Unfortunately, the rest of the show hasn't improved as much as it could have between seasons. The bomb-disposal thriller makes for dramatic British television, but it's still got many of the writing flaws that made it underwhelming during Series 1.
Series 2 picks up six months after what happened in Trigger Point's first season, and premiere co-writers Daniel Brierly and Simon Ashdown wisely use that gap to do a soft reset. Pretty much everything looks different when McClure's character Lana Washington returns from a tour of duty overseas. But the first two episodes don't know how to balance Lana's adjustment with the latest bomb threat, and so there are great ideas lost amongst others that never land.
Trigger Point Series...
- 9/5/2024
- by Brittany Frederick
- CBR
Exclusive: Peacock is to be the U.S. home of ITV’s Jed Mercurio-produced thriller Trigger Point.
The high-pressured drama starring Line of Duty’s Vicky McClure and Life’s Adrian Lester follows the streamer’s acquisition of similar UK scripted shows such as BBC double The Capture and Vigil.
The NBCU streamer will launch the series on July 8.
Trigger Point, which was produced by Line of Duty creator Mercurio’s Htm Television and written by newcomer Daniel Brierley, stars McClure and Lester as frontline officers who must risk their lives during a terrorist campaign in the heart of London. When a terrorist campaign threatens the capital over one summer, the Expos are at the forefront of urgent efforts to find out who is behind the bombings before fatalities escalate.
With Mercurio’s reputation for ratings-grabbers preceding him, the six-parter performed extremely well with audiences, amassing almost 10M for some of its later episodes.
The high-pressured drama starring Line of Duty’s Vicky McClure and Life’s Adrian Lester follows the streamer’s acquisition of similar UK scripted shows such as BBC double The Capture and Vigil.
The NBCU streamer will launch the series on July 8.
Trigger Point, which was produced by Line of Duty creator Mercurio’s Htm Television and written by newcomer Daniel Brierley, stars McClure and Lester as frontline officers who must risk their lives during a terrorist campaign in the heart of London. When a terrorist campaign threatens the capital over one summer, the Expos are at the forefront of urgent efforts to find out who is behind the bombings before fatalities escalate.
With Mercurio’s reputation for ratings-grabbers preceding him, the six-parter performed extremely well with audiences, amassing almost 10M for some of its later episodes.
- 5/6/2022
- by Max Goldbart
- Deadline Film + TV
Exclusive: A former Skins star, a Criminal Defense Solicitor and a TV writer have been selected for training body ScreenSkills third New Writers Programme delivered by The Responder producer Dancing Ledge Productions.
Larissa Hope, Abigail Rolling and Jess Jackson will be paired with New Girl writer Camilla Blackett, Unforgotten scribe Chris Lang and The Long Song’s Sarah Williams respectively, with a fourth unannounced awardee set to link up with Giri/Haji’s Joe Barton.
The scheme, which is carried out in association with ITV, has been running for three years and the 2022 edition will be fully funded by ScreenSkills’ High-end TV Skills Fund.
The budding writers are given a non-refundable bursary to write a pilot episode for their own original TV series. The mentor will give feedback through the writing process, provide the benefit of their expertise, offer encouragement and help place the project with a production company and/or broadcaster.
Larissa Hope, Abigail Rolling and Jess Jackson will be paired with New Girl writer Camilla Blackett, Unforgotten scribe Chris Lang and The Long Song’s Sarah Williams respectively, with a fourth unannounced awardee set to link up with Giri/Haji’s Joe Barton.
The scheme, which is carried out in association with ITV, has been running for three years and the 2022 edition will be fully funded by ScreenSkills’ High-end TV Skills Fund.
The budding writers are given a non-refundable bursary to write a pilot episode for their own original TV series. The mentor will give feedback through the writing process, provide the benefit of their expertise, offer encouragement and help place the project with a production company and/or broadcaster.
- 1/27/2022
- by Max Goldbart
- Deadline Film + TV
Exclusive: Line of Duty and This Is England star Vicky McClure is to front a bomb squad drama for ITV, produced by Htm Television, the production company set up by Line of Duty and Bodyguard creator Jed Mercurio.
Trigger Point is a six-part thriller, written by new writer Daniel Brierley, that follows counter terrorism policing and the terrifying work of the Metropolitan Police Bomb Disposal Squad.
Set in London, Trigger Point, follows the ‘expo’ officers, who risk their lives daily on the long walk towards danger. Death is always just a heartbeat away.
McClure, who also starred in Broadchurch, plays front line officer Lana Washington, who is an experienced bomb disposal operative. Reckless and out of control, Lana is ex-military and pushed to breaking point dealing with a series of improvised explosive devices which threaten the capital during a terrorist summer campaign. Under extreme pressure and searching for answers, Lana...
Trigger Point is a six-part thriller, written by new writer Daniel Brierley, that follows counter terrorism policing and the terrifying work of the Metropolitan Police Bomb Disposal Squad.
Set in London, Trigger Point, follows the ‘expo’ officers, who risk their lives daily on the long walk towards danger. Death is always just a heartbeat away.
McClure, who also starred in Broadchurch, plays front line officer Lana Washington, who is an experienced bomb disposal operative. Reckless and out of control, Lana is ex-military and pushed to breaking point dealing with a series of improvised explosive devices which threaten the capital during a terrorist summer campaign. Under extreme pressure and searching for answers, Lana...
- 2/20/2020
- by Peter White
- Deadline Film + TV
Producer and writer are looking for a female UK director.
Nicole Paglia’s UK-based drama Molly was the winner of the third edition of the Script Pool Film Competition for writers and producers at the Black Nights Film Festival in Tallinn this week.
German sales outfit Global Screen provided prize money of €5,000.
Set in Soviet Russia in the 1960s, Molly tells the real-life story of a Us defector and DJ who broadcasts Us pop music into a top-secret Us military base buried under the ice in Greenland
Us-born, London-based Paglia has previously won the Bafta Rocliffe New Writing award along...
Nicole Paglia’s UK-based drama Molly was the winner of the third edition of the Script Pool Film Competition for writers and producers at the Black Nights Film Festival in Tallinn this week.
German sales outfit Global Screen provided prize money of €5,000.
Set in Soviet Russia in the 1960s, Molly tells the real-life story of a Us defector and DJ who broadcasts Us pop music into a top-secret Us military base buried under the ice in Greenland
Us-born, London-based Paglia has previously won the Bafta Rocliffe New Writing award along...
- 12/1/2019
- by 1100613¦Tiffany Pritchard¦0¦
- ScreenDaily
Exclusive: Three teams selected for Lab from more than 100 applicants.
The BFI has partnered with Aardman Animations on a £1million Development Lab to help create new British animated feature films.
Two filmmaker duos and one individual filmmaker have been selected for the Lottery-funded Lab from more than 100 applicants, and are receiving funding and support over two years to develop their feature projects.
The teams have been working with Aardman’s story artists, producers, marketers and directors, including Nick Park – who is currently working on new Aardman feature Early Man – since June 2015.
David Sproxton, co-founder of Aardman, explained to Screen how the filmmakers will work with the studio: “They’ll develop [their projects] for two years, through outline, to treatment, to first draft script. Alongside that they’ll ramp up the visual elements, working on character design, setting design and the story reeling process.
“At the end, their pitch package will consist of some fantastic artwork, a sizzle...
The BFI has partnered with Aardman Animations on a £1million Development Lab to help create new British animated feature films.
Two filmmaker duos and one individual filmmaker have been selected for the Lottery-funded Lab from more than 100 applicants, and are receiving funding and support over two years to develop their feature projects.
The teams have been working with Aardman’s story artists, producers, marketers and directors, including Nick Park – who is currently working on new Aardman feature Early Man – since June 2015.
David Sproxton, co-founder of Aardman, explained to Screen how the filmmakers will work with the studio: “They’ll develop [their projects] for two years, through outline, to treatment, to first draft script. Alongside that they’ll ramp up the visual elements, working on character design, setting design and the story reeling process.
“At the end, their pitch package will consist of some fantastic artwork, a sizzle...
- 12/6/2016
- ScreenDaily
Exclusive: Three teams selected for Lab from more than 100 applicants.
The BFI has partnered with Aardman Animations on a £1million Development Lab to help create new British animated feature films.
Two filmmaker duos and one individual filmmaker have been selected for the Lottery-funded Lab from more than 100 applicants, and are receiving funding and support over two years to develop their feature projects.
The teams have been working with Aardman’s story artists, producers, marketers and directors, including Nick Park – who is currently working on new Aardman feature Early Man – since June 2015.
David Sproxton, co-founder of Aardman, explained to Screen how the filmmakers will work with the studio: “They’ll develop [their projects] for two years, through outline, to treatment, to first draft script. Alongside that they’ll ramp up the visual elements, working on character design, setting design and the story reeling process.
“At the end, their pitch package will consist of some fantastic artwork, a sizzle...
The BFI has partnered with Aardman Animations on a £1million Development Lab to help create new British animated feature films.
Two filmmaker duos and one individual filmmaker have been selected for the Lottery-funded Lab from more than 100 applicants, and are receiving funding and support over two years to develop their feature projects.
The teams have been working with Aardman’s story artists, producers, marketers and directors, including Nick Park – who is currently working on new Aardman feature Early Man – since June 2015.
David Sproxton, co-founder of Aardman, explained to Screen how the filmmakers will work with the studio: “They’ll develop [their projects] for two years, through outline, to treatment, to first draft script. Alongside that they’ll ramp up the visual elements, working on character design, setting design and the story reeling process.
“At the end, their pitch package will consist of some fantastic artwork, a sizzle...
- 12/6/2016
- ScreenDaily
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