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IMDbPro

Magnus von Horn

  • Director
  • Writer
  • Additional Crew
IMDbProStarmeterSee rank
Magnus von Horn
Magnus von Horn, born Dec 21 1983, in Gothenburg, Sweden, is a director and screen writer. He studied directing at the Polish International Film School in Lódz 2009-13. His first feature film "Efterskalv"/"The Here After" (2015) received the Guldbagge Award for best film, best director and also best actor in a supporting role (Mats Blomgren) in 2016.
BornDecember 21, 1983
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
BornDecember 21, 1983
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
    • Awards
      • 32 wins & 42 nominations total

    Photos2

    View Poster
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    Known for

    Magdalena Kolesnik in Sweat (2020)
    Sweat
    6.5
    • Director
    • 2020
    La Jeune Femme à l'aiguille (2024)
    La Jeune Femme à l'aiguille
    7.5
    • Director
    • 2024
    Le Lendemain (2015)
    Le Lendemain
    6.5
    • Director
    • 2015
    Utan snö (2011)
    Utan snö
    6.4
    Short
    • Director
    • 2011

    Credits

    Edit
    IMDbPro

    Director



    • La Jeune Femme à l'aiguille (2024)
      La Jeune Femme à l'aiguille
      7.5
      • Director
      • 2024
    • W domu (2020)
      W domu
      5.7
      TV Series
      • Director
      • 2020
    • Magdalena Kolesnik in Sweat (2020)
      Sweat
      6.5
      • Director
      • 2020
    • Le Lendemain (2015)
      Le Lendemain
      6.5
      • Director
      • 2015
    • Utan snö (2011)
      Utan snö
      6.4
      Short
      • Director
      • 2011
    • Echo (2008)
      Echo
      6.2
      Short
      • Director
      • 2008
    • Mleczaki
      Short
      • Director
      • 2007
    • Radek
      7.1
      Short
      • Director
      • 2007

    Writer



    • La Jeune Femme à l'aiguille (2024)
      La Jeune Femme à l'aiguille
      7.5
      • screenplay
      • 2024
    • Magdalena Kolesnik in Sweat (2020)
      Sweat
      6.5
      • Writer
      • 2020
    • Le Lendemain (2015)
      Le Lendemain
      6.5
      • writer
      • 2015
    • Obietnica (2014)
      Obietnica
      5.0
      • Writer
      • 2014
    • Utan snö (2011)
      Utan snö
      6.4
      Short
      • Writer
      • 2011
    • Echo (2008)
      Echo
      6.2
      Short
      • screenplay
      • 2008
    • Mleczaki
      Short
      • written by
      • 2007
    • Radek
      7.1
      Short
      • Writer
      • 2007

    Additional Crew



    • Eliza Rycembel and Karolina Rzepa in Comme Des Cowboys (2024)
      Comme Des Cowboys
      Short
      • pedagogical supervisor
      • 2024
    • Cieplo (2023)
      Cieplo
      Short
      • consultant
      • 2023
    • Bukolika (2021)
      Bukolika
      6.7
      • artistic creative consultant
      • 2021
    • A Short Film about Sadness (2018)
      A Short Film about Sadness
      Short
      • pedagogical supervisor: direction
      • 2018

    Personal details

    Edit
    • Born
      • December 21, 1983
      • Göteborg, Sweden

    Did you know

    Edit
    • Trivia
      Usually makes films based around real life murders.
    • Quotes
      [press conference for La Jeune Femme à l'aiguille (2024) at the 2024 Cannes Film Festival] What brought me the story was Line [Line Langebek Knudsen] and Malene [Malene Blenkov], who had a very strong idea to make a film about something that happened in Denmark a long time ago. And that story was so horrific and provocative to me, especially since I have kids of my own, and I couldn't at first sight know how to tell this story inspired by these crimes. That to me was a huge challenge - how to find a way to tell that story on a human level, as well as on an interesting visual level. And I think the topic matter at the beginning.......I felt I wanted to make a horror movie - I'd always dreamed of making a horror movie - but since I got involved in a long development process and in the end I'm very interested in human beings and the characters. I get involved in developing them enough to switch it away from a clear genre and it becomes something else. I really enjoy that process - that's discovery for me - taking something that feels so horrible and to make something human about it and to look for the humanity in it. What is it about and how to complicate it beyond the borders of how it's packaged in the beginning.

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