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Nope, no Audrey Horne on Twin Peaks this week. I think the solution to her ever-deepening mystery won’t be wrapped up for at least a few more episodes. And for the record, I do not believe she is an actress or somehow trapped inside the soap opera “Invitation To Love” from the original series. I mean, c’mon, think about it, that makes no sense. She’s an actress in a soap opera playing a character with her own name? A soap opera that references events taking place in her hometown? That’s completely absurd (right??). That theory is...

The birthing of a film can be a painful process, particularly in the world of independent filmmaking, and while truncated shooting schedules, limited budgets and location challenges conspire at times to create seemingly insurmountable hurdles, nothing proves more daunting for cast and crew alike than being subject to a producer with more mood swings than a 1940’s jazz band.

Such was the case on the set of director Charlie Vaughn’s Blood Mary 3D.

Originally slated to shoot in December of 2010, executive producer Chalmers (who previously produced the Bruce Campbell flicks Man with the Screaming Brain and Alien Apocalypse) made the choice to film Bloody Mary in 3D, with production therefore being delayed until spring while logistics were being hammered out.

Shooting over the course of a short six days earlier this month in and around an industrial complex in South Central L.A., this writer paid the production a...