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I'm only just now catching up with this year's edition of De Filmkrant's best-known project, Slow Criticism 2012, for which editor Dana Linssen has invented a new game: "It is called The Other Side(s) of the World and includes a lot of cinephile Wanderlust and cybernetic travel schedules. With the kind assistance of the International Film Festival Rotterdam (that made the films available trough a preview stream) we have assembled a dossier with reviews of most of the premieres in the Bright Future section. Playing along were film critics from all over the world who embarked on a virtual journey to see a film that came from a country or film culture that was as far from their current location as possible. Or was it?"

Adrian Martin and Cristina Álvarez López launch this collection of journeys with an essay on the "intimate connection between cinephilia and travel," in which they...

Today's announcement from the International Film Festival Rotterdam lays out the full lineup for the Bright Future program. With descriptions from the festival:

World premieres

A la cantábrica (To La Cantábrica), Ezequiel Erriquez, Argentina. A "coming of age film set in the outskirts of Buenos Aires during the economic crisis of the late 1990s." Blog.

Corta, Felipe Guerrero, Colombia, Argentina, France. Guerrero "associates the work of sugar cane harvesters with the process of 16mm filmmaking. This film is a beautiful, cinematic meditation reminiscent of the work of Sharon Lockhart or Ben Russell." The Ultimate Pranx Case, Influenz Films, Canada. "In 2010, three boys had a prank with a girl at school and streamed it live on Internet. What started as an innocent joke soon got completely out of hand." Par exemple, Electre (Electre, For Instance), Jeanne Balibar and Pierre Léon, France. "In this eclectic homage to the Greek tragedy, Balibar and...