Have you wondered whether your acceptance or rejection of social, cultural, and religious events has room for the calamities that take place inside their crevices? If you haven’t, then it is not your fault. You have been trained, unconsciously, by the power structures of society to perceive social events by their scintillating outlook only. It is this hegemonic order that permeates the horizon of the popular psyche. At this juncture, a film like “Kaalidhar Laapata,” intended to operate in the popular discourse, becomes an essential cultural artifact to counter the predominant order.
I’d be pretty honest. There’s nothing in “Kalidhaar Laapata” that blew me away. I liked the first few minutes, up to the first half – I anticipated something good might come out of it – but soon it fell prey to the clichéd tropes. But even with the flaws that the film entailed, I’d still like...
I’d be pretty honest. There’s nothing in “Kalidhaar Laapata” that blew me away. I liked the first few minutes, up to the first half – I anticipated something good might come out of it – but soon it fell prey to the clichéd tropes. But even with the flaws that the film entailed, I’d still like...
- 7/4/2025
- by Soumalya Chatterjee
- High on Films
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