It has been a banner year for Martin Delemazure, the managing director of Paris-based composer agency Grande Ourse.
He had seven films at the Cannes Film Festival in May featuring music by composers on the agency’s books, topped by Jury Prize-winner Emilia Pérez, which also won Best Cannes Soundtrack for Grande Ourse talent Camille, who takes a co-music credit with life and work partner Clément Ducol.
The other titles spanned Palme d’Or contender Wild Diamond, for which the soundtrack was composed by Audrey Ismaël, who also wrote the music for Un Certain Regard title The Kingdom.
Grande Ourse also represents David Sztanke, who wrote the music for a second film in the sidebar, Dog on Trial. Elsewhere in the Official Selection, client Matteo Locasciulli wrote the soundtrack for bio-doc Jacques Demy, the Pink and the Black in Cannes Classics.
In the parallel Cannes Critics’ Week section, Rebeka Warrior...
He had seven films at the Cannes Film Festival in May featuring music by composers on the agency’s books, topped by Jury Prize-winner Emilia Pérez, which also won Best Cannes Soundtrack for Grande Ourse talent Camille, who takes a co-music credit with life and work partner Clément Ducol.
The other titles spanned Palme d’Or contender Wild Diamond, for which the soundtrack was composed by Audrey Ismaël, who also wrote the music for Un Certain Regard title The Kingdom.
Grande Ourse also represents David Sztanke, who wrote the music for a second film in the sidebar, Dog on Trial. Elsewhere in the Official Selection, client Matteo Locasciulli wrote the soundtrack for bio-doc Jacques Demy, the Pink and the Black in Cannes Classics.
In the parallel Cannes Critics’ Week section, Rebeka Warrior...
- 12/20/2024
- by Melanie Goodfellow
- Deadline Film + TV
Christophe Honoré with photographs of Federico Fellini's 81/2 star, Sandra Milo Photo: Anne-Katrin Titze
Christophe Honoré's vividly mischievous Sophie’s Misfortunes, based on the Comtesse de Ségur's books, Les Malheurs De Sophie and Les Petites Filles Modèles, has a score by Alex Beaupain and David Sztanke, influenced by music the director himself liked as a child. Golshifteh Farahani (Madame de Réan), Anaïs Demoustier (Madame de Fleurville) and Muriel Robin (Madame Fichini) play the mothers in Sophie's (Caroline Grant) world. She and her playmates, Camille (Céleste Carrale), Madeleine (Justine Morin) and Paul (Tristan Farge) show us that the dawn belongs to children.
Madeleine, Camille, Sophie, and Paul in Sophie’s Misfortunes
Christophe explains a reference to me from Jean Vigo's Zéro De Conduite, says Sophie’s Misfortunes isn't John Lasseter's Toy Story, and happily notes that doing a film for children helped him "clean up" his cinema by...
Christophe Honoré's vividly mischievous Sophie’s Misfortunes, based on the Comtesse de Ségur's books, Les Malheurs De Sophie and Les Petites Filles Modèles, has a score by Alex Beaupain and David Sztanke, influenced by music the director himself liked as a child. Golshifteh Farahani (Madame de Réan), Anaïs Demoustier (Madame de Fleurville) and Muriel Robin (Madame Fichini) play the mothers in Sophie's (Caroline Grant) world. She and her playmates, Camille (Céleste Carrale), Madeleine (Justine Morin) and Paul (Tristan Farge) show us that the dawn belongs to children.
Madeleine, Camille, Sophie, and Paul in Sophie’s Misfortunes
Christophe explains a reference to me from Jean Vigo's Zéro De Conduite, says Sophie’s Misfortunes isn't John Lasseter's Toy Story, and happily notes that doing a film for children helped him "clean up" his cinema by...
- 3/12/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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