In their documentary Folktales, Heidi Ewing and Rachel Grady weave Norse mythology (specifically that of “the three Norns”) and evocative imagery (courtesy of Dp Lars Erlend Tubaas Øymo) with the modern-day story of northern Norway’s Pasvik Folk High School, a place where kids can take a gap year in the wild as a means of self-discovery. Ewing and Grady focus on students Hege, Romain, and Bjørn Tore. All three are dealing with their own traumas: Hege is lonely, still reeling from the tragic death of her father; Romain is a fearful high school dropout unsure of his ability to survive the camp and the wilderness; finally, Bjørn Tore thinks of himself as strange, awkward, and incapable of making friends.
Ewing and Grady utilize long zoom lenses to capture intimate moments without much interference. The best sequences hold on our main subjects’ faces, capturing the struggle and determination in their young faces.
Ewing and Grady utilize long zoom lenses to capture intimate moments without much interference. The best sequences hold on our main subjects’ faces, capturing the struggle and determination in their young faces.
- 7/23/2025
- by Dan Mecca
- The Film Stage
A robotic bust with a face modeled on a middle-aged woman who responds to questions using ChatGPT technology, Bina48 is a rather strange concoction. She sounds passably smart but definitely machine-like, looks nothing like a human being and yet the people behind her claim that she is the early prototype for how people could conquer death and live forever. In Sundance doc “Love Machina,” director Peter Sillen tries to find an answer for why Bina48 came to exist, yet ends up revealing the hubris of the people behind her.
The married couple at the center of the narrative, Martine and Bina Rothblatt, talk about meeting and falling in love in an attempt to get at the strength of their connection. Bina48 was developed with the idea that they would transfer their consciousness to the robot, through what they call an “AI mind file.” They started with Bina Rothblatt and based the bust on her likeness,...
The married couple at the center of the narrative, Martine and Bina Rothblatt, talk about meeting and falling in love in an attempt to get at the strength of their connection. Bina48 was developed with the idea that they would transfer their consciousness to the robot, through what they call an “AI mind file.” They started with Bina Rothblatt and based the bust on her likeness,...
- 1/20/2024
- by Murtada Elfadl
- Variety Film + TV
MTV Documentary Films has released the trailer for “Pay Or Die,” a documentary about America’s soaring insulin costs that the platform acquired out of this year’s South by Southwest Film Festival.
The 90-minute film, which was executive produced by Sarah Silverman, will open theatrically at New York City’s IFC Center on November 1, the first day of National Diabetes Month. That screening will be followed by a nationwide rollout. The theatrical release of the doc will qualify it for Academy Award consideration. Paramount + will begin streaming “Pay Or Die” on World Diabetes Day – Nov. 14.
Directed by Scott Alexander Ruderman and Rachael Dyer, “Pay Or Die” follows three families struggling to afford their diabetes medications. In 2022 the American Diabetes Association reported that over 37 million Americans – about 11% of the nation – are living with diabetes and 8.4 million Americans rely on insulin to survive. According to “Pay Or Die” nearly two-million...
The 90-minute film, which was executive produced by Sarah Silverman, will open theatrically at New York City’s IFC Center on November 1, the first day of National Diabetes Month. That screening will be followed by a nationwide rollout. The theatrical release of the doc will qualify it for Academy Award consideration. Paramount + will begin streaming “Pay Or Die” on World Diabetes Day – Nov. 14.
Directed by Scott Alexander Ruderman and Rachael Dyer, “Pay Or Die” follows three families struggling to afford their diabetes medications. In 2022 the American Diabetes Association reported that over 37 million Americans – about 11% of the nation – are living with diabetes and 8.4 million Americans rely on insulin to survive. According to “Pay Or Die” nearly two-million...
- 10/5/2023
- by Addie Morfoot
- Variety Film + TV
Exclusive: MTV Documentary Films has acquired worldwide rights to Pay or Die, a heart wrenching film about Americans living with diabetes who face a cruel choice: pay the “extortionate” cost of insulin charged by pharmaceutical companies or risk death.
Scott Alexander Ruderman and Rachael Dyer directed and produced the documentary, which premiered in March at SXSW. MTV Documentary Films plans a theatrical release later this year, followed by a debut on streaming platform Paramount+.
“Today, nearly two-million Americans living with diabetes are being held hostage by the pharmaceutical industry, as many cannot afford insulin,” notes a release about the documentary. “Without this life-sustaining drug, they will be dead in days. Access to this drug has become increasingly more difficult, as the cost to patients in America soars. Pay or Die follows families struggling to afford their medications and reveals the harrowing reality of living with a chronic illness in the richest country in the world.
Scott Alexander Ruderman and Rachael Dyer directed and produced the documentary, which premiered in March at SXSW. MTV Documentary Films plans a theatrical release later this year, followed by a debut on streaming platform Paramount+.
“Today, nearly two-million Americans living with diabetes are being held hostage by the pharmaceutical industry, as many cannot afford insulin,” notes a release about the documentary. “Without this life-sustaining drug, they will be dead in days. Access to this drug has become increasingly more difficult, as the cost to patients in America soars. Pay or Die follows families struggling to afford their medications and reveals the harrowing reality of living with a chronic illness in the richest country in the world.
- 5/30/2023
- by Matthew Carey
- Deadline Film + TV
With over 50 credits to his name, including Life Animated, A Walk into the Sea and the Emmy-nominated Boy’s State, composer T. Griffin brings sure melodies, inventive arrangements and a clever blending (and treatment of) of acoustic instruments with electronics to his film scoring work. Both an omnivorous listener and a performing musician — he’s a former member of Vic Chestnutt’s band and has performed for live film/media events by artists such as Sam Green — Griffin is invigoratingly thoughtful about the role of music in film, and his scores benefit from that inquisitive process. They buzz with musical ideas while […]
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
- 7/14/2021
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
With over 50 credits to his name, including Life Animated, A Walk into the Sea and the Emmy-nominated Boy’s State, composer T. Griffin brings sure melodies, inventive arrangements and a clever blending (and treatment of) of acoustic instruments with electronics to his film scoring work. Both an omnivorous listener and a performing musician — he’s a former member of Vic Chestnutt’s band and has performed for live film/media events by artists such as Sam Green — Griffin is invigoratingly thoughtful about the role of music in film, and his scores benefit from that inquisitive process. They buzz with musical ideas while […]
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
The post “My Ideal is for the Music to Seem Accidental, Like It Just Happened to Be There and Be Perfect”: T. Griffin on Scoring Jill Magid’s The Proposal first appeared on Filmmaker Magazine.
- 7/14/2021
- by Scott Macaulay
- Filmmaker Magazine - Blog
Composers Atli Örvarsson, Mark Mothersbaugh and Mark Isham led the list of winners announced Monday for the annual BMI Film, TV & Visual Media Awards, with the three scorers picking up six, five and four trophies, respectively.
Örvarsson, the Icelandic composer, is now up to 29 BMI honors with the six he adds this week. His new shelf’s worth of awards came for work on “Chicago P.D.,” “Chicago Med,” “Chicago Fire,” “FBI,” “FBI: Most Wanted” and “Defending Jacob.”
Mark Mothersbaugh, of Devo as well as scoring fame, was five-times rewarded for “Dirty John,” “What We Do in the Shadows,” “The Willoughbys,” “The Croods: A New Age” and “Tiger King.”
Mark Isham’s four awards came for “Judas and the Black Messiah,” “Honest Thief,” “Little Fires Everywhere” and “Togo.”
“I’m not that much of an awards guy, but even I’m impressed — four BMI awards,” Isham said in a taped acceptance speech.
Örvarsson, the Icelandic composer, is now up to 29 BMI honors with the six he adds this week. His new shelf’s worth of awards came for work on “Chicago P.D.,” “Chicago Med,” “Chicago Fire,” “FBI,” “FBI: Most Wanted” and “Defending Jacob.”
Mark Mothersbaugh, of Devo as well as scoring fame, was five-times rewarded for “Dirty John,” “What We Do in the Shadows,” “The Willoughbys,” “The Croods: A New Age” and “Tiger King.”
Mark Isham’s four awards came for “Judas and the Black Messiah,” “Honest Thief,” “Little Fires Everywhere” and “Togo.”
“I’m not that much of an awards guy, but even I’m impressed — four BMI awards,” Isham said in a taped acceptance speech.
- 7/12/2021
- by Chris Willman
- Variety Film + TV
The Sundance Film Festival’s 2021 virtual Main Street will play host to a series of conversations about music and the movies, hosted by first-time festival partner Film Music House, with Mary J. Blige, Rufus Wainwright and Colin Stetson (pictured above) among those taking part in the streamed chats Jan. 28 through Feb. 3.
Blige will join Nova Wav and DJ Camper in a conversation on songwriting for films. Wainwright will participate in a panel on the music of the film “Rebel Hearts” with veteran music supervisor Tracy McKnight and Ariel Marx. A panel about music auteurs will feature Stetson as well as Bryce Dessner of the National and Alex Somers.
The confab’s keynote conversations will spotlight Mychael Danna, Jeff Beal, Dan Romer, Miriam Cuter and Rob Simonsen.
The full lineup of names and times for Film Music House programs can be found on Sundance’s Village site, here.
Other programs include...
Blige will join Nova Wav and DJ Camper in a conversation on songwriting for films. Wainwright will participate in a panel on the music of the film “Rebel Hearts” with veteran music supervisor Tracy McKnight and Ariel Marx. A panel about music auteurs will feature Stetson as well as Bryce Dessner of the National and Alex Somers.
The confab’s keynote conversations will spotlight Mychael Danna, Jeff Beal, Dan Romer, Miriam Cuter and Rob Simonsen.
The full lineup of names and times for Film Music House programs can be found on Sundance’s Village site, here.
Other programs include...
- 1/14/2021
- by Chris Willman
- Variety Film + TV
Politics is, without question, a dirty business. At all levels, the political machine brings out (sometimes) the best in humanity, as well as the worst in people. The startling and uniquely consuming documentary Boys State gets this, and depicts it with really tremendous clarity. Looking at a longstanding social experiment, one that has good goals in mind, it’s a movie that will leave you both inspired and maybe even a little bit shaken. Now available to watch on Apple TV+, it’s not just one of the best streaming options this week, it’s the best option, overall. In fact, we may have an awards player on our hands, too. The film is a documentary, detailing the thousand 17-year-old boys from Texas who are a part of Boys State, an American Legion program to let teens build their own government. The boys join together to build a representative government...
- 8/14/2020
- by Joey Magidson
- Hollywoodnews.com
Bmi is announcing its annual programs at the Sundance Film Festival, with a substantially packed composer/director panel set for the afternoon of Sunday, January 26 and a “Snowball” headlined by singer Lisa Loeb two nights later.
The Sunday “Music & Film: The Creative Process” roundtable will include nine filmmaker/scorer pairs with movies at the festival, with moderating duties handled by Sundance Institute Film Music Program director Peter Golub and Bmi’s primary liaison to the film world, VP of creative relations Doreen Ringer-Ross.
Happening at Sundance for the 22nd year, the panel will bring together composers and directors from these festival entries: “Uncle Frank” (composer Nathan Barr and director Alan Ball; “Four Good Days” (Ed Shearmur and Rodrigo García; “The Night House” (Ben Lovett and David Bruckner); “Shirley” (Tamar-kali and Josephine Decker); “Promising Young Woman” ( Anthony Willis and Emerald Fennell); “Boys State” (T. Griffin and Amanda McBaine; “Us Kids” (composer...
The Sunday “Music & Film: The Creative Process” roundtable will include nine filmmaker/scorer pairs with movies at the festival, with moderating duties handled by Sundance Institute Film Music Program director Peter Golub and Bmi’s primary liaison to the film world, VP of creative relations Doreen Ringer-Ross.
Happening at Sundance for the 22nd year, the panel will bring together composers and directors from these festival entries: “Uncle Frank” (composer Nathan Barr and director Alan Ball; “Four Good Days” (Ed Shearmur and Rodrigo García; “The Night House” (Ben Lovett and David Bruckner); “Shirley” (Tamar-kali and Josephine Decker); “Promising Young Woman” ( Anthony Willis and Emerald Fennell); “Boys State” (T. Griffin and Amanda McBaine; “Us Kids” (composer...
- 1/9/2020
- by Chris Willman
- Variety Film + TV
A total of 145 scores were recently announced as being eligible for this year’s Academy Award, with everything from perceived frontrunner “La La Land” (Justin Hurwitz) and “Jackie” (Mica Levi) to outliers like “Sausage Party” and “Elle.” The final five will be nominated on January 24. In the meantime, avail yourself of this Spotify playlist featuring selections from 110 of the eligible scores — as well as the full list of every eligible score.
Read More: Oscar Best Score Contenders: The Inside Story of Creating 5 Diverse Frontrunners
Read More: Oscars 2017: Listen to 70 Songs Eligible for This Year’s Academy Award
The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,...
Read More: Oscar Best Score Contenders: The Inside Story of Creating 5 Diverse Frontrunners
Read More: Oscars 2017: Listen to 70 Songs Eligible for This Year’s Academy Award
The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,...
- 1/3/2017
- by Michael Nordine
- Indiewire
The Academy of Motion Picture Arts and Sciences today announced that 145 scores from eligible feature-length motion pictures released in 2016 are in contention for nominations in the Original Score category for the 89th Academy Awards.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,” Silvia Leonetti, composer
“Assassin’s Creed,” Jed Kurzel, composer
“Autumn Lights,” Hugi Gudmundsson and Hjörtur Ingvi Jóhannsson, composers
“The Bfg,” John Williams, composer
“Believe,” Michael Reola, composer
“Ben-Hur,” Marco Beltrami and Buck Sanders, composers
“Bilal,” Atli Ӧrvarsson, composer
“Billy Lynn’s Long Halftime Walk,” Mychael Danna and Jeff Danna,...
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“The Abolitionists,” Tim Jones, composer
“Absolutely Fabulous The Movie,” Jake Monaco, composer
“The Accountant,” Mark Isham, composer
“Alice through the Looking Glass,” Danny Elfman, composer
“Allied,” Alan Silvestri, composer
“Almost Christmas,” John Paesano, composer
“American Pastoral,” Alexandre Desplat, composer
“The Angry Birds Movie,” Heitor Pereira, composer
“Anthropoid,” Robin Foster, composer
“Armenia, My Love,” Silvia Leonetti, composer
“Assassin’s Creed,” Jed Kurzel, composer
“Autumn Lights,” Hugi Gudmundsson and Hjörtur Ingvi Jóhannsson, composers
“The Bfg,” John Williams, composer
“Believe,” Michael Reola, composer
“Ben-Hur,” Marco Beltrami and Buck Sanders, composers
“Bilal,” Atli Ӧrvarsson, composer
“Billy Lynn’s Long Halftime Walk,” Mychael Danna and Jeff Danna,...
- 12/14/2016
- by Melissa Thompson
- WeAreMovieGeeks.com
The Academy of Motion Picture Arts and Sciences (AMPAS) has announced the 145 scores eligible in the Best Original Score category, includeing work from “Jackie” and “La La Land.” The latter film, a musical directed by “Whiplash” helmer Damien Chazelle, picked up the Los Angeles Film Critics Association’s award for Best Music earlier this month; “Jackie” was the category’s runner-up. Notably absent, meanwhile, are “Arrival” (which just landed a Golden Globe nod), “Manchester by the Sea” and “Silence.”
Read: ‘La La Land’: Emma Stone and Ryan Gosling’s ‘City of Stars’ Duet Will Sweep You Off Your Feet – Listen
Justin Hurwitz composed and orchestrated the “La La Land” score, while “Jackie” marks “Under the Skin” composer Mica Levi’s second silver-screen effort. Decades after becoming one of the world’s most renowned film composers, Ennio Morricone won last year’s Oscar for his work on Quentin Tarantino’s “The Hateful Eight.
Read: ‘La La Land’: Emma Stone and Ryan Gosling’s ‘City of Stars’ Duet Will Sweep You Off Your Feet – Listen
Justin Hurwitz composed and orchestrated the “La La Land” score, while “Jackie” marks “Under the Skin” composer Mica Levi’s second silver-screen effort. Decades after becoming one of the world’s most renowned film composers, Ennio Morricone won last year’s Oscar for his work on Quentin Tarantino’s “The Hateful Eight.
- 12/14/2016
- by Michael Nordine
- Indiewire
Dutch doctor Rebecca Gomberts built a reproductive clinic on a ship, sailed it to countries where abortion is outlawed -- Ireland, Poland, Portugal, Spain... and got responses from thousands of women in need. It's an advocacy docu about an activist experiment that's moving around the world, promoting positive change. Vessel DVD Kino Lorber 2014 / Color / 1:78 enhanced widescreen / 86 min. / Street Date April 19, 2016 / available through Kino Lorber / 24.95 Starring Rebecca Gomperts Cinematography Diana Whitten Film Editor Simeon Hunter Animators Emily Hubley.Emilie Liu, Hsien Pei Liu Original Music T. Griffin, Heather McIntosh Produced by Mitchell Block, Diana Whitten Directed by Diana Whitten
Reviewed by Glenn Erickson
An efficient and powerful advocacy documentary, 2014's Vessel documents the work of Rebecca Gomperts, a pro- women's reproductive rights activist. A doctor and one-time activist with Greenpeace, around 2000 Gomberts decided to stop working in a women's clinic in her home of Amsterdam, Holland, and to take the...
Reviewed by Glenn Erickson
An efficient and powerful advocacy documentary, 2014's Vessel documents the work of Rebecca Gomperts, a pro- women's reproductive rights activist. A doctor and one-time activist with Greenpeace, around 2000 Gomberts decided to stop working in a women's clinic in her home of Amsterdam, Holland, and to take the...
- 3/22/2016
- by Glenn Erickson
- Trailers from Hell
With the fabulous extravaganza coming to an end, the 55th Annual Grammy Awards named the year’s big winners during an extremely entertaining presentation at the Staples Center on Sunday (February 10).
Taking home the top prize tonight was Mumford and Sons winning Album of the Year, while other tremendous victors included Adele, The Black Keys, and Carrie Underwood.
While viewers found out who took home the prizes of the night, they were also treated to dazzling performances from Rihanna with Bruno Mars and Sting, along with Miss Undersood, Justin Timberlake, and Taylor Swift.
In addition, Fun. cleaned up by taking home the coveted award for Song of the Year and Best New Artist.
Meanwhile, the complete list of 2013 Grammy Award Winners is as follows:
General Field
Record Of The Year
Lonely Boy - The Black Keys
Stronger (What Doesn't Kill You) - Kelly Clarkson
We Are Young - Fun. featuring...
Taking home the top prize tonight was Mumford and Sons winning Album of the Year, while other tremendous victors included Adele, The Black Keys, and Carrie Underwood.
While viewers found out who took home the prizes of the night, they were also treated to dazzling performances from Rihanna with Bruno Mars and Sting, along with Miss Undersood, Justin Timberlake, and Taylor Swift.
In addition, Fun. cleaned up by taking home the coveted award for Song of the Year and Best New Artist.
Meanwhile, the complete list of 2013 Grammy Award Winners is as follows:
General Field
Record Of The Year
Lonely Boy - The Black Keys
Stronger (What Doesn't Kill You) - Kelly Clarkson
We Are Young - Fun. featuring...
- 2/11/2013
- GossipCenter
Ice-T To Headline .A Celebration Of Music In Film.
At 2012 Sundance Film Festival
Free Tickets to be Distributed via Twitter @sundancefestnow and @finallevel
Event Hosted By Sundance Institute Film Music Program
Sundance Institute today announced that Ice-t and hip hop icons Chuck D (Public Enemy) and Grandmaster Caz will perform at .A Celebration of Music in Film. on January 21 at the 2012 Sundance Film Festival. .A Celebration of Music in Film,. one of the most anticipated music events at the annual Festival, this year celebrates Something From Nothing: The Art Of Rap, by director Ice-t, co-director Andy Baybutt and producer Paul Toogood.
The event takes place Saturday, January 21, 8:30 p.m. at the Sundance Music Café. A limited number of free tickets to the event will be available to Festival credential holders (21 and up) via Twitter @sundancefestnow and Ice-t.s feed @finallevel. Additionally, the event will be live streamed at www.
At 2012 Sundance Film Festival
Free Tickets to be Distributed via Twitter @sundancefestnow and @finallevel
Event Hosted By Sundance Institute Film Music Program
Sundance Institute today announced that Ice-t and hip hop icons Chuck D (Public Enemy) and Grandmaster Caz will perform at .A Celebration of Music in Film. on January 21 at the 2012 Sundance Film Festival. .A Celebration of Music in Film,. one of the most anticipated music events at the annual Festival, this year celebrates Something From Nothing: The Art Of Rap, by director Ice-t, co-director Andy Baybutt and producer Paul Toogood.
The event takes place Saturday, January 21, 8:30 p.m. at the Sundance Music Café. A limited number of free tickets to the event will be available to Festival credential holders (21 and up) via Twitter @sundancefestnow and Ice-t.s feed @finallevel. Additionally, the event will be live streamed at www.
- 1/20/2012
- by Melissa Howland
- WeAreMovieGeeks.com
The Cinema Eye Honors revealed the nominees for the 5th Annual Awards honoring Non-Fiction Filmmaking. Winners will be announced on January 11. Here's the list of the 2012 Cinema Eye Honors:
Outstanding Achievement in Nonfiction Feature Filmmaking:
"The Arbor," Directed by Clio Barnard, Produced by Tracy O.Riordan
"Senna," Directed by Asif Kapadia; Produced by James Gay-Rees, Tim Bevan and Eric Fellner
"Project Nim," Directed by James Marsh, Produced by Simon Chinn
"Position Among the Stars," Directed by Leonard Retel Helmrich, Produced by Hetty Naaijkens-Retel Helmrich
"Nostalgia for the Light," Directed by Patricio Guzmán, Produced by Renate Sachse
"The Interrupters," Directed by Steve James, Produced by Alex Kotlowitz and Steve James
Outstanding Achievement in Direction:
Clio Barnard for "The Arbor"
Leonard Retel Helmrich for "Position Among the Stars"
Patricio Guzmán for "Nostalgia for the Light"
Steve James for "The Interrupters"
Danfung Dennis for "Hell and Back Again"
Outstanding Achievement in Production:
Erik Nelson...
Outstanding Achievement in Nonfiction Feature Filmmaking:
"The Arbor," Directed by Clio Barnard, Produced by Tracy O.Riordan
"Senna," Directed by Asif Kapadia; Produced by James Gay-Rees, Tim Bevan and Eric Fellner
"Project Nim," Directed by James Marsh, Produced by Simon Chinn
"Position Among the Stars," Directed by Leonard Retel Helmrich, Produced by Hetty Naaijkens-Retel Helmrich
"Nostalgia for the Light," Directed by Patricio Guzmán, Produced by Renate Sachse
"The Interrupters," Directed by Steve James, Produced by Alex Kotlowitz and Steve James
Outstanding Achievement in Direction:
Clio Barnard for "The Arbor"
Leonard Retel Helmrich for "Position Among the Stars"
Patricio Guzmán for "Nostalgia for the Light"
Steve James for "The Interrupters"
Danfung Dennis for "Hell and Back Again"
Outstanding Achievement in Production:
Erik Nelson...
- 12/11/2011
- by Manny
- Manny the Movie Guy
Originally posted on July 6, 2011. Terri is nominated for Breakthrough Actor.
Azazel Jacobs’ idiosyncratic and homespun Terri is caring riff on the alienated teenager film, making its plus-size hero a stand-in for the trepidations we all fear when our slow-motion lives begin to move just a little too fast. Here, in this video shot at Sundance 2011, Jacobs discusses how he moved from his previous feature, Momma’s Man, to Terri, and why he’s not like Alfred Hitchcock.
Photographed by: Jamie Stuart. Edited by: Daniel James Scott. Music: T. Griffin.
For more, read Nick Dawson’s longer interview with Azazel Jacobs about Terri here.
Azazel Jacobs’ idiosyncratic and homespun Terri is caring riff on the alienated teenager film, making its plus-size hero a stand-in for the trepidations we all fear when our slow-motion lives begin to move just a little too fast. Here, in this video shot at Sundance 2011, Jacobs discusses how he moved from his previous feature, Momma’s Man, to Terri, and why he’s not like Alfred Hitchcock.
Photographed by: Jamie Stuart. Edited by: Daniel James Scott. Music: T. Griffin.
For more, read Nick Dawson’s longer interview with Azazel Jacobs about Terri here.
- 11/3/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
In the below video: Martha Marcy May Marlene writer/director Sean Durkin on Altman, Polanski and why he’s fascinated by cults; Elizabeth Olsen on her character, scripts, and what attracted her to this part; and John Hawkes on why his cult leader wasn’t another dark creepy dude. Photographed by Jamie Stuart, edited by Daniel James Scott and with music by T. Griffin. Shot at Sundance 2011.
- 10/24/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the Ifp has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production or marketing brief. All the filmmakers were veterans of the Ifp Labs and also selected for Filmmaker’s 25 New Faces.
Today I’m posting the last spot, featuring Eleanor Burke and Ron Eyal. Their feature Stranger Things has won multiple awards, including Best Narrative Feature at...
Today I’m posting the last spot, featuring Eleanor Burke and Ron Eyal. Their feature Stranger Things has won multiple awards, including Best Narrative Feature at...
- 10/18/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the Ifp has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production or marketing brief. All the filmmakers were veterans of the Ifp Labs and also selected for Filmmaker’s 25 New Faces.
Today I’m posting Koo and Zack Lieberman’s spot. Koo runs the site No Film School and busted Kickstarter records for his new feature, Man-Child.
Today I’m posting Koo and Zack Lieberman’s spot. Koo runs the site No Film School and busted Kickstarter records for his new feature, Man-Child.
- 10/9/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the Ifp has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production or marketing brief. All the filmmakers were veterans of the Ifp Labs and also selected for...
- 10/9/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the Ifp has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production or marketing brief. All the filmmakers were veterans of the Ifp Labs and also selected for Filmmaker’s 25 New Faces.
Today I’m posting Dee Rees, whose Pariah opens from Focus Features in December. She’s also featured in the upcoming Filmmaker in an interview with Brandon Harris.
Today I’m posting Dee Rees, whose Pariah opens from Focus Features in December. She’s also featured in the upcoming Filmmaker in an interview with Brandon Harris.
- 10/9/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the Ifp has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production or marketing brief. All the filmmakers were veterans of the Ifp Labs and also selected for Filmmaker’s 25 New Faces.
Today I’m posting Alrick Brown, whose Kinyarwanda won the Audience Award in Sundance’s World Cinema Competition this year and is forthcoming in theaters this fall from the Affrm.
Today I’m posting Alrick Brown, whose Kinyarwanda won the Audience Award in Sundance’s World Cinema Competition this year and is forthcoming in theaters this fall from the Affrm.
- 10/9/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
If you’ve taken a ride in the back of a New York City taxi cab these last two weeks, you may have heard the stories of seven of New York’s most distinctive independent filmmakers of the moment. In partnership with Royal Bank of Canada and the Mayor’s Office of Media and Entertainment, the Ifp has produced six spots that are playing not only in cabs but on NYC Life. Jamie Stuart directed, T. Griffin scored and I produced these pieces, and each one, in addition to profiling a person, highlights a different aspect of the independent filmmaker’s current creative, production or marketing brief. All the filmmakers were veterans of the Ifp Labs and also selected for Filmmaker’s 25 New Faces.
This week I’ll post them all on the blog, starting with Jessica Oreck, director of Beetle Queen Conquers Tokyo.
This week I’ll post them all on the blog, starting with Jessica Oreck, director of Beetle Queen Conquers Tokyo.
- 10/9/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
Opening today is Beats, Rhymes and Life: The Travels of a Tribe Called Quest. Actor and longtime fan Michael Rapaport stepped behind the camera to both introduce a new audience to the seminal hip hop group but also to answer an aficionado’s longtime questions. Here’s a short interview filmed at Sundance, 2011. Photographed by Jamie Stuart, edited by Daniel James Scott, music by T. Griffin.
- 7/8/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
Rating: 2.5/5
Directors: Sam Green, Dave Cerf
Producers: Sam Green, Carrie Lozano, Jasmine Dellal
Live music by: The Quavers (Dennis Cronin, T. Griffin, Catherine McCrae)
The idea of having a film play with a live soundtrack sounded incredibly intriguing to me as I was looking through what the La Film Festival had on the schedule for this year. Sam Green’s documentary on the ideas of utopia was to feature a live band, the Quavers, performing while Green himself also performed live by narrating the film as it played. Playing on this idea of film with music, rather than being described as having four scenes, the piece would be told in four movements (as the title indicates).
Read more on Laff 2010 Review: Utopia In Four Movements…...
Directors: Sam Green, Dave Cerf
Producers: Sam Green, Carrie Lozano, Jasmine Dellal
Live music by: The Quavers (Dennis Cronin, T. Griffin, Catherine McCrae)
The idea of having a film play with a live soundtrack sounded incredibly intriguing to me as I was looking through what the La Film Festival had on the schedule for this year. Sam Green’s documentary on the ideas of utopia was to feature a live band, the Quavers, performing while Green himself also performed live by narrating the film as it played. Playing on this idea of film with music, rather than being described as having four scenes, the piece would be told in four movements (as the title indicates).
Read more on Laff 2010 Review: Utopia In Four Movements…...
- 6/23/2010
- by Allison Loring
- GordonandtheWhale
“I don’t know what this is,” said Jem Cohen, in his introduction to last night’s screening of his new work Empires of Tin at the IFC Center. He went on to call it “a documentary musical hallucination,” which really only chips the surface of this astounding, frustrating, one-of-a-kind piece. Here’s my go at further explaining it: Empires of Tin the movie is an expanded documentation of Empires of Tin the performance, commissioned by the Vienna Film Festival in 2007. Collaborating with musicians like Vic Chesnutt (who Cohen described last night as “a great American”), Fugazi’s Guy Picciotto, and T. Griffin, Cohen put together a so ...
- 8/12/2009
- by Karina Longworth
- Spout
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