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Prime Video has announced the lineup of movies and TV shows that will be available on the service in April. The Prime Video April 2025 lineup includes new Amazon original movies, TV shows, and specials.

Members can look forward to #1 Happy Family USA, America’s Test Kitchen: The Next Generation Season 2, The Bondsman, Étoile, G20, Lol: Se Rir, Já Era, Mobile Suit Gundam GQuuuuuuX, Spy High, Superboys of Malegaon, and Wear Whatever the F You Want.

G20 Prime Video Originals

The Prime Video April 2025 programming includes the following Originals.

America’s Test Kitchen: The Next Generation Season 2 (2025 – Streaming April 1)

America’s Test Kitchen: The Next Generation is back! Host Jeannie Mai and head judge Dan Souza return to mentor and guide 11 aspiring cooks as they compete for the job of a lifetime.

In the end, one cook will become the newest Atk cast member, receive an option for a cookbook, and win $100,000. Who has what it takes?...

Karim Aïnouz’s beguilingly stunning “Invisible Life” is Brazil’s latest cinematic treasure. Even as the country’s conservative government threatens to cut the funding to the robust film scene that has given us critically acclaimed works like “Aquarius,” “Neon Bull” and “The Second Mother,” there are works like “Invisible Life” that remind international audiences of the stories the nation is fighting to tell in the face of adversity.

“Invisible Life” is a tale of two sisters in 1950s Rio de Janeiro. Guida (Julia Stockler), the slightly more adventurous one, escapes from a family dinner one night to go out with a mysterious suitor, a Greek sailor. She disappears the next morning, leaving behind only a note and one of her grandmother’s earrings she had left with the night before.

Her sister, Eurídice (Carol Duarte), blames herself for covering for her sister to leave the family without so much as saying goodbye.

"I haven't lost hope that you'll return to Brazil..." Amazon has revealed a new Us trailer for the acclaimed drama Invisible Life from Brazil, which is a new shortened title just for Us release - the full title is still The Invisible Life of Eurídice Gusmão. The film won the top Un Certain Regard award at the Cannes Film Festival this year, and is Brazil's submission for the Oscars coming up. This feminist drama set in Rio de Janeiro in the 1950s and the story follows two sisters, Euridice and Guida. They live at home, each with a dream: become a renowned pianist, or find true love. Because of their father, they are forced to live without each other. Separated for most of their lives, they will take control of their destiny, while never giving up on their hope of being reunited. Starring Fernanda Montenegro as Euridice, and Júlia Stockler as Guida,...

Among the record 92 submissions this year, 27 titles are directed or co-directed by women. There are six documentaries in the mix, as well as two animated features. Moreover, for the first time, Ghana and Uzbekistan are each fielding an entry. However, Nigeria’s submission was disqualified by the Academy as being mostly in the English language. Here’s a guide to the films, including logline and sales or production contact.

Albania

“The Delegation”

Director: Bujar Alimani

Logline: In autumn 1990,

a political prisoner is secretly taken out of jail to meet the head of the European delegation investigating human-rights violations. But nothing goes according to plan.

Key Cast: Viktor Zhusti, Ndriçim Xhepa, Xhevdet Feri

Sales: Art Film

Algeria

“Papicha”

Director: Mounia Meddour

Logline: A female student rebels against the bans set by radicals during the civil war and plans a fashion show.

Key Cast: Lyna Khoudri, Shirine Boutella, Amira Hilda Douaouda

Sales:...

Exclusive: Amazon Studios has bought U.S. rights to Cannes Un Certain Regard winner The Invisible Life of Eurídice Gusmão ahead of its North American premiere at Toronto.

European arthouse stalwart The Match Factory and CAA Media Finance brokered the deal for the well-received Brazilian film. CAA has also signed the film’s director Karim Aïnouz, an A-list festival regular.

The Portuguese-language, tropical melodrama about two sisters struggling to define themselves in the machista culture of mid-century Brazil is a strong contender to be the country’s entry for the International Feature Film Oscar. That decision will be made soon. A U.S. release date has yet to be set.

We revealed the film’s first international trailer in Cannes.

The story begins in Rio de Janeiro in 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each...

Karim Aïnouz’s The Invisible Life of Eurídice Gusmão is a tale of resistance. It hones in on two inseparable sisters stranded in–and ultimately pulled apart by–an ossified patriarchal world. It is an engrossing melodrama where melancholia teems with rage, with a tear-jerking finale that feels so devastating because of the staggering mix of love and fury that precedes it. It is, far and above, an achingly beautiful story of sisterly love.

Based on a 2015 novel by Martha Batalha, the director’s Un Certain Regard winner homes in on two young sisters in 1950s Rio de Janeiro, the eponymous 18-year-old Eurídice (Carol Duarte) and 20-year-old Guida (Júlia Stockler). Singularly titled as it may be, The Invisible Life is the story of their relationship, and the mutual struggle to escape from the confines–literal and symbolic–of the conservative household they’ve been raised in by strict father Manuel...

"Why don't you forget about that sister of yours?" Take a look at one of the award winners from the Cannes Film Festival this year. The Invisible Life of Eurídice Gusmão, originally A Vida Invisível de Eurídice Gusmão in Portuguese, is a Brazilian film made by filmmaker Karim Aïnouz (Madame Satã). This feminist drama set in Rio de Janeiro in the 1950s won the top prize in the Un Certain Regard category, meaning the jury voted it the best film from that section. The story follows two sisters, Euridice and Guida. They live at home, each with a dream: become a renowned pianist, or find true love. Because of their father, they are forced to live without each other. Separated, they will take control of their destiny, while never giving up on their hope of being reunited. Starring Fernanda Montenegro as Euridice, and Júlia Stockler as Guida, with Carol Duarte,...

A “tropical melodrama” is how the marketing materials bill “The Invisible Life of Eurídice Gusmão.” If that sounds about the most high-camp subgenre ever devised, Karim Aïnouz’s ravishing period saga lives up to the description — high emotion articulated with utmost sincerity and heady stylistic excess, all in the perspiring environs of midcentury Rio de Janeiro — while surprising with its pointed feminist politics and occasionally sharp social truths. Anyone already familiar with Aïnouz’s work will know to expect a florid sensory experience, but even by the Brazilian’s standards, this heartbroken tale of two sisters separated for decades by familial shame and deceit is a waking dream, saturated in sound, music and color to match its depth of feeling. From the first, jungle-set shot, the redoubtable d.p. Hélène Louvart gives the film the daubed, traffic-light palette of a ripe mango; were it possible, you’d expect it to have an aroma to match.

Exclusive: Here’s a first international trailer for A-list festival regular Karim Aïnouz’s Cannes Un Certain Regard drama The Invisible Life Of Eurídice Gusmão, which is being sold on the Croisette by The Match Factory.

Rt Features, Pola Pandora, Sony Pictures, Canal Brasil and The Match Factory are behind the Portuguese-language tropical melodrama about two sisters struggling to define themselves in the machista culture of midcentury Brazil. Sony plans to release the film wide in Brazil in November 2019, followed by the rest of Latin America.

The story begins in Rio de Janeiro in 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. The sisters take control of their separate destinies,...

Porta dos Fundos - Contrato Vitalicio, from the YouTube comedy troupe, is now filming in Rio de Janeiro.

The dry, acidic humour of Porta Dos Fundos (Back Door), an online phenomenon in Brazil since 2012, is ready to transfer to cinemas. The Brazilian comedy troupe, whose YouTube channel has the highest number of subscribers in the country (with over 11.2 million), is currently filming its first feature in Rio de Janeiro.

Scheduled for release in cinemas in June, Porta Dos Fundos - Contrato Vitalicio (Lifetime Contract) is the most anticipated local film of the year, given the size of the group’s fan base. In Brazil, their channel of comedy sketches has reached 2.1 billion views and counting, according to latest data from SocialBlade.com. In January, they had their best monthly result ever, with 74.7 million YouTube views.

“We do not see the film as a new format necessarily. Our humour is the same regardless of the media. We haven’t...

American YouTube fans may not have heard of the Brazilian YouTube channel Porta dos Fundos, but that hasn’t stopped the comedy group of five members from amassing over 10.2 million subscribers and more than 1.7 billion total video views. And all that success on Google’s online video platform has now turned into some impressive deals with traditional media companies.

Porta dos Fundos (translated as Back Door) has landed a TV series deal with Fox’s local Brazilian pay-tv channel Canal Fox for a show called O Grande Gonzalez (The Great Gonzalez). The YouTube comedy group also inked a feature film deal with Brazilian film distribution company Downtown for Porta dos Fundos -- contrato vitalicio (Porta dos Fundos -- Lifetime Contract).

Porta dos Fundos consists of members Antonio Tabet, Gregorio Duvivier, Ian Fernandes (aka Ian Sbf), Joao Vicente de Castro, and Fabio Porchat. The quintet quit their day jobs at Brazilian...

This is the Pure Movies review of Adrift (À Deriva), directed by Heitor Dhalia and starring Camilla Belle, Vincent Cassel, Laura Neiva, Cauã Reymond, Débora Bloch, Gregório Duvivier and Josefina Schiller. From his breakthrough role in 1995’s La Haine to last year’s excellent Mesrine biopics, Vincent Cassel seemed more often than not to be drawn toward villains and loveable-rogue characters. Audiences could be forgiven, then, for assuming it would be the same here. In fact, the tone of Adrift couldn’t be more different, and Cassel produces a heartfelt performance as a French author and doting father struggling to salvage his marriage with his Brazilian wife.