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Kamil Krawczycki’s feature debut ’Elephant’ to begin shoot in September.

Poland’s only dedicated LGBTQ+ distributor Tongariro Releasing is making its first foray into production this autumn with Kamil Krawczycki’s feature debut Elephant which is described as “a family drama plus a beautiful gay romance set in the Polish countryside.”

Speaking to Screen at this week’s Polish Days in Wroclaw, Tongariro Releasing co-founder Jakub Mroz said that the project had received 700,000 Zloty from the Polish Film Institute’s ‘First Film’ micro-budget funding scheme for 90% of the film’s budget, with the distributor contributing the remaining 10% from own funds.

The Fourth Dimension is an anthology piece comprised of three short films contributed by three different directors – Harmony Korine, Aleksei Fedorchenko and Jan Kwiencinski. Spearheaded by Vice Magazine’s Eddy Moretti and partly funded by Grolsch Film Works, The Fourth Dimension sees each director tackling the open-ended concept of the fourth dimension – the next, higher existence of your soul – in their own unique ways, while adhering to a set of strict rules and precepts.

Kicking off this oddball collection is Korine, arguably the most well-known of the three. Her segment, titled The Lotus Community Workshop, sees Val Kilmer playing a scruffy, rapturous version of himself who uses his “skills” to reach out to others as a motivational speaker. Using Kilmer’s persona as her interpretation of the fourth dimension, Korine mixes unusual, yet effective sound effects and strobe lighting to effectively blur the already faded line between reality and fantasy,...

Last Friday night, the San Francisco International Film Festival hosted the world premiere of “The Fourth Dimension,” a production born out of a partnership between Vice Films and Grolsch Film Works.

“The Fourth Dimension” consists of three short films (though requests itself be called a feature film) by three directors, Harmony Korine (“Trash Humpers,” “Gummo”), Aleksei Fedorchenko (“Silent Souls”) and new-comer Jan Kwiecinski, all sprung from an identical creative brief. The brief itself is a list of over 50 instructions as incalculable as “You must forget everything you know” or specific as “A stuffed animal needs to make an appearance.” Even if you wanted to skip the context of the film’s roots, you can’t, as the shorts are hitched together with a series of bumpers that recall a number of the brief’s commands.

As the through-line between the shorts isn’t narrative or character based, there’s a...