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Nate Larson

News

Nate Larson

WME Signs ‘The Pez Outlaw’ Filmmakers Bryan & Amy Bandlien Storkel And Their Non-Scripted Production Company Sidestilt Films
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Exclusive: WME has signed the Emmy-winning husband-and-wife filmmaking team of Bryan Storkel and Amy Bandlien Storkel, as well as their non-scripted production company, Sidestilt Films.

The Storkels most recently directed and produced the award-winning documentary The Pez Outlaw, which claimed a Special Jury Prize at this year’s SXSW Film Festival and was recently acquired for the U.S. by Gravitas Ventures, with plans for a day-and-date release on October 21. The fish-out-of-water story follows the adventures of Steve Glew, a small-town Michigan man who boards a plane for Eastern Europe soon after the fall of the Berlin Wall. His mission is to locate a secret factory that holds the key to the most desired and valuable Pez dispensers. If he succeeds, he will pull his family out of debt and finally be able to quit his job of 25 years. Steve becomes the hero of his own adventure, smuggling the rarest of goods into the U.
See full article at Deadline Film + TV
  • 8/16/2022
  • by Matt Grobar
  • Deadline Film + TV
SXSW Documentary ‘The Pez Outlaw’ Acquired By Gravitas Ventures
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Exclusive: Gravitas Ventures has acquired U.S. rights to the 2022 SXSW award winner The Pez Outlaw, from directors Amy Bandlien Storkel and Bryan Storkel, with plans for a day-and-date release on October 21.

The fish-out-of-water story follows the adventures of Steve Glew, a small-town Michigan man, who boards a plane for Eastern Europe soon after the fall of the Berlin Wall. His mission is to locate a secret factory that holds the key to the most desired and valuable Pez dispensers. If he succeeds, he will pull his family out of debt and finally be able to quit his job of 25 years. Steve becomes the hero of his own adventure, smuggling the rarest of goods into the U.S. and making millions in the process. It was all magical, until his arch-nemesis, The Pezident, decided to destroy him.

The Pez Outlaw made its world premiere at this year’s SXSW Film Festival,...
See full article at Deadline Film + TV
  • 8/3/2022
  • by Matt Grobar
  • Deadline Film + TV
Netflix Buys ‘The Legend of Cocaine Island’ Documentary (Exclusive)
Netflix has acquired the global rights to director Theo Love’s documentary feature “The Legend of Cocaine Island.”

The film, previously titled “White Tide: The Legend of Culebra,” earned high praise after it premiered at the 2018 Tribeca Film Festival.

In “The Legend of Cocaine Island,” a small-business owner and family man comes across the legend of a buried stash of cocaine worth $2 million hidden in the Caribbean. Having been wiped out during the Great Recession, he hatches a plan to retrieve the buried loot, using the talents of a band of colorful misfits. But without prior drug-running experience, trouble (and laughter) ensues.

“We didn’t set out to make a documentary in the traditional sense. We wanted to make a movie. A big fat, entertaining movie.” said Love. “I grew up thinking documentaries had to be boring, stuffy, educational films, but then I got my Netflix subscription. Netflix changed the...
See full article at Variety Film + TV
  • 9/5/2018
  • by Justin Kroll
  • Variety Film + TV
Cocaine Docu-Comedy ‘White Tide’ Offers First Look Before Tribeca Bow
Exclusive: The first-look clip of a cocaine documentary that will debut at the Tribeca Film Festival on April 20 is out.

In White Tide: The Legend of Culebra, a small-business owner and family man comes across the legend of a buried stash of cocaine worth $2 million and hidden in the Caribbean. Having been wiped out during the Great Recession, Rodney Hyden hatches a plan to retrieve it, using the talents of a band of colorful misfits. But without prior drug-running experience, trouble (and laughter) ensues.

Directed by Theo Love (Little Hope Was Arson), this latest film uses re-enactments with the actual caper participants. The film was made because “I was broke, depressed, and desperate,” Love says. “I had been grinding it out in L.A. for a decade, taking myself very, very seriously, and my dreams felt further away than ever.”

That’s when it hit him: “I just wanted to...
See full article at Deadline Film + TV
  • 4/13/2018
  • by Bruce Haring
  • Deadline Film + TV
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