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One of the most acclaimed movies of the year is finally arriving on streaming. On Friday, March 22, the Academy Award-winning French film “Anatomy of a Fall” will be available to stream on Hulu. The film won the Oscar for Best Original Screenplay earlier this month as it follows a trial into the death of a man as his wife is charged with his murder. Directed by Justine Triet, the film is an incredible look into the courtroom and how different perspectives can lead to different truths. You can watch with a 30-Day Free Trial of Hulu.

How to Watch 'Anatomy of a Fall' When: Friday, March 22, 2024 Where: Hulu Stream: Watch with a 30-Day Free Trial of Hulu. 30-Day Free Trial$7.99+ / month hulu.com About 'Anatomy of a Fall'

In “Anatomy of a Fall,” Sandra is accused of her husband Samuel’s murder after he falls out...

Anatomy of a Fall actress Sandra Hüller could be making a roast for Akiva Schaffer’s The Naked Gun reboot, so how hot and wet do you like it? A report from industry insider Daniel Richtman says Sandra Hüller is in talks to play the romantic lead in the forthcoming comedy, starring Liam Neeson as Frank Drebin Jr., the son of Leslie Nielsen’s Lt. Frank Drebin from the Police Squad series and Naked Gun film trilogy.

In the Naked Gun trilogy, Lt. Frank Drebin falls in love with Jane Spencer (Lisa Marie Presley), an assistant for industrialist Vincent Ludwig, utterly unaware of his villainy. After a slapstick-ridden meet-cute, Frank and Jane form a heated courtship accompanied by steamy home-cooked meals, ultra-protected sex, and trips to the baseball field.

How Liam Neeson and Hüller’s characters cross paths in the Naked Gun reboot remains a mystery. We must also wait...

“The Animal Kingdom” is a new ‘mutant’ science fiction thriller, directed by Thomas Cailley, starring Romain Duris, Paul Kircher, Adèle Exarchopoulos, Tom Mercier, Billie Blain, Nathalie Richard, Saadia Bentaieb, Gabriel Caballero, Iliana Khelifa, and Paul Muguruza, releasing March 15, 2024 in theaters:

“..immerse into an extraordinary world where mutations in human genetics cause people to transform into hybrid creatures, as ‘François’ does everything he can to save his wife, who is affected by this mysterious condition.

“As some of the creatures disappear into a nearby forest, François embarks with ‘Emile’, their 16-year-old son, on a quest to find her with help from a local police officer…”

Cluck the images to enlarge…...

The French legal drama film, ‘Anatomy of a Fall’, has clinched the honour for the Best Original Screenplay at the ongoing 96th edition of the Academy Awards. The film, directed by Justine Triet from a screenplay she co-wrote with Arthur Harari, stars Sandra Huller as a writer trying to prove her innocence in her husband’s death. Appearing in supporting roles are Swann Arlaud, Milo Machado-Graner, Antoine Reinartz, Samuel Theis, Jehnny Beth, Saadia Bentaieb, Camille Rutherford, Anne Rotger and Sophie Fillieres.

The official X handle of the Academy of Motion Picture Arts and Sciences, congratulated the actress as they tweeted, “Congratulations to Justine Triet and Arthur Harari on winning Best Original Screenplay for ‘Anatomy of a Fall’! #Oscars.”

Earlier, ‘Anatomy of a Fall’, which premiered at the 76th Cannes Film Festival on May 21, 2023, won the Palme d’Or and the Palm Dog Award.

The 96th Academy Awards are currently underway...

Two years after a mysterious malady began to sweep through France, humans continue to mutate into other animal species. Hybrid creatures who aren’t sitting in rehabilitation clinics that are really detention centers roam the streets and countryside. And while there are humans who are paranoid about the malady, pleading for members of their communities to keep each other safe, much of society has adjusted just fine to this strange new reality.

If Thomas Cailley’s The Animal Kingdom sounds like a sociopolitical allegory for a certain pandemic, that’s more an accident of timing than of intention, as the film, which was co-written by Cailley and Pauline Munier, was conceived before Covid-19 was even known to us. In fact, The Animal Kingdom is an allegory for many different ideas, from race relations to coming into one’s queerness. And while its genre hybridity is apt given its premise, in...

Thousands of Gold Derby users, representing the savviest awards pundits and cineastes on the web, voted for the 22nd Annual Gold Derby Film Awards over recent weeks. The biographical drama “Oppenheimer” came out on top with 10 victories including Best Picture. That sets a new record for the most awards won by a film in a single year. Watch the 30-minute ceremony video above, which includes almost all winners with fun acceptance speeches. Scroll down for the complete list of winners in all 22 categories.

SEEWill the Oscars be a rerun of the BAFTAs?

In addition to Best Picture, “Oppenheimer” claimed Best Director and Best Adapted Screenplay for Christopher Nolan, who previously won Gold Derby Awards for directing “The Dark Knight” and writing “Inception.” It also won Best Actor (Cillian Murphy), Best Supporting Actor (Robert Downey Jr.) and Best Ensemble Cast. In below-the-line races it was honored for its film editing, score,...

“The Animal Kingdom” is a new science fiction thriller, directed by Thomas Cailley, starring Romain Duris, Paul Kircher, Adèle Exarchopoulos, Tom Mercier, Billie Blain, Nathalie Richard, Saadia Bentaieb, Gabriel Caballero, Iliana Khelifa, and Paul Muguruza, releasing March 15, 2024 in theaters:

“..immerse into an extraordinary world where mutations in human genetics cause people to transform into hybrid creatures, as ‘François’ does everything he can to save his wife, who is affected by this mysterious condition.

“As some of the creatures disappear into a nearby forest, François embarks with ‘Emile’, their 16-year-old son, on a quest to find her with help from a local police officer…”

Cluck the images to enlarge…...

More than 2,200 registered Gold Derby users worldwide voted for the 2024 Gold Derby Film Award nominations, and “Oppenheimer” came out on top with 14. Scroll down to see the complete list of contenders in all 22 categories. You can vote for the winners right now here in our predictions center. You have until the end of February 2 to cast your votes. But feel free to jump right in and make your initial picks. You can edit your ballot as often as you like. No votes are final until voting officially closes on February 2.

SEE2024 Oscars guild awards scorecard: ‘Oppenheimer’ goes 11 for 11 in nominations round

“Oppenheimer” contends for Best Picture in addition to Best Director (Christopher Nolan), Best Actor (Cillian Murphy), Best Supporting Actress (Emily Blunt), Best Supporting Actor (Robert Downey Jr.) and Best Ensemble Cast. In the Best Picture race it’s nominated against the courtroom drama “Anatomy of a Fall,” the blockbuster comedy “Barbie,...

A grim murder mystery unfolds as a writer tries to prove her innocence in the French thriller Anatomy of a Fall. The film, which won the Palme d'Or at Cannes, delves into the unsettling depths of Sandra and Samuel's conflicted relationship, creating a tension-filled investigation into Samuel's suspicious death. With critical acclaim and a 98% fresh rating on Rotten Tomatoes, Anatomy of a Fall explores the fall of relationships and the aftermath in a thoughtful manner.

A snowy, grim murder mystery is unleashed in the newly released trailer for the French thriller, and Palme d'Or winner, Anatomy of a Fall. Coming courtesy of Neon and Le Pacte, Anatomy of a Fall centers on a writer who much try to prove her innocence after her husband's death. You can watch the trailer for Anatomy of a Fall below. The trailer contains content that some may find distressing.

“For the past year, Sandra,...

If a husband is found dead at the base of a mountain in the woods, does that automatically mean his wife pushed him?

In Justine Triet’s Palme d’Or-winning “Anatomy of a Fall,” “Toni Erdmann” star Sandra Hüller takes a turn, playing a chilly bisexual novelist who is accused of offing her spouse. Added twist: he’s been killed in the very same manner she previously described in one of her murder mystery books. Director Triet co-wrote the script with her real-life spouse, Arthur Harari, the filmmaker behind “Onoda: 10,000 Nights in the Jungle.”

“Anatomy of a Fall” debuted at Cannes earlier this year, where the film won the festival’s top prize, making Triet only the third woman to win the Palme d’Or. The feature is continuing to make its rounds on the the festival circuit with upcoming screenings at TIFF and NYFF, and the film will hit theaters later this fall.

“Did you think you were making a French independent film?” rails literary agent Vincent (Mikaël Chirinian) in French independent film “The World After Us.” He’s angry with his callow young client, Labidi (Aurélien Gabrielli), because Labidi has abruptly changed tack on a novel that’s already been optioned, and has also changed its title to, inevitably, “The World After Us.” Louda Ben Salah-Cazanas’ directorial debut is sensitively made, well observed and beautifully performed, but as this rather desultory stab at reflexivity suggests, it doesn’t have many surprises in store.

Where it really works is as a character portrait of the young aspiring author, to great measure aided by Gabrielli’s soulful, faintly Charles Aznavour vibe and tamped-down, off-kilter charm. Labidi, whose doting and delightful working-class Muslim parents (Saadia Bentaïeb and Jacques Nolot) run a small café in Lyon, lives in Paris. Actually, he basically squats there, sleeping on...

After landing on our radar with his impressive debut Violet, which won Best Feature Film at Berlinale, Belgian director Bas Devos returned to the festival circuit last year with not one, but two new features, Hellhole and Ghost Tropic. The latter, which follows a nocturnal journey of a Maghrebi cleaning woman living in Brussels, is now set to arrive in Virtual Cinemas at the end of the month courtesy of Cinema Guild. We’re pleased to exclusively debut the U.S. trailer, which introduces the 16mm-shot drama with snapshots of a few striking sequences from the film.

Rory O’Connor said in his review from Marrakech last year, “The quiet power of Saadia Bentaïeb’s performance is the key to Devos’ third feature. The actress is perhaps better known in theatre circles, although keen-eyed viewers might recognize her from bit parts in Bpm, Based on a True Story, and Bertrand Bornello’s latest film Zombi Child.

We’re now entering the end of the summer movie season and it continues to be an unprecedented era in the world of film. Smaller-scale movies got a bigger spotlight than usual, with distributors finding success in drive-ins and on digital platforms while all tentpoles continued to get delayed. We’ll have to wait and see if Warner Bros. will go ahead with plans to release Christopher Nolan’s Tenet first in the international territories who have a handle on the pandemic, and then in the U.S. next month.

In the meantime, August brings a number of notable independent and foreign film highlights, including favorites from Sundance, TIFF, Venice, Karlovy Vary, and more. We should also note that our #1 pick from last month, Boys State, will be getting an Apple TV+ debut on August 14 following a limited theatrical release beginning this past weekend. As is the case these last few months,...

In Ghost Tropic, a woman falls asleep on the last train home and misses her stop. Short on options and cab fare, she decides to walk. A mall security guard lets her use a cash machine after hours. A petrol station worker makes her a cup of tea. Some relatively less benevolent things happen too.

The film is the latest work from Bas Devos, an emerging filmmaker from Belgium whose previous feature–a hypnotic reaction to the Brussels underground bombings in 2016 titled Hellhole–premiered at the Berlinale just three months before this one opened in the Directors’ Fortnight sidebar at Cannes. Devos remarkably shot and edited Tropic in that limited time period, a turnaround so swift it might have caught Takashi Miike off guard. It’s made even more impressive when one considers the distinct shift in mood. Even as far back as February, Hellhole–with all its narcoleptic public servants,...

Above: From Tomorrow on, I WillThe finely scaled body of a green serpent coiled against a white background adorned the posters across the capital city of this year’s Vienna International Film Festival. More than mere ornamentation, it is an image meant to symbolize the renewal process of the festival shedding off old skin, while maintaining a continuity to its past under the still relatively new artistic direction of Eva Sangiorgi, who took charge of the festival early last year. It suggests the Viennale wanting to definitively emerge out of the shadow of Hans Hurch, who ran the festival for twenty-one years until his unexpected death in June 2017. No doubt, the reputation of the Viennale as a sensitively and concisely curated bastion of a particular cinema, one that is at once political, formally explorative, and fiercely resistant to the self-satisfied middlebrow, is much the doing of Hurch’s work and temperament as artistic director.

Bas Devos’ Ghost Tropic is premiering in Directors Fortnight, while Tian Zhuangzhuang’s The Horse Thief is in Cannes Classics.

Beijing-based sales agent Rediance has picked up international rights to Tian Zhuangzuang’s classic drama The Horse Thief, which is screening in Cannes Classics, and Bas Devos’ Ghost Tropic, selected for Directors’ Fortnight.

Tian’s 1986 classic is being presented by Xi’an Film Studio and China Film Archive, with the latter organisation financing and over-seeing a 4K digital restoration. The Tibetan-language film tells the story of a tribesman who is sent into exile after he steals a horse to support his family.

Xavier Legrand’s intense, pressure-cooker drama on a son’s coercion by his angry, macho father certainly builds tension

There’s a unidirectional agony to this psychological drama from actor turned director Xavier Legrand – this is the much-talked-about festival prizewinner which Legrand developed from his 2013 short Avant Que De Tout Perdre, or Just Before Losing Everything. Legrand could have kept that title for his full-length feature version. It’s almost a story without a story, in that there is hardly any narrative progression as such, no phased revelation of character, no twist and counter-twist, and no point-of-view switches designed to raise queries about the truth. No: the focus is on one single horrible situation, getting steadily and unwatchably worse: a simmering pot of rage and toxic masculinity under which the gas-ring gets turned up and up. It concerns a divorce, and a legal hearing about custody.

Denis Ménochet plays Antoine,...