Donna Corcoran(I)
- Actress
- Soundtrack
American child actress of the 1950s, on screen from the age of nine. Donna Marie Corcoran was born in Quincy, Massachusetts, to police officer William Henry Corcoran Sr. (1905-1956) and his wife Kathleen Hildegarde McKenney (1917-1972), one of eight brothers and sisters. Three of her siblings also went into show business, most notably her younger sister Noreen.
The family relocated to California on the advice of a family doctor who suggested that the warmer climate might ameliorate Kathleen's painful arthritic condition. Before long, William Henry secured a job as Director of Maintenance at Metro-Goldwyn-Mayer. While visiting her dad at the studio, Donna was spotted by a casting director and invited to audition for the role of the orphan girl Bridget in Angels in the Outfield (1951). Director Clarence Brown picked Donna from among 635 hopeful aspirants, thus launching her brief career in pictures.
Her first notable role was as the precocious Bunny Jones, whose character becomes the catalyst for the breakdown of Marilyn Monroe's emotionally disturbed babysitter Nell Forbes in Troublez-moi ce soir (1952). Donna next appeared in two aquatic musicals with Esther Williams (La première sirène (1952) and Traversons La Manche (1953)) for which MGM had to teach her how to swim. Sandwiched in between those was a pivotal role, Donna giving arguably her best performance, as a troubled Catholic orphan adopted by Greer Garson and Walter Pidgeon (who co-starred together for the eighth and final time) in Vicky (1953). On the strength of this, she received first billing in Le poulain noir (1954), an equine iteration of Lassie Come Home (1943), aimed squarely at the family market. Her big screen swansong was a minor supporting role in Fritz Lang's gothic melodrama Les Contrebandiers de Moonfleet (1955).
A few TV guest spots were to follow, before Donna left show business in 1963.She eventually forged a career, first in real estate, then in gemology.
The family relocated to California on the advice of a family doctor who suggested that the warmer climate might ameliorate Kathleen's painful arthritic condition. Before long, William Henry secured a job as Director of Maintenance at Metro-Goldwyn-Mayer. While visiting her dad at the studio, Donna was spotted by a casting director and invited to audition for the role of the orphan girl Bridget in Angels in the Outfield (1951). Director Clarence Brown picked Donna from among 635 hopeful aspirants, thus launching her brief career in pictures.
Her first notable role was as the precocious Bunny Jones, whose character becomes the catalyst for the breakdown of Marilyn Monroe's emotionally disturbed babysitter Nell Forbes in Troublez-moi ce soir (1952). Donna next appeared in two aquatic musicals with Esther Williams (La première sirène (1952) and Traversons La Manche (1953)) for which MGM had to teach her how to swim. Sandwiched in between those was a pivotal role, Donna giving arguably her best performance, as a troubled Catholic orphan adopted by Greer Garson and Walter Pidgeon (who co-starred together for the eighth and final time) in Vicky (1953). On the strength of this, she received first billing in Le poulain noir (1954), an equine iteration of Lassie Come Home (1943), aimed squarely at the family market. Her big screen swansong was a minor supporting role in Fritz Lang's gothic melodrama Les Contrebandiers de Moonfleet (1955).
A few TV guest spots were to follow, before Donna left show business in 1963.She eventually forged a career, first in real estate, then in gemology.
