Exclusive: Authentic Talent & Literary Management, the management company founded by Jon Rubinstein, which is celebrating its 20th anniversary, has upped Joshua Pasch and Philip Grenz to partner, also adding literary manager Raquelle David and manager and digital strategist Logan Potter to its growing team. With his promotion, Grenz also becomes Head of the Talent Department.
“By promoting Joshua and Philip and adding Raquelle and Logan to our team, we’re reinforcing what this company does best,” Rubinstein told Deadline, “empowering creative people to transform ideas into reality, which in turn makes a real impact that shapes culture.”
With Authentic since 2012, new partner Pasch began his career there as Rubinstein’s assistant and has since become an integral leader in the company’s growth. Over the past decade, he has cultivated a talent roster including Justin H. Min (Beef), Laz Alonso (The Boys), John Bradley (Game of Thrones), Liam Cunningham...
“By promoting Joshua and Philip and adding Raquelle and Logan to our team, we’re reinforcing what this company does best,” Rubinstein told Deadline, “empowering creative people to transform ideas into reality, which in turn makes a real impact that shapes culture.”
With Authentic since 2012, new partner Pasch began his career there as Rubinstein’s assistant and has since become an integral leader in the company’s growth. Over the past decade, he has cultivated a talent roster including Justin H. Min (Beef), Laz Alonso (The Boys), John Bradley (Game of Thrones), Liam Cunningham...
- 1/28/2025
- by Matt Grobar
- Deadline Film + TV
Exclusive: Aislinn Clarke is set to direct Hellish Nell, the genre thriller for Studiocanal and The Picture Company.
From Black List writer Chris Basler, Hellish Nell is a chilling horror-thriller based on the real-life medium Helen Duncan, the last UK citizen convicted and imprisoned for witchcraft. Based on the book Hellish Nell: Last of Britain’s Witches by Malcolm Gaskill, the movie follows Helen’s harrowing journey as her innate powers change her life and those closest to her.
Aislinn Clarke is the first woman to direct a horror film in her native Ireland. There, she made her debut with The Devil’s Doorway. That film was released by IFC Midnight in 2018 after premiering at Sitges, where Clarke was nominated for the Bingham Ray New Talent Award. She followed with Frewaka, and is in post production on the Irish language horror film produced by DoubleBand Films and Wildcard. She is the...
From Black List writer Chris Basler, Hellish Nell is a chilling horror-thriller based on the real-life medium Helen Duncan, the last UK citizen convicted and imprisoned for witchcraft. Based on the book Hellish Nell: Last of Britain’s Witches by Malcolm Gaskill, the movie follows Helen’s harrowing journey as her innate powers change her life and those closest to her.
Aislinn Clarke is the first woman to direct a horror film in her native Ireland. There, she made her debut with The Devil’s Doorway. That film was released by IFC Midnight in 2018 after premiering at Sitges, where Clarke was nominated for the Bingham Ray New Talent Award. She followed with Frewaka, and is in post production on the Irish language horror film produced by DoubleBand Films and Wildcard. She is the...
- 11/30/2023
- by Mike Fleming Jr
- Deadline Film + TV
Exclusive: Adam Kolbrenner’s Lit Entertainment Group is expanding its ranks, adding Raquelle David as Manager and Producer and Patrick White as Creative Executive.
David established herself as an indie producer and held executive positions at Screen Nsw and The Seven Network in her native Australia before launching her U.S. management career in 2017. She brings with her to Lit Entertainment Group clients including screenwriters/filmmakers Jenny Yang (The Gordita Chronicles), Amos Mac (Gossip Girl), Dani Parker (Midnight Mass), Sean King O’Grady (We Need To Do Something), Perry Blackshear (They Look Like People), Aisling Chin-Yee (The Rest of Us) Johnny Ma (To Live To Sing) Jovanka Vuckovic (Riot Girls) and Peter Hutchings (The Hating Game).
“When the opportunity arose to join Adam and the Lit Entertainment Group team, it was a no-brainer for me and my clients. His taste and instincts in an ever-changing market are both prolific and exceptional.
David established herself as an indie producer and held executive positions at Screen Nsw and The Seven Network in her native Australia before launching her U.S. management career in 2017. She brings with her to Lit Entertainment Group clients including screenwriters/filmmakers Jenny Yang (The Gordita Chronicles), Amos Mac (Gossip Girl), Dani Parker (Midnight Mass), Sean King O’Grady (We Need To Do Something), Perry Blackshear (They Look Like People), Aisling Chin-Yee (The Rest of Us) Johnny Ma (To Live To Sing) Jovanka Vuckovic (Riot Girls) and Peter Hutchings (The Hating Game).
“When the opportunity arose to join Adam and the Lit Entertainment Group team, it was a no-brainer for me and my clients. His taste and instincts in an ever-changing market are both prolific and exceptional.
- 5/23/2022
- by Denise Petski
- Deadline Film + TV
Jovanka Vuckovic has signed with Dan Rabinow, Jordan Berg, Wilhelmina Ross, Ruby Kaye and Hannah Wright at CAA.
Vuckovic recently directed the teen punk apocalypse feature Riot Girls which was released by Good Deed Entertainment in the U.S. She is the co-creator, writer and director of Xx, an all-women horror anthology feature film which premiered at Sundance in 2017, produced by Xyz Films and Magnolia Pictures. Vuckovic adapted and directed The Box by Jack Ketchum in Xx.
Vuckovic’s first short film, The Captured Bird, executive produced by Guillermo del Toro, played over 60 festivals, winning four Best Short Film awards. She is a Gemini Award-winning visual effects artist and cemented a reputation as a genre film authority during her tenure as editor-in-chief of Rue Morgue Magazine. She is also the author of Zombies! An Illustrated History of the Undead, (St. Martin’s Press) and Vuckovic’s Horror Miscellany’(Ilex Press).
Vuckovic...
Vuckovic recently directed the teen punk apocalypse feature Riot Girls which was released by Good Deed Entertainment in the U.S. She is the co-creator, writer and director of Xx, an all-women horror anthology feature film which premiered at Sundance in 2017, produced by Xyz Films and Magnolia Pictures. Vuckovic adapted and directed The Box by Jack Ketchum in Xx.
Vuckovic’s first short film, The Captured Bird, executive produced by Guillermo del Toro, played over 60 festivals, winning four Best Short Film awards. She is a Gemini Award-winning visual effects artist and cemented a reputation as a genre film authority during her tenure as editor-in-chief of Rue Morgue Magazine. She is also the author of Zombies! An Illustrated History of the Undead, (St. Martin’s Press) and Vuckovic’s Horror Miscellany’(Ilex Press).
Vuckovic...
- 11/9/2019
- by Bruce Haring
- Deadline Film + TV
The horror anthology Xx, comprised of four short films written and directed by female filmmakers, was one of the surprise horror hits of 2017. Now, we’re getting word that a TV series based on the film is in the works. Our friends at Syfy got the exclusive: Producers Jovanka Vuckovic, Todd Brown, and Raquelle David […]
The post TV Series Based on All-Female Horror Anthology Xx in the Works appeared first on Dread Central.
The post TV Series Based on All-Female Horror Anthology Xx in the Works appeared first on Dread Central.
- 8/5/2019
- by Josh Millican
- DreadCentral.com
Don’t Breathe and Blood Father to close genre fest; world premiere of the late Pascal Chaumeil’s last film; Brandon Cronenberg project in works-in-progress strand; genre Vr panel set.
The Fantasia International Film Festival’s (July 14 - August 3) 20th edition will close with Fede Alvarez’s Don’t Breathe and Jean-Francois Richet’s Blood Father, starring Mel Gibson.
In Don’t Breathe, three friends break into the house of a wealthy blind man with unexpected consequences.
The film is produced by Sam Raimi and Rob Tapert, along with Alvarez. Sony Pictures will release in North America in late August, 2016.
Jean-Francois Richet’s Blood Father will make its North American premiere as part of the festival’s closing night events and as the official closing film of the Action! Section.
The thriller, which first premiered at Cannes in May, stars Mel Gibson as an ex-con who reunites with his estranged 16-year old daughter to protect her from...
The Fantasia International Film Festival’s (July 14 - August 3) 20th edition will close with Fede Alvarez’s Don’t Breathe and Jean-Francois Richet’s Blood Father, starring Mel Gibson.
In Don’t Breathe, three friends break into the house of a wealthy blind man with unexpected consequences.
The film is produced by Sam Raimi and Rob Tapert, along with Alvarez. Sony Pictures will release in North America in late August, 2016.
Jean-Francois Richet’s Blood Father will make its North American premiere as part of the festival’s closing night events and as the official closing film of the Action! Section.
The thriller, which first premiered at Cannes in May, stars Mel Gibson as an ex-con who reunites with his estranged 16-year old daughter to protect her from...
- 7/6/2016
- ScreenDaily
Director Joseph Sims-Dennett and star Lindsay Farris.
Filmmaker Joseph Sims-Dennett describes his second feature, Observance, as "a surrealist horror art film".
Sims-Dennett and his friend and co-screenwriter Josh Zammit decided to make the film, which stars Lindsay Farris and John Jarratt, after leaving the same commercials agency.
The result is a film that's "a metaphor for the anxiety that Josh and I were feeling back when we lost our jobs".
"It's about about a character who feels as though there's this invisible force that's manipulating him and almost possessing him".
Observance was shot in eleven days, in the middle of a sweltering Sydney summer.
"It was such a mad shoot, and it did translate in the images", Sims-Dennett said..
The director also credits the sound design done by Brisbane company Wild Blue as intrumental in establishing the film's "sense of anxiety and dread".
The filmmaking team knew they wanted to take the film overseas first,...
Filmmaker Joseph Sims-Dennett describes his second feature, Observance, as "a surrealist horror art film".
Sims-Dennett and his friend and co-screenwriter Josh Zammit decided to make the film, which stars Lindsay Farris and John Jarratt, after leaving the same commercials agency.
The result is a film that's "a metaphor for the anxiety that Josh and I were feeling back when we lost our jobs".
"It's about about a character who feels as though there's this invisible force that's manipulating him and almost possessing him".
Observance was shot in eleven days, in the middle of a sweltering Sydney summer.
"It was such a mad shoot, and it did translate in the images", Sims-Dennett said..
The director also credits the sound design done by Brisbane company Wild Blue as intrumental in establishing the film's "sense of anxiety and dread".
The filmmaking team knew they wanted to take the film overseas first,...
- 3/9/2016
- by Harry Windsor
- IF.com.au
Joseph Sims-Dennett's feature Observance has been steadily building buzz since it premiered at Fantasia Film Festival last year.
The reception has been everything a young director in his 20's would want from a first film - only Observance isn't.
Way back in 2009, when Sims-Dennett was nineteen, he was a film student at Griffith in Queensland, working part time as a bookkeeper for Subway.
After "going and talking to some of our clients", the tyro filmmaker was able to assemble a budget of $100,000 for his first feature, Bad Behaviour.
After dropping out of film school, which the director found "too theory based", he moved to Sydney and worked for an ad company doing TVCs, shadowing directors on "massive shoots. You learn a lot in terms of how they compress shooting periods and knock things over really quickly".
At the agency, Sims Dennett also met Josh Zammit, the co-screenwriter of Observance.
The reception has been everything a young director in his 20's would want from a first film - only Observance isn't.
Way back in 2009, when Sims-Dennett was nineteen, he was a film student at Griffith in Queensland, working part time as a bookkeeper for Subway.
After "going and talking to some of our clients", the tyro filmmaker was able to assemble a budget of $100,000 for his first feature, Bad Behaviour.
After dropping out of film school, which the director found "too theory based", he moved to Sydney and worked for an ad company doing TVCs, shadowing directors on "massive shoots. You learn a lot in terms of how they compress shooting periods and knock things over really quickly".
At the agency, Sims Dennett also met Josh Zammit, the co-screenwriter of Observance.
- 3/8/2016
- by Harry Windsor
- IF.com.au
Joseph Sims-Dennett's feature Observance has been steadily building buzz since it premiered at Fantasia Film Festival last year.
The reception has been everything a young director in his 20's would want from a first film - only Observance isn't.
Way back in 2009, when Sims-Dennett was nineteen, he was a film student at Griffith in Queensland, working part time as a bookkeeper for Subway.
After "going and talking to some of our clients", the tyro filmmaker was able to assemble a budget of $100,000 for his first feature, Bad Behaviour.
After dropping out of film school, which the director found "too theory based", he moved to Sydney and worked for an ad company doing TVCs, shadowing directors on "massive shoots. You learn a lot in terms of how they compress shooting periods and knock things over really quickly".
At the agency, Sims Dennett also met Josh Zammit, the co-screenwriter of Observance.
The reception has been everything a young director in his 20's would want from a first film - only Observance isn't.
Way back in 2009, when Sims-Dennett was nineteen, he was a film student at Griffith in Queensland, working part time as a bookkeeper for Subway.
After "going and talking to some of our clients", the tyro filmmaker was able to assemble a budget of $100,000 for his first feature, Bad Behaviour.
After dropping out of film school, which the director found "too theory based", he moved to Sydney and worked for an ad company doing TVCs, shadowing directors on "massive shoots. You learn a lot in terms of how they compress shooting periods and knock things over really quickly".
At the agency, Sims Dennett also met Josh Zammit, the co-screenwriter of Observance.
- 3/8/2016
- by Harry Windsor
- IF.com.au
Flickerfest has revealed the 53 films selected to screen as part of the festival's competitive program in its 25th anniversary year.
The films were chosen from more than 2300 entries.
This year.s official Australian Competition features 18 world premieres, six Australian premieres and 10 Nsw premieres..
Twenty-one female directors are represented across the official Australian competition.
The best of the australian films will be shown over seven sessions.
They will be competing for prizes across all areas of the filmmaking craft including the Academy Accredited Virgin Australia Award for Best Australian Film, the Canon Award for Best Direction and the Yoram Gross Award for Best Australian Animation.
Flickerfest is Australia.s only Academy accredited and BAFTA recognised festvial and runs from Friday January 8-17. .
Festival director Bronwyn Kidd, steering her 19th festival, said she was thrilled that Flickerfest was once again a platform for the Australia's most exciting, creative and talented short filmmakers.
The films were chosen from more than 2300 entries.
This year.s official Australian Competition features 18 world premieres, six Australian premieres and 10 Nsw premieres..
Twenty-one female directors are represented across the official Australian competition.
The best of the australian films will be shown over seven sessions.
They will be competing for prizes across all areas of the filmmaking craft including the Academy Accredited Virgin Australia Award for Best Australian Film, the Canon Award for Best Direction and the Yoram Gross Award for Best Australian Animation.
Flickerfest is Australia.s only Academy accredited and BAFTA recognised festvial and runs from Friday January 8-17. .
Festival director Bronwyn Kidd, steering her 19th festival, said she was thrilled that Flickerfest was once again a platform for the Australia's most exciting, creative and talented short filmmakers.
- 12/14/2015
- by Inside Film Correspondent
- IF.com.au
Here is the group shot with all the participants of this year's Producers Lab Toronto.
Top row (left to right): Arnie Zipursky (Canada), Kaleena Kiff (Canada), Chantelle Kadyschuk (Canada),Leanne Saunders (New Zealand), Rebecca Summerton (Australia), Raquelle David (Australia),Nathalie Lichtenthaeler (Ireland), Marie-Claude Poulin (Canada), Simone Urdl (Canada),Floor Onrust (The Netherlands), Julia Rosenberg (Canada), Hanan Kattan (United Kingdom), Eva Jakobsen (Denmark), Barbara Willis Sweete (Canada), Bob Crowe (Canada).
Bottom row (left to right): Peter Rommel (Germany), Alex Behse (New Zealand), Hlin Johannesdottir (Iceland), Silvia Panakova (Slovak Republic), Edmon Roch (Spain), Andrew Nicholas McCann Smith (Canada), Jane Loughman (Canada), Adis Djapo (Bosnia and Herzegovina). Not pictured Ivo Felt (Estonia).
Intense networking and pitching events among producers from Europe, Canada, New Zealand and Australia took place at the Toronto International Film Festival. The sixth edition of this initiative, which ran September 9 to 12, was created for 24 hand-picked participants to exchange project ideas and funding information for trans-atlantic co-production deals.
The international co-production forum was organized and financed by European Film Promotion (Efp) in collaboration with the Ontario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) supported the event once again, along withCreative Europe – Media Program, the participating Efp member organizations, Eurimages, and Telefilm Canada.
Here is a list of the participants:
European participants
Canadian participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt, Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Andrew Nicholas McCann Smith , First Love Films
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
Australian participants
New Zealand’s participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films
Detailed information about the 24 participants of Producers Lab Toronto 2015 can be found...
Top row (left to right): Arnie Zipursky (Canada), Kaleena Kiff (Canada), Chantelle Kadyschuk (Canada),Leanne Saunders (New Zealand), Rebecca Summerton (Australia), Raquelle David (Australia),Nathalie Lichtenthaeler (Ireland), Marie-Claude Poulin (Canada), Simone Urdl (Canada),Floor Onrust (The Netherlands), Julia Rosenberg (Canada), Hanan Kattan (United Kingdom), Eva Jakobsen (Denmark), Barbara Willis Sweete (Canada), Bob Crowe (Canada).
Bottom row (left to right): Peter Rommel (Germany), Alex Behse (New Zealand), Hlin Johannesdottir (Iceland), Silvia Panakova (Slovak Republic), Edmon Roch (Spain), Andrew Nicholas McCann Smith (Canada), Jane Loughman (Canada), Adis Djapo (Bosnia and Herzegovina). Not pictured Ivo Felt (Estonia).
Intense networking and pitching events among producers from Europe, Canada, New Zealand and Australia took place at the Toronto International Film Festival. The sixth edition of this initiative, which ran September 9 to 12, was created for 24 hand-picked participants to exchange project ideas and funding information for trans-atlantic co-production deals.
The international co-production forum was organized and financed by European Film Promotion (Efp) in collaboration with the Ontario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) supported the event once again, along withCreative Europe – Media Program, the participating Efp member organizations, Eurimages, and Telefilm Canada.
Here is a list of the participants:
European participants
Canadian participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt, Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Andrew Nicholas McCann Smith , First Love Films
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
Australian participants
New Zealand’s participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films
Detailed information about the 24 participants of Producers Lab Toronto 2015 can be found...
- 9/14/2015
- by Sydney Levine
- Sydney's Buzz
This year has proven to be a bumper year for Australian films, and not just at the box office.
Thirteen Australian films that have been selected for the 40th Toronto International Film Festival (Tiff)..
These include six world premieres, three international premieres (outside Australia), three North American premieres and one Canadian premiere. Other Australian talent including Toni Collette, Naomi Watts, Guy Pearce, Jacki Weaver, Cate Blanchett, Rose Byrne, Joel Edgerton, and Nicole Kidman will feature in other films shown throughout the Gala and Special Presentations sections.
Screen Australia, chief executive, Graeme Mason said he was incredibly proud of the Australian talent and productions selected for this year.s Toronto International Film Festival..
"Having strong representation across seven different categories is an incredible achievement. It shows how strongly Australian film is performing at a global level, and gives us reason to be immensely proud of our industry," he said..
"We congratulate...
Thirteen Australian films that have been selected for the 40th Toronto International Film Festival (Tiff)..
These include six world premieres, three international premieres (outside Australia), three North American premieres and one Canadian premiere. Other Australian talent including Toni Collette, Naomi Watts, Guy Pearce, Jacki Weaver, Cate Blanchett, Rose Byrne, Joel Edgerton, and Nicole Kidman will feature in other films shown throughout the Gala and Special Presentations sections.
Screen Australia, chief executive, Graeme Mason said he was incredibly proud of the Australian talent and productions selected for this year.s Toronto International Film Festival..
"Having strong representation across seven different categories is an incredible achievement. It shows how strongly Australian film is performing at a global level, and gives us reason to be immensely proud of our industry," he said..
"We congratulate...
- 9/2/2015
- by Inside Film Correspondent
- IF.com.au
The sixth edition of Producers Lab Toronto is set to launch during the Toronto International Film Festival from September 9 to 12, 2015. Twenty four producers from Europe, Canada, Australia, and New Zealand have been chosen to exchange project ideas, funding information, and co-production deals. This successful networking platform has facilitated the development of several trans-Atlantic co-productions, with 17 former participants now working on 17 projects at various stages of production.
Producers Lab Toronto 2015 will see the 24 participants taking part in various networking and pitching events, case studies, and round tables with key industry members. The event will enable the participants to broaden their scope of projects regarding financing, creativity, and distribution in order to create trans-Atlantic co-productions.
The international co-production forum is organized and financed by European Film Promotion (Efp) in collaboration with theOntario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) will again be supporting the event, along with Creative Europe – Media Programme, the participating Efp member organisations, Eurimages, and Telefilm Canada.
Selected by the event's five partners, the participating producers have significant experience of co-production and will be presenting new projects with international market potential. Adis Dapo, known for Aida Begic’s "Children of Sarajevo" (Bosnia and Herzegovina/Germany/ France/ Turkey 2012), is from Efp’s youngest member country Bosnia and Herzegovina, and is one of the ten European internationally-experienced producers coming to take part in the event.
Canadian producer participants include Simone Urdl, known for her long association with Atom Egoyan ("The Captive," Cannes 2014), and Chantelle Kadyschuk of No Trace Camping, Canadian producer of "Room," a Canada-Ireland co-production premiering at Tiff 2015.
European participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt , Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Australian participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Canadian participants
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Andrew Nicholas McCann Smith , First Love Films
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
New Zealand's participants
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films...
Producers Lab Toronto 2015 will see the 24 participants taking part in various networking and pitching events, case studies, and round tables with key industry members. The event will enable the participants to broaden their scope of projects regarding financing, creativity, and distribution in order to create trans-Atlantic co-productions.
The international co-production forum is organized and financed by European Film Promotion (Efp) in collaboration with theOntario Media Development Corporation (Omdc) and the Toronto International Film Festival®.Screen Australia and the New Zealand Film Commission (Nzfc) will again be supporting the event, along with Creative Europe – Media Programme, the participating Efp member organisations, Eurimages, and Telefilm Canada.
Selected by the event's five partners, the participating producers have significant experience of co-production and will be presenting new projects with international market potential. Adis Dapo, known for Aida Begic’s "Children of Sarajevo" (Bosnia and Herzegovina/Germany/ France/ Turkey 2012), is from Efp’s youngest member country Bosnia and Herzegovina, and is one of the ten European internationally-experienced producers coming to take part in the event.
Canadian producer participants include Simone Urdl, known for her long association with Atom Egoyan ("The Captive," Cannes 2014), and Chantelle Kadyschuk of No Trace Camping, Canadian producer of "Room," a Canada-Ireland co-production premiering at Tiff 2015.
European participants
Adis Djapo , Scca (Bosnia and Herzegovina)
Ivo Felt , Allfilm (Estonia)
Eva Jakobsen , Snowglobe (Denmark)
Hlín Johannesdóttir , Vintage Pictures (Iceland)
Hanan Kattan , Enlightenment Productions (UK)
Nathalie Lichtenthaeler , Wide Eye Films (Ireland)
Floor Onrust , Family Affair Films (The Netherlands)
Silvia Panáková , Arina (Slovak Republic)
Edmon Roch , Ikiru Films (Spain)
Peter Rommel , Rommel Film (Germany)
Australian participants
Raquelle David , Damsel Pictures
Rebecca Summerton , Closer Productions
Canadian participants
Bob Crowe , Angel Entertainment Corp.
Chantelle Kadyschuk , No Trace Camping Productions
Kaleena Kiff , Radius Squared Media Group
Jane Loughman , Monkeys & Parrots
Andrew Nicholas McCann Smith , First Love Films
Marie-Claude Poulin , Item 7
Julia Rosenberg , January Films
Simone Urdl , The Film Farm
Barbara Willis Sweete , Willis Sweete Productions
Arnie Zipursky , Cci Entertainment
New Zealand's participants
Alexander Behse , Monsoon Pictures International
Leanne Saunders , Piki Films...
- 9/1/2015
- by Sydney Levine
- Sydney's Buzz
Twenty-four producers from Europe, Canada, Australia and New Zealand have been selected for the programme.
Toronto International Film Festival sources said the networking initiative has led to 17 former participants working on projects at various stages of production.
Participants will take part in networking and pitching events, case studies and roundtables with key industry members.
The participants are:
Canada: Bob Crowe (Angel Entertainment Corp), Chantelle Kadyschuk (No Trace Camping), Kaleena Kiff (Radius Squared Media Group), Jane Loughman (Monkeys & Parrots), Andrew Nicholas McCann Smith (First Love Films), Marie-Claude Poulin (Item 7), Julia Rosenberg (January Films), Simone Urdl (The Film Farm), Barbara Willis Sweete (Willis Sweete Productions) and Arnie Zipursky (Cci Entertainment).
Europe: Adis Djapo (Scca, Bosnia and Herzegovina), Ivo Felt (Allfilm, Estonia), Eva Johannesdóttir (Snowglobe, Denmark), Hanan Kattan (Enlightenment Productions, UK), Nathalie Lichtenthaeler (Wide Eye Films, Ireland), Floor Onrust (Family Affair Films, The Netherlands), Silvia Panáková (Arina, Slovak Republic), Edmon Roch (Ikiru Films, Spain), [link...
Toronto International Film Festival sources said the networking initiative has led to 17 former participants working on projects at various stages of production.
Participants will take part in networking and pitching events, case studies and roundtables with key industry members.
The participants are:
Canada: Bob Crowe (Angel Entertainment Corp), Chantelle Kadyschuk (No Trace Camping), Kaleena Kiff (Radius Squared Media Group), Jane Loughman (Monkeys & Parrots), Andrew Nicholas McCann Smith (First Love Films), Marie-Claude Poulin (Item 7), Julia Rosenberg (January Films), Simone Urdl (The Film Farm), Barbara Willis Sweete (Willis Sweete Productions) and Arnie Zipursky (Cci Entertainment).
Europe: Adis Djapo (Scca, Bosnia and Herzegovina), Ivo Felt (Allfilm, Estonia), Eva Johannesdóttir (Snowglobe, Denmark), Hanan Kattan (Enlightenment Productions, UK), Nathalie Lichtenthaeler (Wide Eye Films, Ireland), Floor Onrust (Family Affair Films, The Netherlands), Silvia Panáková (Arina, Slovak Republic), Edmon Roch (Ikiru Films, Spain), [link...
- 8/24/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The UK’s Hanan Kattan, Germany’s Peter Rommel and Canada’s Chantelle Kadyschuk are among those selected for this year’s Producers Lab Toronto (Plt).
The 24 producers from Europe, Canada, Australia and New Zealand will participate in the sixth edition of the networking platform, which will run Sept 9-12 during the Toronto International Film Festival (Sept 10-20).
Plt is targeted at producers who have had previous experience in working on international co-productions and now have projects in the pipeline that could be interesting for the international market.
European producers
The ten European producers were selected by European Film Promotion’s member organisations from previous participants of its Cannes-based initiative Producers on the Move.
Together with her partner Shamim Sarif, Hanan Kattan has a presence in the UK and Canada with their Enlightenment Group of companies. Hattan produced Sarif’s three features, including Despite The Falling Snow, starring Charles Dance and Rebecca Ferguson, as well as...
The 24 producers from Europe, Canada, Australia and New Zealand will participate in the sixth edition of the networking platform, which will run Sept 9-12 during the Toronto International Film Festival (Sept 10-20).
Plt is targeted at producers who have had previous experience in working on international co-productions and now have projects in the pipeline that could be interesting for the international market.
European producers
The ten European producers were selected by European Film Promotion’s member organisations from previous participants of its Cannes-based initiative Producers on the Move.
Together with her partner Shamim Sarif, Hanan Kattan has a presence in the UK and Canada with their Enlightenment Group of companies. Hattan produced Sarif’s three features, including Despite The Falling Snow, starring Charles Dance and Rebecca Ferguson, as well as...
- 8/24/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
While writing and directing a well-received short film can be a great stepping stone to features, aspiring feature directors should avoid the trap of making short after short.
Producer Raquelle David expressed that view on social media, prompting a flood of comments, some in full support, others disagreeing.
.Australian writers and directors that have made one solid short film need to stop making more,. said David, who has produced more than a dozen shorts and is developing several features.
.Seriously, stop. Focus on the feature or high-end TV concept and work with producers that will help you realise it. I'm so worried about our industry pumping out great shorts but bugger all else..
Screenwriter Shane Danielsen, who made his directing debut on the short The Guests, which screened in official competition in Cannes, produced by David, responded, .Could not agree more..
Danielsen, who wrote the features Errors of the Human Body...
Producer Raquelle David expressed that view on social media, prompting a flood of comments, some in full support, others disagreeing.
.Australian writers and directors that have made one solid short film need to stop making more,. said David, who has produced more than a dozen shorts and is developing several features.
.Seriously, stop. Focus on the feature or high-end TV concept and work with producers that will help you realise it. I'm so worried about our industry pumping out great shorts but bugger all else..
Screenwriter Shane Danielsen, who made his directing debut on the short The Guests, which screened in official competition in Cannes, produced by David, responded, .Could not agree more..
Danielsen, who wrote the features Errors of the Human Body...
- 6/16/2015
- by Don Groves
- IF.com.au
Australian producers increasingly are looking to international co-productions as one solution to the difficulty of raising finance at home.
Producers say the .soft. money available for co-pros with Canada and Europe will help to compensate for the very low minimum guarantees offered by Australian distributors.
Another advantage, they say, is the improved chances of securing marquee cast for films shot in part or completely in Canada and Europe.
. With the collapse of distribution windows, online communication, and the competitiveness of getting soft money out of Australia, producers are becoming more savvy in financing their films with global partners especially as we are telling more global, universally themed stories,. says producer Raquelle David, who is developing the futuristic thriller Lucid as a co-pro.
Producer Matthew Dabner aims to shoot Seasons Pass, a comedy scripted by Heath Davis about an Australian ski instructor who goes to the Canadian snowfields where he is...
Producers say the .soft. money available for co-pros with Canada and Europe will help to compensate for the very low minimum guarantees offered by Australian distributors.
Another advantage, they say, is the improved chances of securing marquee cast for films shot in part or completely in Canada and Europe.
. With the collapse of distribution windows, online communication, and the competitiveness of getting soft money out of Australia, producers are becoming more savvy in financing their films with global partners especially as we are telling more global, universally themed stories,. says producer Raquelle David, who is developing the futuristic thriller Lucid as a co-pro.
Producer Matthew Dabner aims to shoot Seasons Pass, a comedy scripted by Heath Davis about an Australian ski instructor who goes to the Canadian snowfields where he is...
- 7/24/2014
- by Don Groves
- IF.com.au
UK producer Kevin Loader joins comedy drama B Model, to be directed by actor Rachel Griffiths.
Now that it is likely to be set up as a UK/Australian co-production, prolific UK producer Kevin Loader (In the Loop, Hyde Park on Hudson, Le Week-End) has become part of the team behind the comedy drama B Model, to be directed by actor Rachel Griffiths.
Griffiths has directed two shorts, Roundabout and Tulip and this will be her first feature – providing the money can be raised.
Australian producer Louise Smith was reluctant to provide details of the project precisely because it is yet to be financed. The current draft of the script is being written by Samantha Stauss, co-creator of the series Dance Academy.
B Model is included in a list of 18 features that Screen Australia has injected a total of Us$500,000 worth of development money into in the last four months.
One of the...
Now that it is likely to be set up as a UK/Australian co-production, prolific UK producer Kevin Loader (In the Loop, Hyde Park on Hudson, Le Week-End) has become part of the team behind the comedy drama B Model, to be directed by actor Rachel Griffiths.
Griffiths has directed two shorts, Roundabout and Tulip and this will be her first feature – providing the money can be raised.
Australian producer Louise Smith was reluctant to provide details of the project precisely because it is yet to be financed. The current draft of the script is being written by Samantha Stauss, co-creator of the series Dance Academy.
B Model is included in a list of 18 features that Screen Australia has injected a total of Us$500,000 worth of development money into in the last four months.
One of the...
- 7/23/2014
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
Screen Australia today announced nearly $535,000 in development funding for 18 features including projects set in Canada, inner-city Berlin, Mexico City, Vietnam, the Middle East and medieval England.
The genres range from family and musical to comedy, drama, thriller, sci-fi and action. The funding will support eight new projects as well as further assistance for 10 titles.
Through its Talent Escalator programs, the agency is placing three producers in professional posts to improve their direct industry experience and supporting short film director Nicholas Verso in the next stage of his professional development.
Screen Australia.s Head of Production Sally Caplan said, .In this round it is encouraging to see such a great range of Australian stories receive support from filmmakers at different levels, some with international creative partners and several with international focus.
"We are also pleased to be able to support emerging local talent with international placements that will increase our industry...
The genres range from family and musical to comedy, drama, thriller, sci-fi and action. The funding will support eight new projects as well as further assistance for 10 titles.
Through its Talent Escalator programs, the agency is placing three producers in professional posts to improve their direct industry experience and supporting short film director Nicholas Verso in the next stage of his professional development.
Screen Australia.s Head of Production Sally Caplan said, .In this round it is encouraging to see such a great range of Australian stories receive support from filmmakers at different levels, some with international creative partners and several with international focus.
"We are also pleased to be able to support emerging local talent with international placements that will increase our industry...
- 7/22/2014
- by Don Groves
- IF.com.au
A movie based on the Tony-winning Broadway musical The Drowsy Chaperone is being developed as a Canadian-Australian co-production.
Geoffrey Rush, who played the character known as Man in the Chair in the Australian stage production, is set to reprise the role in the film, which will be directed by Fred Schepisi.
A tongue-in-cheek tribute to the golden era of Broadway musicals, Cole Porter and George and Ira Gershwin, the plot sees a musical literally bursting to life in the man.s living room, telling the rambunctious tale of a brazen Broadway starlet trying to find, and keep, her true love.
The lead Canadian producer is Rhombus Media.s Niv Fichman, whose credits include Silk, Enemy, Blindness, The Red Violin and Antiviral.
Aussie producer Antonia Barnard has confirmed her involvement .in the early stages.. Also aboard is producer Raquelle David, who spent six months with Fichman in Toronto last year developing the project,...
Geoffrey Rush, who played the character known as Man in the Chair in the Australian stage production, is set to reprise the role in the film, which will be directed by Fred Schepisi.
A tongue-in-cheek tribute to the golden era of Broadway musicals, Cole Porter and George and Ira Gershwin, the plot sees a musical literally bursting to life in the man.s living room, telling the rambunctious tale of a brazen Broadway starlet trying to find, and keep, her true love.
The lead Canadian producer is Rhombus Media.s Niv Fichman, whose credits include Silk, Enemy, Blindness, The Red Violin and Antiviral.
Aussie producer Antonia Barnard has confirmed her involvement .in the early stages.. Also aboard is producer Raquelle David, who spent six months with Fichman in Toronto last year developing the project,...
- 4/14/2014
- by Don Groves
- IF.com.au
The Ring and Mulholland Drive producer Neal Edelstein is serving as the executive producer on Ashes, an Australian supernatural thriller/horror film about three generations of women who battle a curse.
Jonathan auf der Heide is attached to direct the film written by Mike Jones and produced by Damsel Pictures. Raquelle David.
As a first-time feature producer, David knew she had to enlist an experienced Ep to qualify for financial support from Screen Australia and Screen Nsw. She approached a lot of Australian EPs, who turned her down, evidently due to concerns about the genre.
Via Jones, she got in touch with Edelstein and met the Us producer last October at the American Film Market, which she attended with Screen Australia.s assistance.
Edelstein responded to the script, which has parallels with Haunting Melissa, a digital, transmedia ghost story he has created via his company Hooked Digital Media, and agreed...
Jonathan auf der Heide is attached to direct the film written by Mike Jones and produced by Damsel Pictures. Raquelle David.
As a first-time feature producer, David knew she had to enlist an experienced Ep to qualify for financial support from Screen Australia and Screen Nsw. She approached a lot of Australian EPs, who turned her down, evidently due to concerns about the genre.
Via Jones, she got in touch with Edelstein and met the Us producer last October at the American Film Market, which she attended with Screen Australia.s assistance.
Edelstein responded to the script, which has parallels with Haunting Melissa, a digital, transmedia ghost story he has created via his company Hooked Digital Media, and agreed...
- 1/27/2014
- by Don Groves
- IF.com.au
Writer--director Megan Riakos. psychological thriller Crushed is continuing the rising trend of self-funded Australian films where cast and crew forego fees in return for a share of the profits.
Production wraps in Mudgee, Nsw, on January 17 after a 19-day shoot. The plot follows Elia, a young woman who returns home after her father dies. The death is ruled a murder and her mother becomes the prime suspect.
Sarah Bishop (whose credits include MTV's Deadbeat Dads and web series Skitbox TV and Bondi Hipsters) plays Elia and is serving as one of the producers along with Riakos and Robbie Miles, the La-based development executive at Sam Worthington.s Full Clip Pictures.
The cast includes Les Hill (Underbelly), Roxane Wilson (Home and Away), Aaron Glenane (Drift), Robert Preston (Redfern Now), Jamie Irvine (Anzac Girls), Helmut Bakaitis (The Matrix), Patrick Connolly (The Outlaw Michael Howe), Benjamin Mathews (Love My Way) and rising stars...
Production wraps in Mudgee, Nsw, on January 17 after a 19-day shoot. The plot follows Elia, a young woman who returns home after her father dies. The death is ruled a murder and her mother becomes the prime suspect.
Sarah Bishop (whose credits include MTV's Deadbeat Dads and web series Skitbox TV and Bondi Hipsters) plays Elia and is serving as one of the producers along with Riakos and Robbie Miles, the La-based development executive at Sam Worthington.s Full Clip Pictures.
The cast includes Les Hill (Underbelly), Roxane Wilson (Home and Away), Aaron Glenane (Drift), Robert Preston (Redfern Now), Jamie Irvine (Anzac Girls), Helmut Bakaitis (The Matrix), Patrick Connolly (The Outlaw Michael Howe), Benjamin Mathews (Love My Way) and rising stars...
- 1/13/2014
- by Don Groves
- IF.com.au
Screen Australia has committed almost $360,000 in funding to assist 15 filmmaking teams and three new internships.
The announcement, made earlier today, confirmed eight new projects will receive Screen Australia support while another seven teams will benefit from continued funding..
The new projects to receive support include I Am Jack, Confessions of a Super Man, Long Tan, Mulan, Common Foe, and Soundtrack..
Three internships, developed through Screen Australia.s Talent Escalator Project, will send Australian filmmakers overseas to further develop their chosen crafts..
Writer/director Alex Murawski will work alongside Bruce Beresford in Los Angeles for three months on Beresford.s latest production Bonnie and Clyde.
Natalie Lindwall will gain six months experience in the UK working with Ecosse Flims as a development producer, and producer Raquelle David will spend six months in Toronto working with Niv Fichman at Rhombus Media..
Also through the Talent Escalator Program, Screen Australia will assist directors Cris Jones,...
The announcement, made earlier today, confirmed eight new projects will receive Screen Australia support while another seven teams will benefit from continued funding..
The new projects to receive support include I Am Jack, Confessions of a Super Man, Long Tan, Mulan, Common Foe, and Soundtrack..
Three internships, developed through Screen Australia.s Talent Escalator Project, will send Australian filmmakers overseas to further develop their chosen crafts..
Writer/director Alex Murawski will work alongside Bruce Beresford in Los Angeles for three months on Beresford.s latest production Bonnie and Clyde.
Natalie Lindwall will gain six months experience in the UK working with Ecosse Flims as a development producer, and producer Raquelle David will spend six months in Toronto working with Niv Fichman at Rhombus Media..
Also through the Talent Escalator Program, Screen Australia will assist directors Cris Jones,...
- 5/20/2013
- by Staff Writer
- IF.com.au
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