Shabnam Moghadami
- Actress
Shabnam Moghaddami is an Iranian actress and narrator known for her ability to depict characters with genuine depth and authenticity, breathing life into various facets of their personalities. Her performances have garnered her prestigious awards, including the Crystal Simorgh, Hafez Awards, and Association of Iranian Film Critics and Writers awards, cementing her status as an accomplished and acclaimed actress. Some of her notable film credits include Kissing the Moon-Like Face (2012), Un jour nouveau (2014), Nafas (2016), Zapas (2016), Life and a Day (2016), Aba jan (2017), Khejalat Nakesh (2018), andShabi Ke Mah Kamel Shod (2019).
Born on March 23, 1972, in Tehran, Moghaddami came from a family with a background in culture, art, and literature. Her early passion for acting led her to enroll in acting classes and some scattered experience in radio during high school. Despite pursuing a degree in Persian literature, her love for the craft persisted, and she eventually attended a screenwriting school of The Artistic Sect of the Islamic Republic and took courses at Amin Tarokh Acting School.
Moghaddami's journey in acting began in the late-1990s, primarily focusing on theater. She has portrayed both leading and supporting roles in classical and modern plays. In 2006 and 2009, she was honored with the Best Actress title at the Third and Sixth Celebrations of Iran's Theater Forum, respectively. Alongside her theater career, Moghaddami has actively participated in radio programs as a presenter and actress, further enriching her dynamic career.
Shabnam Moghaddami's venture into the world of cinema began with her debut in Kamran Ghadakchian's film Zakhmi (1997) in 1997. Since then, she has appeared in numerous movies and TV series, but it was in 2013 that she gained widespread fame with the film Un jour nouveau (2014). Departing from her usual cheerful demeanor, Moghaddami portrayed a stone-faced and sharp-tongued character with a suspicious attitude. Her compelling performance as an emotional caregiver, skillfully delivering hasty accusations, earned her the Best Supporting Actress award at the 32nd Fajr Film Festival. Two years later, she triumphed with the Best Supporting Actress award for both Nafas (2016) and Zapas (2016) at the 34th Fajr Film Festival. In Zapas (2016), she embodies a painfully shy woman who is unable to interact with men and avoids direct eye contact. while in Nafas (2016), she impressively embodies an eloquent traditional woman with an Isfahani accent, subtle hints, and bursts of anger that add depth to her character. Her expressive facial reactions, including scornful looks and narrowed eyes, highlight her attentiveness and readiness to respond.
In Life and a Day (2016), she skillfully portrays a widow from a lower social class, grappling with the influence of dominant men in her family while striving for a better life. Conversely, in Khejalat Nakesh (2018), she shines as a rural woman deeply mindful of societal norms and her reputation in a traditional setting. Despite the character's insensibility under the pressure of shame, Moghaddami's acting prowess and self-created accent made this character endearing.
Moghaddami's versatility extends to her ability to excel in comedic roles, breaking barriers and paving the way for a new generation of actresses in the comic genre. She is not confined to leading or supporting roles, dedicating herself to exploring the depth and complexity of each character she takes on.
In the series The Monster (2019), Moghaddami portrays a woman navigating the unexpected turns of her life due to her husband's ill-gotten wealth. Her portrayal showcases a lack of self-confidence and an ambivalent self-image, expressed through excessive talking and forced laughter to cope with the changes. In films like Zahr-e Mar (2019) and Oksidan (2017), she portrays cunning and seductive female characters with charm, deception, distraction, and confusion in their pursuit of goals. Her skillful acting and subtle humor make these characters reliable to the audience.
According to critics, Shabnam Moghaddami's acting talent knows no bounds, as she fearlessly embraces diverse characters, age ranges, accents, and social backgrounds. Her authentic performances continue to captivate audiences and solidify her position as a prolific and respected actress in the industry.
Born on March 23, 1972, in Tehran, Moghaddami came from a family with a background in culture, art, and literature. Her early passion for acting led her to enroll in acting classes and some scattered experience in radio during high school. Despite pursuing a degree in Persian literature, her love for the craft persisted, and she eventually attended a screenwriting school of The Artistic Sect of the Islamic Republic and took courses at Amin Tarokh Acting School.
Moghaddami's journey in acting began in the late-1990s, primarily focusing on theater. She has portrayed both leading and supporting roles in classical and modern plays. In 2006 and 2009, she was honored with the Best Actress title at the Third and Sixth Celebrations of Iran's Theater Forum, respectively. Alongside her theater career, Moghaddami has actively participated in radio programs as a presenter and actress, further enriching her dynamic career.
Shabnam Moghaddami's venture into the world of cinema began with her debut in Kamran Ghadakchian's film Zakhmi (1997) in 1997. Since then, she has appeared in numerous movies and TV series, but it was in 2013 that she gained widespread fame with the film Un jour nouveau (2014). Departing from her usual cheerful demeanor, Moghaddami portrayed a stone-faced and sharp-tongued character with a suspicious attitude. Her compelling performance as an emotional caregiver, skillfully delivering hasty accusations, earned her the Best Supporting Actress award at the 32nd Fajr Film Festival. Two years later, she triumphed with the Best Supporting Actress award for both Nafas (2016) and Zapas (2016) at the 34th Fajr Film Festival. In Zapas (2016), she embodies a painfully shy woman who is unable to interact with men and avoids direct eye contact. while in Nafas (2016), she impressively embodies an eloquent traditional woman with an Isfahani accent, subtle hints, and bursts of anger that add depth to her character. Her expressive facial reactions, including scornful looks and narrowed eyes, highlight her attentiveness and readiness to respond.
In Life and a Day (2016), she skillfully portrays a widow from a lower social class, grappling with the influence of dominant men in her family while striving for a better life. Conversely, in Khejalat Nakesh (2018), she shines as a rural woman deeply mindful of societal norms and her reputation in a traditional setting. Despite the character's insensibility under the pressure of shame, Moghaddami's acting prowess and self-created accent made this character endearing.
Moghaddami's versatility extends to her ability to excel in comedic roles, breaking barriers and paving the way for a new generation of actresses in the comic genre. She is not confined to leading or supporting roles, dedicating herself to exploring the depth and complexity of each character she takes on.
In the series The Monster (2019), Moghaddami portrays a woman navigating the unexpected turns of her life due to her husband's ill-gotten wealth. Her portrayal showcases a lack of self-confidence and an ambivalent self-image, expressed through excessive talking and forced laughter to cope with the changes. In films like Zahr-e Mar (2019) and Oksidan (2017), she portrays cunning and seductive female characters with charm, deception, distraction, and confusion in their pursuit of goals. Her skillful acting and subtle humor make these characters reliable to the audience.
According to critics, Shabnam Moghaddami's acting talent knows no bounds, as she fearlessly embraces diverse characters, age ranges, accents, and social backgrounds. Her authentic performances continue to captivate audiences and solidify her position as a prolific and respected actress in the industry.
