Colombia’s Marlon Moreno, best known for his tough guy roles in “El Capo” and “Dog Eat Dog,” and Loren Sofía Paz, who played one of the key characters in Netflix’s epic series “One Hundred Years of Solitude,” lead the cast in “Goodbye Father” (“Adiós Mi Padre”), the directorial debut of Juan Sebastián Hinestroza.
The project participates in the Santiago Fiction Lab of the Santiago Int’l Film Festival (Sanfic) which runs over Aug. 17 – 24.
Drama began filming late July in Cali, Colombia and follows a young Spanish woman, Silvana (Sofìa Paz), who travels to South America with her partner Michel. Desperate for cash, they agree to be mules. Michel dies when the drugs burst inside him. Left to deal with his body, Silvana must extract the drug capsules and reluctantly reaches out to her estranged father Victor (Moreno) for help.
It is produced by Colombia’s Jhonny Hendrix of Antorcha Films,...
The project participates in the Santiago Fiction Lab of the Santiago Int’l Film Festival (Sanfic) which runs over Aug. 17 – 24.
Drama began filming late July in Cali, Colombia and follows a young Spanish woman, Silvana (Sofìa Paz), who travels to South America with her partner Michel. Desperate for cash, they agree to be mules. Michel dies when the drugs burst inside him. Left to deal with his body, Silvana must extract the drug capsules and reluctantly reaches out to her estranged father Victor (Moreno) for help.
It is produced by Colombia’s Jhonny Hendrix of Antorcha Films,...
- 8/18/2025
- by Anna Marie de la Fuente
- Variety Film + TV
In a bid to explore new avenues of distribution, Colombian-German-Italian co-production “When in Venice,” by Colombian director-producer Juan Zapata of Zapata Filmes, will bow simultaneously May 13 in theaters in at least eight countries and be available worldwide on VOD and Tvod platforms.
Shot completely in pre-pandemic Venice in 2018, the sight of mask-free crowds, of people embracing, shaking hands and nuzzling, is disorienting at first.
“When in Venice” is a love letter to the iconic Italian city as well as the story of two strangers who make a pact to visit the city together, albeit with some rather odd rules.
He’s Max, a German businessman (Peter Ketnath) in the middle of breaking up with his girlfriend and she’s Maria, a Brazilian pastry chef (Bellatrix Serra) doing research.
In the trailer that Zapata Filmes bows exclusively with Variety, Max and Maria meet at a bar and while on the train ride to Venice,...
Shot completely in pre-pandemic Venice in 2018, the sight of mask-free crowds, of people embracing, shaking hands and nuzzling, is disorienting at first.
“When in Venice” is a love letter to the iconic Italian city as well as the story of two strangers who make a pact to visit the city together, albeit with some rather odd rules.
He’s Max, a German businessman (Peter Ketnath) in the middle of breaking up with his girlfriend and she’s Maria, a Brazilian pastry chef (Bellatrix Serra) doing research.
In the trailer that Zapata Filmes bows exclusively with Variety, Max and Maria meet at a bar and while on the train ride to Venice,...
- 4/9/2021
- by Anna Marie de la Fuente
- Variety Film + TV
’With Roma, there are queues everywhere, great potential for audiences, and we’re underestimating it.’
The lack of an adequate independent theatre circuit across parts of Latin America has been brought into sharp focus by regional demand for Roma, a Ventana Sur panel in Buenos Aires heard on Tuesday (10).
“We have to add more theatres,” said Juan Zapata of Brazil’s Latinópolis. “With Roma, there are queues everywhere, great potential for audiences, and we’re underestimating it. Roma is a great example and shows how we can fill up theatres. We have to talk to each other and think about distribution training.
The lack of an adequate independent theatre circuit across parts of Latin America has been brought into sharp focus by regional demand for Roma, a Ventana Sur panel in Buenos Aires heard on Tuesday (10).
“We have to add more theatres,” said Juan Zapata of Brazil’s Latinópolis. “With Roma, there are queues everywhere, great potential for audiences, and we’re underestimating it. Roma is a great example and shows how we can fill up theatres. We have to talk to each other and think about distribution training.
- 12/11/2018
- by Jeremy Kay
- ScreenDaily
’With Roma, there are queues everywhere, great potential for audiences, and we’re underestimating it.’
The lack of an adequate independent theatre circuit across parts of Latin America has been brought into sharp focus by regional demand for Roma, a Ventana Sur panel in Buenos Aires heard on Tuesday (10).
“We have to add more theatres,” said Juan Zapata of Brazil’s Latinópolis. “With Roma, there are queues everywhere, great potential for audiences, and we’re underestimating it. Roma is a great example and shows how we can fill up theatres. We have to talk to each other and think about distribution training.
The lack of an adequate independent theatre circuit across parts of Latin America has been brought into sharp focus by regional demand for Roma, a Ventana Sur panel in Buenos Aires heard on Tuesday (10).
“We have to add more theatres,” said Juan Zapata of Brazil’s Latinópolis. “With Roma, there are queues everywhere, great potential for audiences, and we’re underestimating it. Roma is a great example and shows how we can fill up theatres. We have to talk to each other and think about distribution training.
- 12/11/2018
- by Jeremy Kay
- ScreenDaily
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