Sometimes growing up doesn’t come with a set of rules and disciplines. It’s not like one day you randomly decide to do things in a different way completing your arc by becoming someone more human. I believe that growing up doesn’t come with a third act. The third act is always open to bringing in newer things and experiences while also letting go of older things and experiences. So, when the protagonist in Greyson Horst’s “Throuple” gets to his third act, it almost feels like he has started right from where he began. Does that make his growing-up arc any less important? I don’t think so.
“Throuple” follows Micheal (played by Michael Doshier who also serves as the screenwriter) – a lonely, struggling musician in New York who lives in his head. Not only is he full of self-doubts, but to some extent, he is also full of himself.
“Throuple” follows Micheal (played by Michael Doshier who also serves as the screenwriter) – a lonely, struggling musician in New York who lives in his head. Not only is he full of self-doubts, but to some extent, he is also full of himself.
- 3/19/2025
- by Shikhar Verma
- High on Films
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