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Naz Kawakami

News

Naz Kawakami

Est Studios to launch Cannes sales on Sundance entry ‘Every Day In Kaimuki’ (exclusive)
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Alika Tengan directed story of young Hawaian man searching for meaning outside home town.

Newly launched finance, production and sales company Est Studios has acquired international sales rights for Cannes on Sundance 2022 selection Every Day In Kaimuki.

Alika Tengan directed and co-wrote the story of a young man determined to give his life meaning outside of Kaimuki, the small Hawaiian town where he grew up, even if it means leaving behind everything he’s ever known and loved.

Naz Kawakami and Rina White star in Every Day In Kaimuki, which became the first feature by a native Hawaiian filmmaker to premiere at Sundance.
See full article at ScreenDaily
  • 5/4/2022
  • ScreenDaily
Est Studios to launch Cannes sales on Sundance entry ‘Every Day At Kaimuki’ (exclusive)
Image
Alika Tengan directed story of young Hawaian man searching for meaning outside home town.

Newly launched finance, production and sales company Est Studios has acquired international sales rights for Cannes on Sundance 2022 selection Every Day At Kaimuki.

Alika Tengan directed and co-wrote the story of a young man determined to give his life meaning outside of Kaimuki, the small Hawaiian town where he grew up, even if it means leaving behind everything he’s ever known and loved.

Naz Kawakami and Rina White star in Every Day At Kaimuki, which became the first feature by a native Hawaiian filmmaker to premiere at Sundance.
See full article at ScreenDaily
  • 5/4/2022
  • ScreenDaily
The 38th Los Angeles Asian Pacific Film Festival Announces Lineup; Festival Returns May 5th to 13th
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The Los Angeles Asian Pacific Film Festival (Laapff), presented annually by Visual Communications (Vc), Southern California’s leading showcase for new Asian Pacific American and Asian international cinema, announced today the program for the 38th edition of the festival. The festival returns May 5th to 13th in Los Angeles and will feature an exciting lineup of in-person programming, along with virtual programming for our audiences at home in Southern California and beyond.

As Visual Communications premiere annual event, Laapff continues to build connections between peoples and generations through the amplification of Asian and Pacific Islander film, video, and media.The festival celebrates Asian Pacific American filmmakers and Asian international artists with profound, important and entertaining films and content from the new voices of cinema while honoring the legends and leaders who keep this cultural movement going forward. Important themes of representation, authorship, responsibility and ethics are at the forefront of content creation.
See full article at AsianMoviePulse
  • 4/18/2022
  • by Grace Han
  • AsianMoviePulse
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‘Every Day In Kaimukī’ Review: Moody Shoegaze Vibes Still Feel A Little Undercooked [Sundance]
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“I’d rather have one person dance in my car than have 100 people with the song on in the background” late-night radio DJ, Naz (Naz Kawakami), tells his friend. The young man hosts a show called “Night Drive,” on 90.1 FM Honolulu, “the show that makes you feel cool when you’re driving at night, the show where you actually are as you speed down the freeway going about your misdeeds.”

Beginning production in November 2020 as a sort of documentary/fiction hybrid, native Hawaiian filmmaker Alika Tengan’s “Every Day In Kaimukī,” is an admirable and well-intended debut, though it’s far more successful in its vibe than it is in establishing an artistic voice with command over narrative.

Continue reading ‘Every Day In Kaimukī’ Review: Moody Shoegaze Vibes Still Feel A Little Undercooked [Sundance] at The Playlist.
See full article at The Playlist
  • 1/24/2022
  • by Andrew Bundy
  • The Playlist
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