We don’t step evenly into Sons. Over the stretch of a long, grim elevator ride––face-to-face with Eva (Sidse Babett Knudsen), a middle-aged woman working as a guard in the Danish prison system––we descend into it. The initial reveal is light-hearted, the opposite direction one might expect from a prison thriller. But only briefly. Like its Scandinavian neighbors, Denmark has been renowned for its relatively humane approach to mass incarceration: low rates of recidivism, fewer instances of violence, and anti-punitive philosophies. But “relatively” and “has been” are the key words here.
The Danish Prisons and Probation Service is still a modern, westernized prison-industrial complex. And one in sharp decline. Where it once swam upstream alongside its Nordic siblings in the name of ethics, it’s now accused of taking cues from more penal, profit-bent countries such as the US. In 2019, Bo Yde Sørensen, Head of the Danish Prison Federation,...
The Danish Prisons and Probation Service is still a modern, westernized prison-industrial complex. And one in sharp decline. Where it once swam upstream alongside its Nordic siblings in the name of ethics, it’s now accused of taking cues from more penal, profit-bent countries such as the US. In 2019, Bo Yde Sørensen, Head of the Danish Prison Federation,...
- 2/26/2024
- by Luke Hicks
- The Film Stage
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