Cameroonian filmmaker Rosine Mbakam uses familiar spaces as microcosms of society. After capturing her subjects in one setting, such as a mall in Chez Jolie Coiffure (2018) and the protagonist’s home in Delphine’s Prayers (2021), her narrative-feature debut Mambar Pierrette foregrounds the eponymous tailor and love for her complex family while attempting to make ends meet in Douala. She asserts a determined work ethic in her sewing, attracting a breadth of customers just large enough for Pierrette and co. to get by.
Unlike Mbakam’s past works, Mambar Pierrette puts Mambar across multiple settings: a store; her mother; and her divorced, abusive spouse’s residence. These voyages are laborious and aimed at improving her children’s lives. Her independent fashion work is what makes her kids fulfill their dreams. As her children and their friends play and mingle outside, Pierrette fatigues herself from her job and works in a living...
Unlike Mbakam’s past works, Mambar Pierrette puts Mambar across multiple settings: a store; her mother; and her divorced, abusive spouse’s residence. These voyages are laborious and aimed at improving her children’s lives. Her independent fashion work is what makes her kids fulfill their dreams. As her children and their friends play and mingle outside, Pierrette fatigues herself from her job and works in a living...
- 10/2/2023
- by Edward Frumkin
- The Film Stage
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