Cinematographer Ben Saffer’s latest short film, Dog, directed by Caitlin McLeod, is a testament to the evolving capabilities of ‘Blackmagic Digital Film’ cameras. At the heart of this visually nostalgic and emotionally nuanced story lies a powerful combination of the Blackmagic Ursa Cine 12K Lf and Cooke S8/i prime lenses. Read on.
BTS of Dog. The Blackmagic Ursa Cine 12K Lf and Cooke S8/i
It is set in the nineties and so needed a slightly nostalgic aesthetic, but given the amount of time we wanted to be running camera, that led us down a digital path.
Cinematographer Ben Saffer Screen-grab of Dog Why the Blackmagic Ursa Cine 12K Lf?
When adapting a story set in the 1990s, Saffer initially considered shooting on 16mm film to align with the era’s aesthetic. However, the practical demands of working with child actors and the need for extended takes led...
BTS of Dog. The Blackmagic Ursa Cine 12K Lf and Cooke S8/i
It is set in the nineties and so needed a slightly nostalgic aesthetic, but given the amount of time we wanted to be running camera, that led us down a digital path.
Cinematographer Ben Saffer Screen-grab of Dog Why the Blackmagic Ursa Cine 12K Lf?
When adapting a story set in the 1990s, Saffer initially considered shooting on 16mm film to align with the era’s aesthetic. However, the practical demands of working with child actors and the need for extended takes led...
- 1/19/2025
- by Yossy Mendelovich
- YMCinema
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