2024 marks the 40th anniversary of the creature feature C.H.U.D. (watch it Here), which is best remembered for its title – which stands for Cannibalistic Humanoid Underground Dwellers – and for its cast, which included John Heard, Daniel Stern, Christopher Curry, and Kim Griest, with appearances by Jon Polito, Jay Thomas, and John Goodman. To celebrate C.H.U.D.‘s big anniversary, the folks at Dread Central decided to ask Goodman about the film – and found that he was quite happy to reminisce about his experience working with the cannibalistic humanoids!
Goodman said, “I am definitely in C.H.U.D. I’m from St. Louis and I moved to New York in ’75 to do theater and I wanted to do film. I knew if I didn’t go and try to do films, I would kick myself for the rest of my life. C.H.U.D. was made by a lot of the guys I was...
Goodman said, “I am definitely in C.H.U.D. I’m from St. Louis and I moved to New York in ’75 to do theater and I wanted to do film. I knew if I didn’t go and try to do films, I would kick myself for the rest of my life. C.H.U.D. was made by a lot of the guys I was...
- 1/19/2024
- by Cody Hamman
- JoBlo.com
Michael Mann’s strange and frequently beguiling Ferrari, which covers three eventful months in the life of Italian motor racing driver and entrepreneur Enzo Ferrari (Adam Driver), is a long-time passion project for its ever-idiosyncratic auteur. Mann wanted to make the film as far back as the early 2000s, when screenwriter Troy Kennedy Martin’s adaptation of a 1991 Ferrari biography by journalist Brock Yates was brought to his attention. It took a few false starts and several major cast changes, in addition to what a massive number of executive producer credits suggest is a transglobal patchwork of financiers. The result bears the scars of a long and rocky gestation, though not always to its detriment.
Reviewing Mann’s 1986 serial-killer thriller Manhunter, Chicago Reader critic Pat Brown described it as “simultaneously hypnotic and enervating, meditative and empty, like a white-noise background or a field of electronic snow.” That sense of concurrent...
Reviewing Mann’s 1986 serial-killer thriller Manhunter, Chicago Reader critic Pat Brown described it as “simultaneously hypnotic and enervating, meditative and empty, like a white-noise background or a field of electronic snow.” That sense of concurrent...
- 10/22/2023
- by Keith Uhlich
- Slant Magazine
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