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Yul Servo

News

Yul Servo

Film Review: Kiko Boksingero (2017) by Thop Nazareno
Diday serves Kiko hot dog. But Kiko takes a spoon full of veggies and starts eating. The smile blooms on Diday’s face. Kiko combs his hairs, tightens his shoe laces and leaves for school. Kiko has grown up in just few days. Though his father has left without intimating him, but the scent of bonding stays with him. The debutant director Thop Nazareno portrays the subtle bonding between a son and his estranged father brilliantly in “Kiko Boksingero” with a unique and gentle storytelling approach that touches the mind of the audience with a lasting impression.

Kiko Bosingero screened at the 8th Annual San Diego Asian Film Festival Spring Showcase

Kiko is an eleven year old boy, who lives in beautiful and scenic city of Baguio with his nanny, Diday (Yayo Aguila) after losing his mother . Kiko wants to be a boxer like his estranged father and visits his father’s deserted house everyday,...
See full article at AsianMoviePulse
  • 4/1/2019
  • by Sankha Ray
  • AsianMoviePulse
Rosario Review
Albert Martinez's Rosario, stripped of all its gloss, is essentially about the titular woman, played illustriously by luscious Jennlyn Mercado, whose fate seems to be dictated by her passions unleashed that during that time were severely discouraged, especially for women. Nonetheless, Rosario, presumably out of an upbringing influenced by the liberalities preached by America, the Philippines' new colonial master, succumbs to every call of her flesh, first with her father's trusted assistant (Yul Servo), whom she marries to the chagrin of her parents, second with her best friend's boyfriend (Dennis Trillo), which caused her separation with her husband and her children, and third, with her landlord's enamored nephew (Sid Lucero). As such, it holds immense promise beyond the trite melodramatics that usually accompany such material.

 

However, the film, like the many well-dressed and well-made up characters that populate it, is far too concerned in decorating itself to be anything more than an expensive ornament.
See full article at Screen Anarchy
  • 12/27/2010
  • Screen Anarchy
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