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Max Kasch in La morsure du lézard (2003)

News

Max Kasch

22-Year-Old Disney Movie Rises on Streaming Charts Ahead of Gender-Swapped Reboot
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2003's Holesis quietly becoming a streaming sensation ahead of the upcoming reboot series.

Per FlixPatrol, the 2003 hit family film from director Andrew Davis has begun creeping its way up to the top of the streaming charts. As of the time of writing, Holes stands at number thirteen on the top streaming movies chart for Hulu for July 8, and looks to be gaining momentum over competition such as Back to the Future Part II and Tammy.

Directed by Davis from a screenplay by Louis Sachar, who originally penned the 1998 novel of the same name on which the film was based, Holes starred a young Shia Labeouf as Stanley "Caveman" Yelnats IV, the latest to suffer a generations-old family curse of bad luck when he is wrongfully convicted of stealing a pair of sneakers. After being sentenced to 18 months of hard labor, Stanley is transferred to the fictional Camp Green Lake, which...
See full article at CBR
  • 7/9/2025
  • by John Dodge
  • CBR
Ahead of Disney's Gender-Flipped Reboot, Holes Star Recalls What He Loved (& Hated) About Original Film
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Holes, based on the book by Louis Sachar, is one of the most beloved children's movies of all time. It's such a popular title that it's getting a gender-flipped reboot as a TV series... but the remake is going to have to work hard to overcome comparisons with the original.

Now, ahead of the reboot, Holes star Khleo Thomas has chatted with People about what it was like to be a child star on the set of the 2003 movie. It wasn't an easy film to make, but Thomas -- who played fan-favorite character Zero -- looks back on it with great fondness despite the difficulty.

"My least favorite scene was when I had to jump on the back of Zig-Zag [played by Max Kasch] and choke him out," Thomas remembered. "I had heat rash that day, so my legs were on fire and man, was that uncomfortable. It was already hot. It's already dusty,...
See full article at CBR
  • 6/25/2025
  • by Sarah Barrett
  • CBR
‘Whiplash’ Ending, Explained: Does Andrew or Fletcher Come Out on Top?
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With Damien Chazelle's Whiplash drumming up a new audience on Netflix during the past year, exploring the intense finale is a great way to celebrate the acclaimed movie's 10th anniversary. The story follows aspiring jazz drummer Andrew Neiman (Miles Teller) and the contentious relationship formed with the demanding, sadistic instructor, Terence Fletcher (J.K. Simmons).

Whiplash won three Academy Awards in 2015, including Best Achievement in Editing and Sound Mixing. Simmons also won an Oscar for Best Performance by an Actor in a Supporting Role. As Chazelle aims to get back into Hollywood's good graces following the notorious flop Babylon with the new screenplay for The Claim, reflecting on Andrew's Whiplash arc should remind viewers of the writer/director's promising career.

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Whiplash

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*Availability in US Release Date October 10, 2014Runtime 107 MinutesMain Genre DramaCast Miles Teller,...
See full article at MovieWeb
  • 12/10/2024
  • by Jake Dee
  • MovieWeb
Cillian Murphy
Is Cillian Murphy Right About Red Eye?
Cillian Murphy
Cillian Murphy recently had some choice words for his film Red Eye (watch it Here), a Wes Craven-directed thriller that was released back in 2005. But he wasn’t entirely negative. So that got me thinking: Is Red Eye a good film? Or is it more in the so bad it’s good category? I personally saw Red Eye in theaters and have always had a soft spot for it. But if Oppenheimer‘s own Cillian Murphy has an issue with it, maybe it’s worth a second gander. So let’s see whether it’s good, bad, or somewhere in between as we revisit Red Eye in the video embedded above!

Scripted by Carl Ellsworth, who crafted the story with Dan Foos, Red Eye has the following synopsis: In the wake of her grandmother’s funeral, hotel manager Lisa Reisert is waiting to fly back home when she meets charming Jackson Rippner at check-in.
See full article at JoBlo.com
  • 2/22/2024
  • by Cody Hamman
  • JoBlo.com
Red Eye: Wes Craven thriller is getting a 4K release
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One of the more underrated entries on the filmography of the late, great Wes Craven is his 2005 film Red Eye (watch it Here), which packs a lot of thrills, action, and good acting into its perfectly quick 85 minute running time. So I’m glad to hear that Paramount Home Media Distribution is planning to give Red Eye a 4K Blu-ray release on March 21st, with new special features!

Blu-ray.com reports that the special features on this edition of Red Eye will include

New 4K Restoration Of The Film

Dolby Vision/Hdr Presentation Of The Film

New Audio commentary by editor Patrick Lussier

New Filmmaker Focus – Wes Craven and Red Eye

New Wes Craven: In His Own Words – Featurette

Audio commentary by Wes Craven, Producer Marianne Maddalena, and Editor Patrick Lussier

The Making of Red Eye – Featurette

Wes Craven: A New Kind of Thriller – Featurette

Gag Reel

Optional English Sdh,...
See full article at JoBlo.com
  • 1/24/2023
  • by Cody Hamman
  • JoBlo.com
‘American Killing’ Review
Stars: Trevor Peterson, Persia White, Caitlin Gerard, Demetri Goritsas, Christopher Wolfe, Melinda Lee, Sondra Blake, Adam Carr, Jennifer Christopher, Lenny Citrano, Max Kasch | Written by Matthew D. Ward | Directed by Justyn Ah Chong, Matthew D. Ward

Written by Matthew D. Ward who co-directs with Justyn Ah Chong, American Killing is the feature debut for the both of them. A thriller with elements of horror and drama, this is something both unique, startlingly dark and very interesting indeed. A movie that took me entirely by surprise, and here’s the why’s, what’s and where’s.

The plot itself follows Jeb, whose cartoon program is in danger of being cancelled by the network. Unrecognised nor complimented for his tireless work ethic, Jeb knows that in order to keep his job he needs to go to drastic places. Jeb, along with a team of writers is sent to a house in...
See full article at Nerdly
  • 10/22/2019
  • by Chris Cummings
  • Nerdly
The Devil in the Whiplash: Review
'Whiplash' movie review: 'Emotionally explosive film' (photo: J.K. Simmons in 'Whiplash') Damien Chazelle, writer and director of Whiplash, his 2014 Sundance Film Festival-winning second feature, is himself a musical prodigy of sorts. He attended the sort of prestigious musical conservatory his protagonist — played by the acerbic, ascending star Miles Teller — attends in Chazelle's sharply realized, emotionally explosive film. Whiplash, in fact, is a most appropriate title. The “insider's” perspective can sometimes burden a young filmmaker — or a filmmaker of any age, really. Knowing too much can be a trap; the inclination to “get it right” down to the last well-known detail can muddy a story and stifle narrative flow. And there's the possibility — or rather, the likelihood — that the filmmaker's personal experience is actually interesting only to the filmmaker. Chazelle avoids these pitfalls. Whiplash, while stylish and slightly elliptical, is neither muddy nor stifling. It flows freely; it's literally...
See full article at Alt Film Guide
  • 10/12/2014
  • by Tim Cogshell
  • Alt Film Guide
Toronto Film Festival lineup announced -- Breaking
Robert Downey Jr., Robert Duvall, and Dax Shepard in Le juge (2014)
The 39th Toronto International Film Festival has announced its initial slate of galas and special presentations, which includes 37 world premieres and several films with Oscar ambitions. The Judge, which stars Robert Downey Jr. as a big-city lawyer who reluctantly returns home and ends up defending his revered father (Robert Duvall) against criminal charges, will have its world premiere in Toronto. His Avengers pal, Chris Evans, will unveil his own directorial debut in Toronto, titled Before We Go.

Also noteworthy: James Gandolfini’s final film, The Drop, which also stars Tom Hardy and Noomi Rapace; another Jason Reitman Toronto world premiere,...
See full article at EW - Inside Movies
  • 7/22/2014
  • by Jeff Labrecque
  • EW - Inside Movies
Samba (2004)
'Wild,' 'The Judge' and 'The Equalizer' among initial 2014 Toronto Film Festival premieres
Samba (2004)
The Toronto International Film Festival announced its initial wave of 2014 premieres and galas this morning and it features some familiar awards titles, some big stars and some unexpected studio titles. Among the major studio films, David Dobkin's "The Judge" with Robert Downey Jr. and Antoine Fuqua's "The Equalizer" each received gala slots and should premiere over the festival's opening weekend. Other announced galas so far include Bennett Miller's acclaimed "Foxcatcher," which debuted at Cannes, and Mike Binder's "Black and White" starring Kevin Costner, Octavia Spencer and Anthony Mackie. Toronto has also scheduled special gala screenings for David Cronenberg's "Map to the Stars" with Julianne Moore and Robert Pattinson, François Ozon's "The New Girlfriend," Ed Zwick's "Pawn Sacrifice" with Tobey Maguire, Lone Scherfig's "The Riot Club," Jean-Marc Vallée's "Wild," Olivier Nakache and Eric Toledano's "Samba" and Shawn Levy's "This is Where I Leave You...
See full article at Hitfix
  • 7/22/2014
  • by Gregory Ellwood
  • Hitfix
David Koechner at an event for Légendes vivantes (2013)
Waiting ...
David Koechner at an event for Légendes vivantes (2013)
Consider the ellipsis in the title a warning. Between a couple of funny scenes and a bunch of unfunny gags, there's not much going on in "Waiting ... ". The comedy uses gross-out "humor" with little inventiveness to ply the familiar territory of twentysomething limbo and workplace hell. Despite a solid ensemble, this would-be "Kitchen Confidential" for the chain-steakhouse set, which boasts as many producers as cast members, doesn't serve up enough laughs to build a theatrical following but could find life on video as a takeout item.

There comes a moment for many thinking people when job security takes on life-threatening proportions: a clear-eyed look at unhappy co-workers and the inept boss signals something's gotta give. For 22-year-old Dean (Justin Long), that moment of truth occurs four years into his job waiting tables at ShenaniganZ. Obsessed with the apparent success of a former classmate -- helpfully brought to his attention by his mother -- Dean feels himself languishing at work and at the community college where he and best friend Monty (Ryan Reynolds) are on-again, off-again students.

Dangling benies and "power" before him, clueless manager Dan (David Koechner), who conducts dispiriting staff meetings by the Dumpster, offers the hard-working but directionless Dean a promotion to assistant manager. He is shocked when Dean asks for time to think it over. Where this is headed is as predictable as the dinner-hour rush.

The ShenaniganZ staff spend most nights partying together after long days slinging baked potatoes, and co-worker couplings are inevitable. Dean avoids commitment to earnest waitress Amy (Kaitlin Doubleday), while Dan and Monty eye the underage hostess (Vanessa Lengies). Monty, whose snarkiness is his identity (a cameo by Wendie Malick as his mother makes clear where he gets it), also spends time being humiliated by his feisty ex, waitress Serena (Anna Faris), and showing the ropes to wide-eyed new guy Mitch (John Francis Daley).

Mainly the ropes consist of learning how to play a behind-the-scenes time-waster that Serena rightly calls "an exercise in retarded homophobia." Sleazeball cook Raddimus (Luis Guzman), the mastermind of the Penis-Showing Game, provides demos for Mitch using raw chicken parts. Besides workplace dystopia, this exhibitionist stupidity is the script's central thread.

First-time writer-director Rob McKittrick demonstrates a feel for the systematic hysteria of restaurant dynamics, but his observations lack the absurdist edge of "Clerks" and the truly idiosyncratic detail that would make his characters three-dimensional. Within limited roles, the cast does what it can. Chi McBride, an actor capable of sublime understatement, plays the sage philosopher-king dishwasher, dispensing wisdom to a crew that includes two gangsta-wannabe pothead busboys (Andy Milonakis and Max Kasch), the angriest waitress in the world (Alanna Ubach) and a spineless virgin Robert Patrick Benedict). Is it any wonder that -- in the film's funniest gag -- their birthday serenade to a young boy makes him cry?

Filmed in New Orleans but with no sense of the place, "Waiting ..". unfolds mainly within appropriately generic restaurant interiors. Refreshingly, McKittrick doesn't lean on canned pop tracks as mortar, but neither does he craft enough of a story to hold together the shtick.

WAITING ...

Lions Gate Films

An Element Films and Eden Rock Media production in association with Wisenheimer Films

Credits:

Director-screenwriter: Rob McKittrick

Producers: Adam Rosenfelt, Stavros Merjos, Jay Rifkin, Jeff Balis, Rob Green

Executive producers: Chris Moore, Jon Shestack, Sam Nazarian, Malcolm Petal, Marc Schaberg, Thomas Augsberger, Paul Fiore

Director of photography: Matthew Irving

Production designer: Devorah Herbert

Music: Adam Gorgoni

Co-producers: Chris Fenton, Dean Shull, Randy Winograd

Costume designer: Jillian Kreiner

Editors: David Finfer, Andy Blumenthal

Cast:

Monty: Ryan Reynolds

Serena: Anna Faris

Dean: Justin Long

Dan: David Koechner

Mitch: John Francis Daley

Tyla: Emmanuelle Chriqui

Amy: Kaitlin Doubleday

Nick: Andy Milonakis

T-Dog: Max Kasch

Naomi: Alanna Ubach

Calvin: Robert Patrick Benedict

Natasha: Vanessa Lengies

Bishop: Chi McBride

Raddimus: Luis Guzman

Monty's Mom: Wendie Malick

MPAA rating: R

Running time -- 93 minutes...
  • 10/13/2005
  • The Hollywood Reporter - Movie News
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