It’s been 18 years since I escaped the state of Texas, and nothing illustrates how much things have changed in that hyper-conservative stronghold than the rise and near-win of Senatorial candidate Beto O’Rourke in his bid for Senate.
On its surface, David Modigliani’s “Running With Beto” is an inside account of that campaign — reminiscent of Albert Maysles’ “Primary” or Chris Hegedus and D.A. Pennebaker’s more recent “The War Room” — tracing the Democratic Congressman from early speaking engagements where barely two dozen people showed up to his status as a nationally recognized hero and poster boy for the “blue wave” that swept the country during the 2018 mid-term elections. But it’s also the portrait of a state many of us thought we had pinned down, and how its identity is shifting in a positive direction.
Modigliani sensed he was capturing history in the making when he asked O...
On its surface, David Modigliani’s “Running With Beto” is an inside account of that campaign — reminiscent of Albert Maysles’ “Primary” or Chris Hegedus and D.A. Pennebaker’s more recent “The War Room” — tracing the Democratic Congressman from early speaking engagements where barely two dozen people showed up to his status as a nationally recognized hero and poster boy for the “blue wave” that swept the country during the 2018 mid-term elections. But it’s also the portrait of a state many of us thought we had pinned down, and how its identity is shifting in a positive direction.
Modigliani sensed he was capturing history in the making when he asked O...
- 3/9/2019
- by Peter Debruge
- Variety Film + TV
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