[go: up one dir, main page]

    Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
IMDbPro

News

Denise Aron-Schropfer

Notebook Primer: Lucile Hadžihalilović
Image
The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history.Earwig (2021).There’s a moment in Lucile Hadžihalilović’s feverish 2021 psychodrama Earwig in which a man rifles through a small refrigerator, within it an icebox, and within that a stack of thick metallic cases, each one containing denture molds brimful of frozen saliva. Behind him sits a young girl in elaborate headgear, her small face flanked by tubes and two ampoules collecting her spit. The act is uncanny but clearly routine—a chilling, briefly expository moment that proffers countless questions and exemplifies Hadžihalilović’s aesthetic of reticence. Her films all possess this matryoshka-like effect, coming undone only to neatly curl back into themselves at will. As female-driven body horror stipples its way into the mainstream, Hadžihalilović’s work feels all the more resonant and, perhaps most crucially, misprized. Hadžihalilović auteurism is...
See full article at MUBI
  • 8/8/2022
  • MUBI
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

More from this person

More to explore

Recently viewed

Please enable browser cookies to use this feature. Learn more.
Get the IMDb App
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb App
For Android and iOS
Get the IMDb App
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2025 by IMDb.com, Inc.