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News

Frances Lincoln

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‘David Lynch: His Work, His World’ Book to Be Published in September
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David Lynch: His Work, His World will be published in hardcover and e-book on September 9 via Frances Lincoln.

Written by film journalist Tom Huddleston, the 240-page unauthorized book is broken into 13 chapters, each focused on a different project and period from Lynch’s career.

“In 1990, David Lynch released ‘Twin Peaks’ and television would never quite be the same again. Ostensibly a mystery serial drama, the series introduced viewers to a surreal and eccentric world of uncanny and camp strangeness that has gone down in pop culture legend. With his films, the most famous of which are Mulholland Drive and Blue Velvet, but which also include The Elephant Man, Dune and the Palme d’Or winning Wild at Heart, Lynch created similarly strange, stylized and perplexing worlds, rich in invention.

“Across his career Lynch turned his attention to film, television, art, music, photography, Transcendental Meditation and – more recently – nightclub design and weather forecasting,...
See full article at bloody-disgusting.com
  • 5/28/2025
  • by Alex DiVincenzo
  • bloody-disgusting.com
Recommended New Books on Filmmaking: James Bond, Colors of Film, Sofia Coppola, Japanese Animation & More
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For our latest dive into recent books on or related to cinema, we’re spending time with some icons––fictional (James Bond) and non. Let’s start with 50 color palettes and one beautifully unique new text.

Colors of Film: The Story of Cinema in 50 Palettes by Charles Bramesco (Frances Lincoln)

Colors of Film is an engrossing study of how filmmakers utilize color in complex, ingenious, emotionally impactful ways. Some of these examples (e.g. the red jacket in Schindler’s List) have inspired much discourse. What makes this book––by the always-entertaining and -intelligent critic Charles Bramesco––so special is its focus on less-obvious films. A noteworthy case: Hype Williams’ Belly and its “flights of stylistic fancy.” During its hyper-stylized opening, as gangsters Buns and Sin “prowl through the dance floor, ceiling-mounted blacklights make the men look extraterrestrial, their eyeballs glowstick-turquoise against deeper blue skin.” Other entries focus on everything...
See full article at The Film Stage
  • 3/14/2023
  • by Christopher Schobert
  • The Film Stage
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