From Vishal Bhardwaj’s Shakespearean trilogy Maqbool (based on Hamlet), Omkara (Othello) and Haider (Hamlet), Maqbool is the rawest, most honest and untarnished adaptation.
Maqbool transports us to a threshold of pain and redemption hitherto unknown to Hindi cinema. Because this is Shakespeare’s Macbeth trans-located to Mumbai’s underworld, and because Bhardwaj has selected a dream cast to portray his nightmarish world of crime and retribution, Maqbool takes its emotional content beyond any other film from the genre.
The writing on the wall is so clear, coherent, and redemptive that even Shakespeare would smile indulgently at the artistic liberties Bhardwaj has taken with the original text. Maqbool opens a whole new universe of passion- play, unexplored in the original text. Bhardwaj reveals the politics of lust and passion with a sure-handedness seldom witnessed in Hindi cinema.
Hence, the King from Shakespeare becomes a doddering, paunchy underworld kingpin, Abbaji (Pankaj Kapoor...
Maqbool transports us to a threshold of pain and redemption hitherto unknown to Hindi cinema. Because this is Shakespeare’s Macbeth trans-located to Mumbai’s underworld, and because Bhardwaj has selected a dream cast to portray his nightmarish world of crime and retribution, Maqbool takes its emotional content beyond any other film from the genre.
The writing on the wall is so clear, coherent, and redemptive that even Shakespeare would smile indulgently at the artistic liberties Bhardwaj has taken with the original text. Maqbool opens a whole new universe of passion- play, unexplored in the original text. Bhardwaj reveals the politics of lust and passion with a sure-handedness seldom witnessed in Hindi cinema.
Hence, the King from Shakespeare becomes a doddering, paunchy underworld kingpin, Abbaji (Pankaj Kapoor...
- 1/31/2025
- by Subhash K Jha
- Bollyspice
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