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French director Jean-Paul Salomé has kicked off production on The Money Maker(L’Affaire Bojarski) about real-life counterfeiter Jan Bojarski, who was nicknamed “the Cézanne of fake money”.

The Bureau Sales has boarded for international sales and will launch the film at the upcoming European Film Market (EFM).

Set in post-Second World War France, the film stars Reda Kateb as Bojarski, a Polish refugee in France who forged near-perfect counterfeit money and eluded police for nearly 15 years. Bastien Bouillon plays a police commissioner who sets off on a high-stakes cat-and-mouse chase to hunt down the sophisticated swindler. Sara Giraudeau and...

Exclusive: The Veterans has boarded sales for an AFM launch on Bernard Rose’s Shakespeare adaptation Lear Rex, starring Al Pacino as tragic monarch King Lear alongside Jessica Chastain as his villainous, power-hungry, oldest daughter Goneril.

Principal photography is completed on the picture, the all-star cast for which also features Emmy winner Rachel Brosnahan (The Marvelous Mrs. Maisel) as Lear’s second malevolent daughter Regan; Academy-Award Winner Ariana DeBose (West Side Story) as the king’s beloved youngest daughter Cordelia, who he erroneously banishes; Emmy Winner Peter Dinklage as the Fool, and Lakeith Stanfield (The Book Of Clarence) as the scheming figure of Edmund.

Further cast members include Ted Levine as Kent, Mathew Jacobs as Gloucester, Danny Huston as Albany, Chris Messina as Cornwall, Stephen Dorff as Poor Tom and Rhys Coiro as Oswald.

Rose, who started out making music videos for iconic pop tunes such...

The BBC Proms continues with an evening of enchanting music and Shakespearean drama. The concert, conducted by Gemma New, features the BBC Scottish Symphony Orchestra and the National Youth Choir of Scotland’s Chamber Choir. The programme includes a musical portrayal of the biblical figure Salomé by Mel Bonis, a romantic composer who has been overlooked […]

BBC Proms: Mozart, Mendelssohn and A Midsummer Night’s Dream...

Exclusive: Academy Award winner Ariana DeBose (West Side Story), Emmy Award winner Rachel Brosnahan (The Marvelous Mrs. Maisel), Academy Award nominee Lakeith Stanfield (Judas and the Black Messiah), Emmy Award winner Peter Dinklage (Game of Thrones), Chris Messina (Argo), Ted Levine (The Silence of the Lambs), Danny Huston (The Constant Gardener), Matthew Jacobs (Bar America), Rhys Coiro (Entourage) and Stephen Dorff (Blade) have joined Academy Award winners Al Pacino and Jessica Chastain in Bernard Rose’s Lear Rex, a film adaptation of Shakespeare’s King Lear.

Barry Navidi is the producer, marking his fifth collaboration with Pacino following The Merchant of Venice, Wilde Salomé, Salomé as well as this year’s Modi directed by Johnny Depp. Sharon Howard-Field, the film’s Casting Director, shares a long working history with Navidi. Navidi’s finance partners are Mattias Westman of Westman Films, Eco Entertainment, Dali Films and World Vision. CAA Media Finance...

Comedy of Power: Huppert Shines in Whistleblower Expose from Salomé

Making a rare appearance in a ‘based on a true story’ film, Isabelle Huppert elevates a character study in whistle-blowing with La syndicaliste (The Sitting Duck), a reunion with her Mama Weed (2020) director Jean-Paul Salomé. It’s also rather an anomaly for the consummately bustling actor in how she’s somewhat cast against type as a resilient but fragile personality.

Based on the 2019 publication from investigative journalist Caroline Michel-Aguirre, corruption, violence, and political intrigue swirl maliciously in this tale of blatant misogyny following the sexual assault against a woman whose position allowed her access to the president, ultimately forced to clear her own name against charges of filing a false report.…...

As a female union rep in the oppressively male-dominated French nuclear industry, Maureen Kearney — the real-life heroine of Jean-Paul Salomé’s “La Syndicaliste” (“The Sitting Duck” in the U.K.) — is accustomed to keeping a cool head in a crisis. That doesn’t stop her male superiors from accusing her of the opposite, with then-President Nicolas Sarkozy allegedly branding her a “hysteric in a skirt”: In this men’s club, a woman’s mere presence is deemed her weakness. Yet when Kearney is raped and mutilated by unknown assailants, seemingly as a professional warning, it’s her lack of hysteria under the circumstances that is declared suspicious by men in power. As she’s first disbelieved, then charged without outright fabrication, Salomé’s film pivots from itchy whistleblower thriller to irate courtroom drama, with institutional misogyny as its binding thread.

A rape survivor criticized for her composure: sounds like an assignment for Isabelle Huppert,...