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News

Jinky Laurel

‘Call My Agent!’ Set for More International Remakes With Disney Plus, HBO Asia, Mbc (Exclusive)
Image
“Call My Agent!,” the hit French show set at a Parisian talent agency, is set for a number of international adaptations with remakes in the works at top streamers and broadcasters in South Korea, Indonesia, the Middle East, Philippines, Malaysia and Poland.

Co-represented by France Televisions Distribution and Newen Connect’s TF1 Studio, the show was previously adapted in India, Canada and Turkey. A U.K. remake with BAFTA award winner John Morton as head writer and director of the first two episodes will soon launch on Amazon U.K. and Sundance Now in the U.S. In Italy, the remake is being produced by Mediawan-owned Palomar for Sky with German filmmaker Oliver Hirschbiegel on board.

In The Philippines, the show is being adapted by Erik Matti, the critically acclaimed director of “On The Job,” who will serve as director and showrunner. Dondon Monteverde is executive producer. The writing...
See full article at Variety Film + TV
  • 1/11/2022
  • by Elsa Keslassy
  • Variety Film + TV
I Do Review
Sometimes a kiss is just not enough. After the redundancy and tedium of romancing, fighting, and forgiving that has been the standard storyline of most if not all recent romantic comedies, the pay-off of seeing the onscreen lovers lock lips in slow motion has been quite unrewarding. Tradition demands that the only acceptable conclusion to any romance is a wedding. Veronica Velasco's I Do endeavors to innovate on traditions by telling the tale, which according to her and co-writer Jinky Laurel is based on a true story, of a couple whose attempts at being wed are often foiled.

 

Yumi (Erich Gonzalez) is a hopeless romantic whose mission in life is to find the one to tie the knot with in the dream wedding that she has been obsessing over since her younger years. Lance (Enchong Dee), her Chinese boyfriend, is suddenly faced with the decision of marrying her to...
See full article at Screen Anarchy
  • 10/5/2010
  • Screen Anarchy
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