Writer, director and editor Angela Schanelec began making movies in the early nineties, building up a respectable body of work as one of the key members of the Berlin School of art house auteurs based out of Germany’s capital. But it wasn’t until her last feature, I Was at Home, But…, that the 61-year-old filmmaker finally received recognition in the U.S., including a full retrospective at Lincoln Center that took place in 2020.
Home was a difficult through rewarding watch, enigmatically telling the story of a family getting past the premature death of a father. Schanelec’s latest film, Music, may prove even more puzzling for audiences, although it’s filled with some of the director’s signature flourishes: beautifully composed long shots; an elliptical narrative that jumps ahead in time without warning; quietly contained performances that focus more on gesture than dialogue; and a surgically precise use of sound and music.
Home was a difficult through rewarding watch, enigmatically telling the story of a family getting past the premature death of a father. Schanelec’s latest film, Music, may prove even more puzzling for audiences, although it’s filled with some of the director’s signature flourishes: beautifully composed long shots; an elliptical narrative that jumps ahead in time without warning; quietly contained performances that focus more on gesture than dialogue; and a surgically precise use of sound and music.
- 2/21/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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