Sean House(I)
- Art Department
- Special Effects
- Visual Effects
For over 25 years, Sean has been an active member of the Bay Area Film Community working on well over 50 feature films, multiple TV series and hundreds of commercials. The continued practiced diversity of his work experience has created a well rounded artist and technician in multiple disciplines of the film making craft.
For the past 12 years, he has led the Model/Fabrication Department at 32Ten Studios for Practical VFX work on films such as "Star Wars: Rise of Skywalker", "Rogue One, A Star Wars Story", "Jurassic World", "Transformers:Age of Extinction" and many more. As a model maker, Sean has contributed to films such as "Indiana Jones and the Kingdom of the Crystal Skull", "Terminator: Salvation", "Matrix: Reloaded/Revolutions" and others.
In 2016, Sean traveled for 5+ months as the On-Set Dresser for the action unit of "The Fast and the Furious 8", 2 1/2 months of which were spent filming in Iceland .This particular job required close coordination with the Special Effects, Property, and Visual Effects departments.
He has served as Property Master on projects as diverse as George Lucas's "Red Tails", "San Andreas" starring Dwayne Johnson, and most recently, the TV movie/reboot "Nash Bridges."
As Set Dresser and Prop Maker he has worked on such movies as "Matrix 4", "Milk", and "The Pursuit of Happyness", as well as TV series such as "Parenthood", and "Monk". Sean also has honed his skills in the SPFX department with work as Special Effects Coordinator on both seasons of the HBO series "Looking", Tim Burton's "Big Eyes", and the Netflix series "13 Reasons Why".
When he is not on set, Sean is an active film community leader. In 2001 he founded the Bay Area Film Alliance and in 2004 he co-founded the Oakland Film Center, a film business co-operative which encompassed 32 individual businesses.
Helping others achieve their goals/dreams of working in the film industry is a particular passion of Sean's. He has given multiple talks to High School and College student classes, and has mentored many of those students and others, assisting them getting into and established in the film industry during the past two decades. Sean has also assisted many charity projects, most notably assisting SPFX Coordinator Geoff Heron in accomplishing the practical SPFX for Make-A-Wish Bat Kid Day in San Francisco.
In 2017 Sean became a member of the VES (Visual Effects Society). He has also been a frequent industry adviser to mayors in San Francisco and Oakland, and continues to advocate for the Bay Area film community on both the local and state front.
For the past 12 years, he has led the Model/Fabrication Department at 32Ten Studios for Practical VFX work on films such as "Star Wars: Rise of Skywalker", "Rogue One, A Star Wars Story", "Jurassic World", "Transformers:Age of Extinction" and many more. As a model maker, Sean has contributed to films such as "Indiana Jones and the Kingdom of the Crystal Skull", "Terminator: Salvation", "Matrix: Reloaded/Revolutions" and others.
In 2016, Sean traveled for 5+ months as the On-Set Dresser for the action unit of "The Fast and the Furious 8", 2 1/2 months of which were spent filming in Iceland .This particular job required close coordination with the Special Effects, Property, and Visual Effects departments.
He has served as Property Master on projects as diverse as George Lucas's "Red Tails", "San Andreas" starring Dwayne Johnson, and most recently, the TV movie/reboot "Nash Bridges."
As Set Dresser and Prop Maker he has worked on such movies as "Matrix 4", "Milk", and "The Pursuit of Happyness", as well as TV series such as "Parenthood", and "Monk". Sean also has honed his skills in the SPFX department with work as Special Effects Coordinator on both seasons of the HBO series "Looking", Tim Burton's "Big Eyes", and the Netflix series "13 Reasons Why".
When he is not on set, Sean is an active film community leader. In 2001 he founded the Bay Area Film Alliance and in 2004 he co-founded the Oakland Film Center, a film business co-operative which encompassed 32 individual businesses.
Helping others achieve their goals/dreams of working in the film industry is a particular passion of Sean's. He has given multiple talks to High School and College student classes, and has mentored many of those students and others, assisting them getting into and established in the film industry during the past two decades. Sean has also assisted many charity projects, most notably assisting SPFX Coordinator Geoff Heron in accomplishing the practical SPFX for Make-A-Wish Bat Kid Day in San Francisco.
In 2017 Sean became a member of the VES (Visual Effects Society). He has also been a frequent industry adviser to mayors in San Francisco and Oakland, and continues to advocate for the Bay Area film community on both the local and state front.
