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Judy Holliday

Biography

Judy Holliday

Edit

Overview

  • Born
    June 21, 1921 · New York City, New York, USA
  • Died
    June 7, 1965 · New York City, New York, USA (breast cancer)
  • Birth name
    Judith Tuvim
  • Height
    1.70 m

Biography

    • Judy Holliday was born Judith Tuvim in New York City on June 21, 1921. Her mother, a piano teacher, was attending a play when she went into labor and made it to the hospital just in time. Judy was an only child. By the age of four, her mother had her enrolled in ballet school which fostered a life-long interest in show business. Two years later her parents divorced. In high school, Judy began to develop an interest in theater. She appeared in several high school plays. After graduation, she got a job in the Orson Welles Mercury Theater as a switchboard operator. Judy worked her way on the stage with appearance in Boston, Philadelphia, Washington, D.C. and New York City. Judy toured on the nightclub circuit with a group called "The Revuers" founded by Betty Comden and Adolph Green. She went to Hollywood to make her first foray into the film world in Montmartre à New York (1944). Most of her scenes ended up on the cutting room floor. Disappointed, but not discouraged, Judy earned two more roles that year in Something for the Boys (1944) and La victoire des ailes (1944). In the latter, Judy had a few lines of dialogue. Judy returned to New York to continue her stage career. She returned to Hollywood after five years to appear in Madame porte la culotte (1949) as Doris Attinger opposite screen greats Katharine Hepburn, Spencer Tracy and Tom Ewell. With her success in that role, Judy was signed to play Billie Dawn in Comment l'esprit vient aux femmes (1950), a role which she originated on Broadway. She was nominated for and won the best actress Oscar for her performance. After filming Je retourne chez maman (1952), Judy was summoned before the Un-American Activities Committee to testify about her political affiliations. Fortunately for her, she was not blacklisted as were many of her counterparts, but damage was done. Her film career was curtailed somewhat, but rebounded. She continued with her stage and musical efforts, but with limited time on the screen. After filming Une cadillac en or massif (1956), she was off-screen for four years. Her last film was the MGM production of Un numéro du tonnerre (1960) with Dean Martin and it was one of her best. Judy died two weeks before her 44th birthday in New York City on June 7, 1965.
      - IMDb mini biography by: Denny Jackson & MO840

Family

  • Spouse
      David Oppenheim(January 5, 1948 - March 1, 1958) (divorced, 1 child)
  • Parents
      Abe Tuvim
      Helen Holliday

Trademarks

  • Her voice
  • Her blonde hair
  • Frequently played the "Dumb Blonde"

Trivia

  • Gave birth to her only child at age 31, a son Jonathan Oppenheim on November 11, 1952. Child's father was her husband, David Oppenheim.
  • Despite her image as a "dumb blonde", she allegedly had an IQ of 172. She often said that it took a lot of smarts to convince people that her characters were stupid.
  • According to biographer Gary Carey, in its search for subversives in the film industry the Un-American House Activities Committee (UHAC) was flummoxed by Holliday, who essentially played her Oscar-winning Comment l'esprit vient aux femmes (1950) character "Billie Dawn" on the witness stand.
  • To help build up her image, particularly in the eyes of Columbia Pictures chief Harry Cohn, Katharine Hepburn deliberately leaked stories to the gossip columns suggesting that her performance in Madame porte la culotte (1949) was so good that it had stolen the spotlight from Hepburn and Spencer Tracy. This got Cohn's attention and Holliday won the part in Comment l'esprit vient aux femmes (1950).
  • Following her divorce, she became involved with jazz musician Gerry Mulligan. After learning she had breast cancer, she stopped filming and began writing songs with him. He wrote the music and she wrote the lyrics. Some of these songs appear on the album "Holliday With Mulligan", which they recorded together in 1961. It was not released until 1980, 15 years after Holliday's death.

Quotes

  • You have to be smart to play a dumb blonde over and over and keep the audience's attention without extraordinary physical equipment.

Salaries

  • Je retourne chez maman (1952) - $200,000
  • Montmartre à New York (1945) - $400 /week

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