It’s 1989 and for as long as he can remember, Israeli spy Ari Ben-Sion has been living life as his alter ego, German businessman Hans Hoffman.
When a mission goes awry, and Ari shoots someone he wasn’t supposed to harm, the Mossad agent finds himself back in Jerusalem for assessment. As if that wasn’t stressful enough, he’s also haunted by the death of his young son, a tragedy for which he’s partly responsible.
He’s given another mission, this time in Syria, and it’s a dangerous one where, in the tradition of all decent spy thrillers, nothing is quite as it seems.Especially when photojournalist Kim (Olivia Thirlby) sets her lens on Ari, who starts to lose focus himself as a result of their budding relationship.
Sadly, despite efforts to position this as a cerebral thriller in the vein of Tinker, Tailor or Funeral In Berlin,...
When a mission goes awry, and Ari shoots someone he wasn’t supposed to harm, the Mossad agent finds himself back in Jerusalem for assessment. As if that wasn’t stressful enough, he’s also haunted by the death of his young son, a tragedy for which he’s partly responsible.
He’s given another mission, this time in Syria, and it’s a dangerous one where, in the tradition of all decent spy thrillers, nothing is quite as it seems.Especially when photojournalist Kim (Olivia Thirlby) sets her lens on Ari, who starts to lose focus himself as a result of their budding relationship.
Sadly, despite efforts to position this as a cerebral thriller in the vein of Tinker, Tailor or Funeral In Berlin,...
- 8/13/2018
- by Richard Phippen
- HeyUGuys.co.uk
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